Tatjana Soli - The Lotus Eaters

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The Lotus Eaters: краткое содержание, описание и аннотация

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“I can’t.” For a brief moment, Mai’s selfishness angered me. For all her girlish charm, if I had to pick again I would have chosen the practical Thao. My mother had worried that Mai would be too fragile, too high-strung, to make a good wife.

“You promised to take me to Saigon,” she said.

“My company knows I’m here.”

“Doesn’t matter.” Mai shook her head, her eyes wild and glittering, not seeing me. “I’ll go anyway. Alone.”

Nha, listening, turned away, embarrassed for her sister-in-law. Her own baby whimpered in her arms, still feverish after a cold. Nha, as homely as Mai was lovely, took comfort in her virtue and self-sacrifice.

I promised that the bombs were to protect us, that the VC would have retreated by now, nothing to fear, trying out the words in my mouth as I said them, not knowing myself if they were believable. “I met an American. I don’t know why, but they are helping us.”

“The eyes and ears in the trees see soldiers retreat here,” my father said, shaking his head.

My family was still frightened, but as the air grew quiet, nerves calmed. My mother built a small fire and boiled tea and fresh rice for a meal. When Mai offered to help, she slapped away her hand. “I remember in Hanoi, the servants made a full meal, even mang tay nau cua, asparagus and crab soup, as the Communists rolled into the city. No matter what, one must eat.”

Mai rolled her eyes, a steady private complaint that the old woman turned everything into a story of her former wealth.

“Wouldn’t it be nice to have some asparagus and crab now?” my mother went on.

Incense was burned for the ancestors. A bowl of rice held out as an offering. I bowed my head to the ground three times at the altar. We ate in silence.

“Did you notice,” Mai said, “during the play, at the song-”

“Please,” said Toan. “Stupid girl, can’t you think of anything more important than that wretched play?”

Mai’s lips puckered, and I refused to look her in the face, certain she would burst into tears again. She struggled to her feet, unable to stand until Nha came over and lifted her under her arms. Mai went outside with her bowl. I could say nothing because Toan was my older brother, bitter at his own unmarried state, but nothing would have pleased me more than to talk about the play. Anything to forget the present fear.

Because they had no choice, they tried to share my faith that the Americans were different. I knew I should report back to the company but couldn’t. After a year’s absence, what could one more night matter?

By midnight everyone fell into a fitful sleep in the communal room, within touch of one another. Later, I would remember dreading the coming morning, when I would be alone again. I woke and heard the suck of Nha’s baby. I wished, and was ashamed to wish, that I could be alone with Mai one last time before our separation. Was Mai right? Should we have escaped when we could to Saigon? The thought of desertion was always present, like uncooked dough in my stomach.

A terrible howling noise. Like a roar from inside the earth. We woke, disoriented, in the middle of the night. Outside, mortars bit at the edge of the village, shards of fire and metal and earth flying. Palm trees, thatched roofs of houses, in fl ames. I could hear screams, could hear Mai’s shrill sob rise up, her breath catching, and then another sob. Where had the mortars come from? Which side? A sound, pull, puff, and then another three mortars landed all around the hut. Plumes of earth rising more than double the height of the tallest palm. Soldiers from my company ran by, abandoning their camp and leaving the village exposed. The enemy attacking from close by if not from inside the village itself.

“Quick,” I yelled. “We must leave.”

Now the Americans would call in airpower and raze the village. My father, still in the vigor of middle age, ran and brought back a long rope that he used to tie our buffalo to the plow. It was stiff and heavy, the fibers scratched. Parts of it thinned and softened from rubbing against the wood stays, other parts caked in mud and manure. He cut off part of it and tied each member of the family together, each person’s left wrist becoming communal, no longer one’s own, a sacrifice so that we wouldn’t get lost or separated, so that in a panic the weak would not get left behind.

Nha refused the rope, saying she had to hold her baby. She swayed in indecision. I said I would carry him, but she only looked down. “Things have to be looked after,” she whispered.

“No.”

“The baby’s fever…” She shook her head. “A rope?” She let out a sad laugh and turned away. Father said we would return for her. As we escaped through the front gate of the village, a woman came asking for help to lift a sack of rice into her cart. Although he had not been in a classroom in over ten years, had spent more time buried in paddies than in books, Father still felt the obligation to set an example. He untied himself.

“What are you doing?” I asked.

His jaw was braced. “Toan, come with me.”

“No,” I said as Toan undid the rope from his wrist. “It’s too late.”

Father and brother left. Minutes passed. The whistling of shells came more rapidly. Earth and flesh being ripped like paper. Fire fed and burned on fire. Bullets flew like hot, sharp insects. People we had spent our whole lives with pushed past like strangers.

Although we might die standing in place, I didn’t dare disobey. “Should we leave?” I asked Ca, but he remained silent.

“There,” Ca said and pointed to Father and Toan jogging toward us. They retied themselves, and we had begun our walk on the path when a mortar screamed over our heads, striking two huts on the other side of the village, the thatch blazing up in a hiss of fire like a match. As quick as a bolt of lightning. Father wanted to turn back again, both of us sensing where it had landed, but I held his eye, shook my head. Move quickly. Save what is left.

We ran in the dark, confused by sounds all around, following in the wake of my fleeing company, who would stop to take random shots behind them, imagining that would stop an enemy they couldn’t see. Many of the wild bullets struck villagers seeking them for safety. A family ahead of us was struck by a grenade, all five scattered like dolls in the field. I worried about my mother and Mai, but they were dazed, in shock, stumbling forward. I recognized this from being with soldiers in battle, how the mind shuts down and there is only instinct.

We came to a rice paddy and plunged into the cold mud, crouching, bewildered, going on. Mud squelched around our feet. The rope, soaked in water, grew heavy. No matter which way we turned, a spitting wall of gunfire from every direction. We had taken the wrong way, straight into a fire field. I cursed myself for not being a real soldier, for only pretending, for not taking control. More frightening for me not to be among my fellow soldiers. Instead, exposed with my family, who had no expectation except for obedience to my poor, blind father. My hand groped emptiness at my side, and I was defeated by the realization that I had left my gun behind in the hut during our hurried escape. What kind of soldier forgets his gun? Courage emptied from me again. I could barely lift my legs. Our progress was slow, the women slipping, falling in the mud, dragging the men’s arms down till we stood bent in half. The only hope to get on the other side of my panicked company, but the soldiers, unburdened, moved away faster than we could approach them. The rope chafed and tore my wrist.

I always wondered what if-What if I had taken charge, turned left, not right… What if I had taken them to hide in the forest and not in the paddy-but in the middle of that night, fear itself hunted us. Because I was not sure, I did nothing.

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