Edwidge Danticat - The Dew Breaker

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The Dew Breaker: краткое содержание, описание и аннотация

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PEN/Faulkner Award for fiction (nominee)
From the universally acclaimed author of Breath, Eyes, memory and Krik?Krak! (both Opera's Book Club selections), a powerful new work of fiction that explores the trials and reconciliations in the life of a man known as a 'dew breaker,' a torturer, whose past crimes in the country of his birth, lie hidden beneath his new American relaity. In Haiti in the dictatorial 1960's, Manhattan in the 1970s, Brooklyn and Queens today, we meet the dew breaker's family, neighbours, and victims. An unforgettable, deeply resonant book – of love, remorse, history, and hope, of rebellions both personal and political – The Dew Breaker proves once more that in Edwidge Danticat we have a major American writer.
“Breathtaking… With terrifying wit and flowered pungency, Edwidge Danticat has managed over the past 10 years to portray the torment of the Haitian people… In The Dew Breaker, Danticat has written a Haitian truth: prisoners all, even the jailers.” – The New York Times Book Review
“Danticat [is] surely one of contemporary fiction’s most sensitive conveyors of hope’s bittersweet persistence in the midst of poverty and violence.” – The Miami Herald
“Thrillingly topical… [The Dew Breaker] shines… Danticat leads her readers into the underworld. It’s furnished like home.” – Los Angeles Times Book Review
“Stunning… Beautifully written fiction [that] seamlessly blend[s] the personal and political, [and] asks questions about shame and guilt, forgiveness and redemption, and the legacy of violence… haunting.” – USA Today
“Fascinating… Danticat is a fine and serious fiction writer who has slowly grown as an artist with each book she has written.” – Chicago Tribune
“In its varied characters, its descriptive power and its tightly linked images and themes, [The Dew Breaker] is a rewarding and affecting read, rich with insights not just about Haiti but also about the human condition.” – San Francisco Chronicle
“[The Dew Breaker] is, most profoundly, about love’s healing powers. From its marvelous descriptions of place to the gentle opening up of characters, this is a book that engages the imagination.” – Elle
“With her grace and her imperishable humanity… [Danticat] makes sadness beautiful.” – The New York Observer
“Danticat has an emotional imagination capable of evoking empathy for both predator and prey.” – Entertainment Weekly
“With characteristic lyricism and grace, Danticat probes the painful legacy of a time when sons turned against their fathers, children were orphaned, and communities were torn apart.” – The Philadelphia Inquirer
“Delicate and poetic… Danticat [is] more than a storyteller, she’s a writer… Her voice is like an X-Acto knife-precise, sharp and perfect for carving out small details.” – Minneapolis Star Tribune
“Filled with quiet intensity and elegant, thought-provoking prose… An elegiac and powerful novel with a fresh presentation of evil and the healing potential of forgiveness.” – People
“[Danticat] fuses the beauty and tragedy of her native land, a land her characters want to forget and remember all at once.” – Ebony
“In these stories Edwidge Danticat continues to speak eloquently for those who in losing their sorrowful homeland have lost their voices.” – The Boston Globe
“Haitian-American writer Edwidge Danticat presents simple truths… this, the novelist seems to be saying, is how you understand; here is the primer for survival.” – The Atlanta Journal-Constitution

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After his conversation with the landlady, he decided to have a more thorough one with the men who occupied the other two small rooms in the basement. The day before his wife was to arrive, he went into the kitchen to see them. The fact that they were wearing only sheer-looking loose boxers as they stumbled about bleary-eyed concerned him.

“You understand, she’s a woman,” he told them. He was not worried that she would be tempted by their bony torsos, but if she was still as sensitive as he remembered, their near-nakedness might embarrass her.

The men understood.

“If it were my wife,” Michel said, “I’d feel the same.”

Dany simply nodded.

They had robes, Michel declared after a while. They would wear them when she got here.

They didn’t have robes, all three men knew this, but Michel would buy some, out of respect for the wife.

Michel, the youngest of the three, had advised him to pretty up his room, to buy some silk roses, some decorative prints for the walls (no naked girls), and some vanilla incense, which would be more pleasing than the pine-scented air fresheners that the people upstairs liked so much.

Dany told him he would miss their evenings out together. In the old days, they had often gone dancing at the Rendez Vous, which was now the Cenegal nightclub. But they hadn’t gone much since the place had become famous- a Haitian man named Abner Louima was arrested there, then beaten and sodomized at a nearby police station.

He told Dany not to mention those nights out again. His wife wasn’t to know that he’d ever done anything but work his two jobs, as a night janitor at Medgar Evers College and a day janitor at Kings’ County Hospital. And she was never to find out about those women who’d occasionally come home with him in the early-morning hours. Those women, most of whom had husbands, boyfriends, fiancés, and lovers in other parts of the world, never meant much to him anyway.

