Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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It was while we were in the paddy bordered by trees that Toan was shot in the throat. The noise around was so deafening, the darkness broken only here and there by the ghost light of a fl are, that we noticed only because of the inert weight on the rope. Mai in front of him pulled down on her knees. My mother crouched in the mud, trying to sop up blood with a piece of cloth. Toan, whose favorite sport was catching frogs in the paddy as a boy and dressing them in crowns of palm husk. Toan, my brother, who was afraid of the dark. Father untied him, and I saw ten years of age suddenly line his face. No choice but to leave the body half-submerged in its gentle blanket of mud, his head propped up on a dike.

Time stopped or raced on. Minutes or eternities spent lost, running. Rain trembled in the air, drops coming at first lightly, then pounding on our backs. Our feet wore heavy boots of mud, stretching already bruise-weary muscles. A bullet punched its way into Ca’s chest with a small ripe sound like an arrow hitting the heartwood of a tree. Ca, whose greatest joy was bringing sweets to Mai. His body jerked backward as if blown by a hard wind, dragging Mother onto the ground. Father groaned, grief squeezing his chest. He fumbled with the long, slippery rope, losing his knife in the mud. He bowed his head, face aged to that of an ancient man, and said to me, “You must take over now.”

I ordered the women to turn away and took my knife, cutting the rope that bound us. I paused, then moved to each family member and cut through the knot on each wrist. If we survived, it would be each alone. The rope fell in pieces to the ground like a serpent.

Mai moaned and pulled at her hair in fistfuls, crouching in the mud. “Get up, Mai.” She shook her head. I lifted her to her feet, her belly large and hard and jutting, but she buckled her knees and went down again. “Please, my love.” She moaned louder, eyes on Ca, hands pressing against her sides. I pulled her up and slapped her across the mouth. “Enough! You will walk.” My first harsh words to her since we married. She nodded, chastened, took one somber step and then another. We did not look back.

This is the way one learned to survive.

Two hours later, the fighting was more sporadic, only sniper bullets and the occasional faraway thump of mortars as they drummed into the earth. The rain had stopped; our bodies soaked and cold and tired. Easier to move without the rope, but I felt its loss like a missing limb.

Mai let out a soft cry and sat down hard on the ground, leaning against a splintered tree, heavy pear belly listing toward the earth like a magnet. In the dark night, her blood black as it poured from between her legs. She squeezed her legs together and remembered aloud how we had laughed only that morning at Ca mimicking her dance. “How long ago it seems.” A deep, dragging ache pulled at her. She had been wrong, she said, had selfishly prayed for her own and my happiness, even to the point of secreting away money to buy a gold necklace for the baby. She had angered fate. “I wanted us to go to Saigon so you could see… I am not a useless wife.”

I rubbed her feet, frozen hard like small river stones. “We’ll go now.”

Mother whispered with Mai, laid a hand on her belly. She took a blouse out of her bag and told Mai to press it up between her legs, stop the baby coming out on such a night. Mai was calm and quiet, suddenly matured from girl to woman, nodding wisely. So unlike her I worried.

“We are going to Saigon,” I said louder, and began to make a sling with the remaining coil of rope across my chest like a pack animal.

Father came and touched my shoulder. “We must return to the village.”

“You can’t.”

“Better for you two to go on alone. Maybe later, with Nha…”

Too exhausted to argue, I nodded. Mai sat wearily in the saddle of the rope sideways across my back, leaning her head on my shoulder. As I made my way off, Mother and Father remained standing by the splintered tree, and even now, in my mind’s eye, that is where I still imagine them.

“Forgive me,” Mai whispered, “my foolishness.” But I didn’t listen. I started the walk south, in the direction of the army and safety, the direction of illusion.

I lost track of time, but during the night Mai laid her fingers along my neck, my only comfort, my only goad.

I walked through the night. I lost my sandals in the mud, walked on blisters, and then on bloodied, raw feet, not daring to stop even when I grew thirsty, until my throat cracked like a riverbed with dryness, but still I kept walking. I would die walking. During the night, Mai fell asleep, her hand falling away.

And then like an angel, a bodhisattva of compassion, the sky lightened to a pearl gray in the east, and the great tired face of the sun appeared. As if the day itself were shamed to light the earth. So quiet that I heard the singing of a single bird in a tree as I passed, a miracle that day could follow such a night, and I reached the highway south, joining a throng of refugees like ourselves draining from the countryside. I murmured, throat like an open wound, over my shoulder, “We are close now.”

I walked until I felt a tug at my sleeve and looked into the wrinkled face of an old grandmother. She shook her head sharply, as if shrugging off a ghost. I could not make out her words, so tired I simply noticed her sunken lips and the few blackened, betel-stained teeth in her mouth. She motioned with her hands to lie down, and the idea of sleep was suddenly overwhelming. I would have walked till I dropped over. I struggled to the tall grass at the side of the road, and only as I worked to loosen the knot of rope around my chest did I notice the cold heaviness of Mai’s body, and as I slowly knelt down to let her off I realized I had felt no movement all night long, no warm breath, and now as I laid her in the long, lilac-tinted grass, and as her long hair draped down to the earth, I saw that she had the pearl gray pallor of death, and I knew, as the grandmother shook her head, quick as a bird, and handed me a small spray of yellow paper flowers before she turned away, that I had carried a corpse the whole night through, but somehow Mai’s spirit had saved me.

This is how the world ends in one instant and begins again the next.

I crouched in the grass and saw that we were both covered in blood, that she had bled to death with our child. I looked up and down the highway, saw other bodies fallen by the side, and when I looked into the faces of the people, I saw we were all the living dead, no one had escaped.

I bowed my head, the spray of flowers still gripped in my fingers. The paper ones the poor bought to place on family altars. Petals faded yellow and dusty from long use, the paper crumpled in places where the old woman had clutched them. But when I brought the spray to my face, I smelled the fresh orange blossoms of Mai’s hair. And so I buried my wife, Mai, under the tree the bird sang in, placing the spray of flowers in her mouth. The blossoms were paper, yellow faded, already dusty from mourning, but they were all I had left to give.

EIGHTEEN. Cat Cai Dau

Cut Off the Head

The next morning Linh sought out Mrs. Xuan, who was feeding garbage to the catfish in the large village pond.

“We need a lacquered box of betel and areca. And gold earrings. Can you prepare a small feast-at least six dishes-for the entire village?” he asked.

He was pleased to see Mrs. Xuan’s eyebrows shoot up, her gossip suddenly gone stale. She chewed on her lips as Linh gave her dollar bills. “For when?”

“Soon. A day or two at most. We must return to Saigon.”

“Too soon,” she said, figuring that time would allow her to dole out the information to Mr. Bao for greater profit.

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