Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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And then she said it once more. “Cover me.”

If he went to her, his life would change, and if he didn’t go, his life would change also, withering away. He had no choice but to go to her. He rose, the wrist of one hand braceleted by the fingers of the other. Five years since he had lost Mai. He walked into the pond, the water cool on his burning skin, and covered her shoulders in the wings of his shirt, holding her to his chest, tight under his heart.

He didn’t expect more than this moment, already more than he thought he would ever have again.

His hands trembled as his fingers traced the tender cliffs of her collarbone. She reached with her fingers under his chin, brought his eyes up to hers.

“It’s okay if you don’t love me,” she said.

He shook his head at the absurdity, it being so obvious that he had loved her from the moment he first saw her, the love only growing and deepening in time. Darrow’s greatest gift that he never mentioned the obvious infatuation so that Linh did not have to remove himself from their friendship.

Desire made them again strange to each other. They walked hand in hand to the house, Linh leading, and lay down on the mats. Urgent, after all this time, suddenly intolerant of another passing moment without knowledge of each other. A whole Braille of touch-tooth on lip, eyelash on nipple, pubic bone on swell of calf. He explored her body in the smallest of increments, the width of a finger, as if she were the unknown space on a map, and he knew it was her he desired, and not simply his desire for desire. She cradled his head in the hollow of her hip bones. He ran his tongue along the scar on her belly that sealed the future.

He heard the rough breaths that passed through her lungs, cries that no one else could hear, meant only for him. The frailty of her closed eyelids, the blue veins visible underneath the skin; he was protective of the long curve of her back, the soft indentation of the spine. He bandaged his fingers and then his wrists in the healing strands of her hair.

They woke each day in the tangle of each other’s limbs. Relieved and content simply to find the other within reach. Long hours spent in the shade of the palm trees, watching the movements of the villagers among the houses and down to the ocean and back. They didn’t speak for long periods of time, talk unnecessary. This new stage of intimacy simply the fruition of their prior ease in each other’s company. In the late afternoon, they went down the beach, away from curious eyes, walking separately until they found a deserted strand. Entering the water the temperature of blood, swimming easily in the warm salt liquid, tunneling toward each other like electric sea animals. Touches glancing: hand against hand, arm against chest, trunk against back.

Spent, they returned to the house, fell on mats, warm and heavy-limbed. Passion a narcotic. Linh rested his head on her lap, feeling the heat of her through the thin sheet, pressing his nose against the fabric to inhale the salty scent of her.

“What will we do after the war?” he asked.

“What do you mean, ‘after’? Wars don’t end anymore,” she said. She rolled away from him and laughed. “I think Mrs. Xuan is spying on us. She and her friends stand very close to the fence during the afternoon.”

This happiness would have to be paid for. Irrefutable evidence for Mr. Bao to use against him. Linh pulled her back to him and pressed his head into the softness of her thighs. Any price for this moment. “Gossiping old women.”

“Maybe they don’t like you here with an American.”

“Gossiping old hags.”

She stared at the ceiling and ran her fingers through his hair. “Tell me something about Linh. Something I don’t know.”

“Why?”

“Because we’re lovers. Because it’s time. Who was Linh before Darrow?”

He shrugged and sat up. “I’ve told you about the NVA and the SVA.” He had caught the long sideways looks of Mrs. Xuan during the last week but had ignored her. Probably paid to spy by Mr. Bao. “If you don’t know me now, how will you find me in the past?”

“Tell me about your wife. How did you meet?”

Linh slumped back down to the floor. “My family were city people, demoted to living in the village after the partition, when we left for the South. So the customs were strange to us. In the village, the boys would go down to the river on a full-moon night and sing songs to the girls on the opposite shore.”

He remembered eating shrimp with hot red chilies no bigger than the tip of his finger, leaving his mouth burning; he and friends drinking beer his older brother, Ca, had bought for them. His stomach tightened at the memory of the colored lanterns hung along the river so they could see each other better, the reflection of the lanterns on the river. He squinted to see the faces of the girls, each bathed in a pool of pure color. But Mai’s face was perfectly clear, the blue lantern showing her features like moonlight against the night.

“And the girls would sing a song back in reply. Back and forth all night long. We were both fifteen when I saw her singing to me across the river.”

“She picked you.”

He bent his face into Helen’s lap. “She picked me.”

“That’s a beautiful story.” She caressed his shoulder and neck lightly with her fingers. “How did you and Darrow meet?”

“I went to Gary for a job. He needed an assistant for Darrow.”

“Amazing.”

“He flew me to Angkor the same day.”

“That’s when he fell in love with the place?”

“ Gary said no one else would work with him.”

Helen laughed. “I’m glad you stuck it out.”

Linh stood up and excused himself. Helen had almost fallen asleep when he came back in, dripping water.

“Did you go for a swim?”

He shook his head. “I met him once before.”

“Darrow?”

Linh nodded. “He came to photograph a joint movement with my SVA regiment and American advisers.”

“Oh.”

Pulling away, Linh told the story he had been unable to tell, the only story that mattered. Wide-awake now, Helen shivered, knees drawn up, face cupped in her folded arm. Without thought, Linh grabbed both her ankles as anchor, one in each hand, fingers tight around the sharp knobs of bone, grounding himself or her, he did not know which.

Danger that after the telling he would not be able to stand being with her any longer, the wound too deep to share, but her tears fed him. His anguish had grown skeletal in its solitude. He wished it didn’t have to be so, that one could ingest pain and keep it from others, but instead it seemed one could only lessen it by inflicting little cuts and bruises of it on another.

“Forgive me,” he whispered.

A miracle how she appeared beneath him, how she unfolded and folded him into the wings of her arms and legs. He kissed the bony globe of her knee before descending.

Our company had been near the paddy fields settling in for the night when scouts ran into a camp of VC. Quickly, we pulled back toward my village while the American advisers stood alone in the field, yelling at us to stay put. But we abandoned our positions, and the Americans, cursing, called firepower in to target the adjoining forest. Planes came, bombs dropped that shook the earth many kilometers away, so powerful the villagers sent up prayers that the world would not end.

After a shaky perimeter guard had been set up, I slipped away to see my family and reassure them.

My mother and father were bundling belongings, ready to flee with Mai, my older sister, Nha, with her baby, and my brothers, Toan and Ca. My mother was more weary than frightened. She cried that she had been leaving one home after another since she was a young girl in the North. Tears ran down Mai’s face, and she held the sides of her belly as if it pained her. She shook like an animal sensing the approach of the hatchet. Begging me to take them away to someplace safe. To her sister, Thao’s, home. “Please, take us. Take me away.”

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