Michel, who had become a lay minister at a Baptist church near the Rendez Vouz and never danced there, laughed as he listened. “The cock can no longer crow,” he said. “You might as well give the rest to Jesus.”

“Jesus wouldn’t know what to do with what’s left of this man,” Dany said.

Gone were the early-evening domino games. Gone was the phone number he’d had for the last five years, ever since he’d had a telephone. (He didn’t need other women calling him now.) And it was only as he stood in the crowd of people waiting to meet the flights arriving simultaneously from Kingston, Santo Domingo, and Port-au-Prince that he stopped worrying that he might not see any delight or recognition in his wife’s face. There, he began to feel some actual joy, even exhilaration, which made him want to leap forward and grab every woman who vaguely resembled the latest pictures she’d sent him, all of which he had neatly framed and hung on the walls of his room.

They were searching her suitcase. Why were they searching her suitcase? One meager bag, which, aside from some gifts for her husband, contained the few things she’d been unable to part with, the things her relatives hadn’t nabbed from her, telling her that she could get more, and better, where she was going. She’d kept only her undergarments, a nightgown, and two outfits: the green princess dress she was wearing and a red jumper she’d gift-wrapped before packing so no one would take it. Neighbors who had traveled before had told her to gift-wrap everything so it wouldn’t be reopened at the airport in New York. Now the customs man was tearing her careful wrapping to shreds as he barked questions at her in mangled Creole.

“Ki sa l ye?” He held a package out in front of her before unveiling it.

What was it? She didn’t know anymore. She could only guess by the shapes and sizes.

The customs man unwrapped all her gifts-the mangoes, sugarcane, avocados, the grapefruit-peel preserves, the peanut, cashew, and coconut confections, the coffee beans, which he threw into a green bin decorated with fruits and vegetables with red lines across them. The only thing that seemed as though it might escape disposal was a small packet of trimmed chicken feathers, which her husband used to enjoy twirling in his ear cavity. In the early days, soon after he’d left, she had spun the tips of the feathers inside her ears too and discovered that from them she could get jwisans, pleasure, an orgasm. She’d thought then that maybe the foreign television programs were right: sex was mostly between the ears.

When the customs man came across the package of feathers, he stared down at it, then looked up at her, letting his eyes linger on her face, mostly, it seemed to her, on her ears. Clearly, he had seen feathers like these before. Into the trash they went, along with the rest of her offerings.

By the time he was done with her luggage, she had little left. The suitcase was so light now that she could walk very quickly as she carried it in one hand. She followed a man pushing a cart, which tipped and swerved under the weight of three large duffel bags. And suddenly she found herself before a door that slid open by itself, parting like a glass sea, and as she was standing there, blinking through the nearly blinding light shining down on the large number of people who had come to meet loved ones with flowers and placards and stuffed animals, the door closed again and when she moved a few steps forward it opened, and then she saw him. He charged at her and wrapped both his arms around her. And as he held her, she felt her feet leave the ground. It was when he put her back down that she finally believed she was really somewhere else, on another soil, in another country.

He could tell she was happy that so many of her pictures were displayed on the wall facing his bed. During the ride home, he had nearly crashed the car twice. He wasn’t sure himself why he was driving so fast. They dashed through the small talk, the inventory of friends and family members, and the state of their health. She had no detailed anecdotes about anyone in particular. Some had died and some were still living; he couldn’t even remember which. She was bigger than she had been when he left her, what people here might call chubby. It was obvious that she had been to a professional hairdresser, because she was elegantly coifed, with her short hair gelled down to her scalp and a fake bun bulging in the back. She smelled good, a mixture of lavender and lime. He simply wanted to get her home, if home it was, to that room, and to reduce the space between them until there was no air for her to breathe that he was not breathing too.

The drive reminded him of the one they had taken to their one-night honeymoon at the Ifé Hotel, when he had begged the uncle who was driving them to go faster, because the next morning he would be on a plane for New York. That night, he’d had no idea that it would be seven years before he would see her again. He’d had it all planned. He knew that he couldn’t send for her right away, since he would be overstaying a tourist visa. But he was going to work hard, find a lawyer, get himself a green card, and then send for his wife. The green card had taken six years and eleven months. But now she was here with him, moving her face closer to her own pictures, squinting as her nose nearly touched the frames. It was as though she was looking at someone else.

“Do you remember that one?” he asked to reassure her. He was pointing at a framed eight-by-twelve of her lying on a red mat by a tiny Christmas tree in a photographer’s studio. “You sent it last Noël?”

She remembered, she said. It was just that she looked so desperate, as if she were trying to force him to remember her by bombarding him with those photographs.

“I never forgot you for an instant,” he said.

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