Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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That was the shot. Helen had endured the previous hours of terror to reach it, and yet when it came it satisfied her that the sacrifice had been worth it. Only in her stripped state would she have noticed something so small and so fraught. Later it turned out to be a cover and then led to her first award, but for her the value of the picture was that it returned her purpose-to find small glimmers of humanity.

Helen and Linh caught the last helicopter out and were dropped at a supply base that was supposed to be running more cargo flights from Tan Son Nhut. By the time they landed, the last flight had left, and they had no choice but to spend the night. The whole Highlands was in a state of emergency, and press seating was not a priority. Soldiers waiting to go in joked that the military powers were trying to get as many of them killed as possible before the rumored troop withdrawals.

The next day they waited again, Helen in the mess tent nursing a coffee, Linh stationed next to the air traffic controller, supplying him with cigarettes and sharing a flask of bourbon.

Their location was in a depressed bowl with ragged foothills all around, allowing only a short runway. The jungle seemed to bear down on their small patch of denuded territory, its tinsel of concertina wire, its hastily scratched-out bunkers. The jungle stood dense and majestic and unapproachable. The land itself against them; rice paddies and jungle and plateaus and mountains, all conspiring and waiting for their demise and disappearance.

Linh came in the mess tent and walked over to her table. “You doing okay?”

“What do the flights look like?”

“No one getting in or out now. We could be days.”

The wind was knocked out of her. She had to admit she was more shaken up than she thought; she needed to escape, although escape was getting harder to come by.

“The good news is that nobody else is getting in or out, either. The pictures are still in play.”

She could not blame him-this was their life-but the private’s words about a scoop echoed in her head in a nasty way. By late afternoon, she despaired that they would get out that night, but Linh came running into the mess after having talked his way onto the last cargo plane headed for Tan Son Nhut.

As they approached the plane, one of the flight crew came up to her with a white scarf, but the roar of the engine and her own muffled hearing made it impossible for her to make out his words, and finally he motioned for her to tie it over her nose and mouth.

“I don’t understand,” Helen yelled over the roar, and he pinched his nose. The scarf was greasy, and she brought it to her nose and smelled the sharp smell of Tiger Balm slathered in the center. She shook her head and handed it back to him.

Linh walked up the cargo ramp and stopped at the sight in front of him. Inside the hold, body bags filled the space from floor to ceiling. He walked backward down the ramp; speechless, he pointed. He stood on the ground, arms wrapped around his sides, while Helen found the harassed air controller who had not told Linh what the cargo was on the flight. He shrugged, unimpressed. If they refused this flight, he said, they would spend at least another night or two out.

“It doesn’t matter,” Helen said. “One more night.”

“Let’s get out of here,” Linh said.

They sat in the three feet of cleared space at the forward-most section of the cargo cabin. The smell penetrated, and she wished she had taken the offered scarf. A solid wall of broken bones and sliding flesh, the sight cleaned up and made civilized by being zipped away in rubber bags. She had to put something between herself and this sight and so she raised her camera. The great dark mass in front of her had power, but it was not her picture anymore. It had similarities with the photo she had taken years ago of soldiers piled on the convoy truck. Then she had been in shock at the carnage, determined to show it. Now each of the bodies before her were no longer anonymous, each was Michael, Darrow, Samuels, and all the others. The image valid, but she was unequal to it and lowered the camera. She had to find the smallest bit of redemption in a photo, otherwise taking it would begin to destroy her. Even if it meant risking the misconception that war was not as horrific as it was.

They sat and waited, cameras useless in their laps. Linh had made no motion toward photographing the scene.

Once they were airborne, the wind whipped through the open doors, diluting the stench but also creating a frightening ripple of bags, a hard flapping and flaying that was as bad as the earlier smell. Helen closed her eyes and tried to think of anything but where she was.

During the steep descent into Tan Son Nhut, fluids from the seeping bags sloshed forward in a small wave, and Linh felt a cool, viscous liquid soak through his pants. When the source of the wetness became evident, he put his hands down to try to stand up, but the slickness was like egg white against the metal floor, and he slipped back. Everything blacked in on him. He opened his mouth, but the engines drowned out sound.

Helen pulled him to her, her arms a vise around his waist, turned him away from the sight until they both stood clinging to the webbed wall, but even after he had regained his balance, still she kept her hold tight on him. This she could do. She would not let him go.

SEVENTEEN. Nghia

Love

His heart had been locked away for a very long time.

From the moment he shifted the weight of Mai’s body from his own arms to the earth, he chose not to feel again. He hadn’t held another woman in his arms until he picked up Helen from the sidewalk and carried her back to the room in Cholon.

One came to love another through repeated touch, he believed, the way a mother bonded with her newborn, the way his family had slept in the communal room, brushing against one another, a patterning through nerve endings, a laying of pulse against pulse, creating a rhythm of blood, and so now he touched others, strangers, only fleetingly, without hope.

The weight of Helen in his arms broke open memory. She invaded his heart, first in Darrow’s pictures, and then later through the casual touch of her hand, the smell of her hair, and finally the weight of her pain in his arms.

After she returned to Vietnam, he would wait for her in the crooked apartment, and while waiting he would roll an earring of hers in the palm of his hand, comforted by the thought that it had been against the delicate skin of her earlobe. He did not intend for Helen to know of these feelings; he was perfectly content not acting on them. The invisible carrying just as much weight as the visible in his world.

____________________

After Dak To, Helen asked Linh to take her back to the hamlet in the delta where she had stayed with Darrow. She wanted to recapture that sense of serenity she had glimpsed there. But the hamlet was nothing but ashes now, the villagers refugees. “They declared it a center of enemy activity.”

“We were there. It was safe.”

Linh shrugged. “Maybe we were wrong; maybe they were wrong. Either way the village is still destroyed.”

Helen was silent for a moment. “Don’t you care what is happening to your country?”

He turned away, angry, intending to leave until he regained possession of himself, but instead, for the first time, he turned back. He’d been around Americans long enough to get used to their blurting out feelings, and the desire in him to do so was overwhelming. “My war has been going on for nine years so far. I can’t take a vacation from it and go home and come back. The war is in my home.”

“I didn’t mean-”

“It is like a medic performing triage. You determine who will die anyway, and you move to those you can save. You want to stand over the dead and cry, but that helps no one. That’s a tourist’s sensibility. Day after day I go out with photographers who are tourists of the war.”

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