Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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He knew the old woman would not give up the tidy sum she would make. “Then we’ll have the ceremony in Saigon instead. She prefers it-”

“No, no. Hungry bridegrooms. So impatient.” Mrs. Xuan scrunched up her eyes in a failed effort to appear good-natured, quickly withdrawing her hand filled with dollar bills.

When Linh told Helen of his plans for a ceremony, she was quiet. The implications of their time together had not sunk in for her, yet after hearing his story, she knew that he was dead serious. Only Americans thought that Vietnam was as permissive as the brothels and G.I. bars in Saigon. The society was conservative, a relationship outside marriage unheard-of. At times Linh seemed even more foreign now that he was her lover than before when they had been only friends. “Does this have something to do with Mr. Bao? Will he be angry when he finds out?”

“It’s important to save face. But it’s important for me also,” he said. A wild gambit, but he thought the idea of lust would be understandable to Bao and protect Helen. For the last year, Mr. Bao had been consumed with his drug business, Linh with his work, and their reports to the NVA had been empty for a long time. In desperation to appear busy, Bao had slowly pieced together the idea of Helen being captured by the Viet Cong, taken prisoner. Maybe even allowing her to take pictures of the other side, leaking some of them out. He thought that would create new interest in his assignment, quell the talk of his being reassigned to a less lucrative post in the North.

“Why not have a civil ceremony in Saigon, with Gary and the others?”

“This first. A Buddhist ceremony for us.”

“You know I can’t have a child.”

“You are my family,” he said.

Helen rubbed her forehead. She had been living in a dream world in the hamlet, and now he was forcing her to think fast, but her thoughts came sluggishly. How could she explain the infidelity of her heart, that asleep in his arms she couldn’t help if her dreams were still of Darrow. The pain of being in the war with Linh and the pain of being away from him were equal, were driving her mad. She had broken, become something else. She didn’t know what yet. Could you love someone in the process of changing? She did love Linh. As much as a ghost loved. The mind treacherous.

The ceremony was simple, only a dozen people comprising the whole village attending. Both the bride and groom decades younger than the youngest guest. A quiet, subdued afternoon, the clouds having finally spread, wind speeding overhead and spitting raindrops. The times were lean in the countryside no matter how much money one had, and Mrs. Xuan could not buy a proper pig for the feast, so she had made do with catfish, shrimp, and buffalo.

Linh stood with Helen before a small altar of joss sticks, borrowing his aunt’s pictures of his parents, brothers and sister, and Mai. A glass of rice alcohol and a plate of food offered in celebration. He bowed over the lacquer box of betel leaves and areca nuts, to signify unity and faithfulness in the marriage, then gave Helen the traditional set of gold hoop earrings to complete the marriage vows. It scared him to feel so hopeful for the future.

The old village women stood huddled at the back of the house, Mrs. Xuan in the middle. All during the brief ceremony, they eyed the plates of food brought and placed on the center table. When Linh clapped his hands and invited everyone to eat, they fell on the food with ravenous eyes and clawing fingers.

After they had eaten, their stomachs as tight as drums, the villagers settled down in the garden for a long night of drinking, but Linh scolded them away, pushing them out of the house with the remaining dishes of food, out of the garden with bottles of beer. The three old men grinned and said he was an anxious groom, but one of the women, Mrs. Xuan’s best friend, said that he had already been at the duties of a groom for the last week, and they all burst out laughing.

“Enough,” Linh said. “Leave us alone.”

Helen, oblivious to all the talk, sat near the pool watching the clouds chase their way in front of the moon. When everyone was gone, Linh came out to her. “Don’t you feel the drops? You’re wet.”

“I’m happy.”

He carried her into the house, and they made love, past desire, past hunger, past exhaustion. His thirst for her had changed, grown greater, like drinking sea water only to feel more parched with each drink. He woke the next day, late in the afternoon, his face thinner, dark circles under his eyes like bruised fruit, but as soon as he touched her skin his desire again became electric, and he wanted to conquer each part of her all over once more.

Now it was Helen who searched out Mrs. Xuan for meals. The old woman approved of the American’s new wifeliness. Helen brought food to Linh while he slept, and she sponged him off with cool water after they both were soaked with sweat, sore down to the muscle and bone. It gave her a deep plea sure to take care of him during those days, something that he had never allowed before. Finally, like a fever, their passion broke, and they floated in the calm left behind.

It became more and more clear in the intervening days that Helen and Linh could not love each other fiercely, selfishly, as young lovers. They loved each other like secular saints, too selfless for reckless passion, too aware of each other’s pain and the avoidance of it. They loved with a middle-aged caution.

They returned to Saigon, and Linh moved into the crooked apartment in Cholon. She could have brought no other man there, it being both sacrament and sacrilege.

Within days Linh received the expected message that Mr. Bao wanted to have a meeting. He had anticipated as much. He sent back a message that the situation was too risky to meet in the city. Instead, they would meet at the house in the Ho Bo woods.

Linh took military trucks up to Cu Chi, then rode on civilian motorcycles and bicycles the final leg of the journey. On the prearranged night, he stopped for a leisurely meal at a street vendor’s, making sure to get several men in conversation, periodically dipping his hand into his pocket, reassuring himself with the smooth touch of wire. After eating, he walked alone the final hours to the deserted cabin set deep in the woods.

The wind started up at sunset and blew with force, shaking leaves from trees, bending branches, dropping fruit not yet ready to fall. Linh had found great happiness during his weeks with Helen, but now he felt the weight and drag of that love. Ashamed at his relief to be alone again, walking on the deserted road, it occurred to him that he could keep walking and never turn around. A coward’s thought. The wind wiped away the clouds; the sky burned sharp and glittering with stars like broken glass on blacktop. Linh hurried his step.

Mr. Bao lounged at a crude wooden table, drinking from a bottle of expensive Napoleon brandy. In the light of the lantern on the table’s edge, he looked tired and smaller than Linh had remembered him. The graying at his temples, too, was more pronounced, and there were dark circles under his eyes. A pewter-topped cane was propped beside him. Many years had passed since they began their meetings. When he saw Linh, he smiled, revealing stubby brown teeth.

“Didn’t hear you approach,” he said. “Join me.”

“Why not?” Linh sat at the chair opposite.

“I hear we should be making nuptial toasts.”

Linh said nothing, only smiled.

“Indeed, when Mrs. Thi Xuan told me the whole village was invited, I wondered if my invitation had gone astray.”

Again Linh said nothing.

“Come, we don’t have all night. The question, it seems to me, is what do we do with the situation now.”

“This is good brandy,” Linh said, looking into his glass.

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