Joanne Harris - Blackberry Wine

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‘A lively and original talent’ – Sunday Times
‘Harris is at her best when detailing the sensual pleasures of taste and smell. As chocoholics stand advised to stock up on some of their favourite bars before biting into Chocolat, so boozers everywhere should get a couple of bottles in before opening Blackberry Wine’ – Helen Falconer, Guardian
‘Joanne Harris has the gift of conveying her delight in the sensuous pleasures of food, wine, scent and plants… [Blackberry Wine] has all the appeal of a velvety scented glass of vintage wine’ – Lizzie Buchan, Daily Mail
‘If Joanne Harris didn’t exist, someone would have to invent her, she’s such a welcome antidote to the modern preoccupation with the spare, pared down and non-fattening. Not for her the doubtful merits of an elegant and expensive sparkling water or an undressed rocket salad. In her previous novel, Chocolat, she invoked the scent and the flavour of rich, dark, sweet self-indulgence. In Blackberry Wine she celebrates the sensuous energy that can leap from a bottle after years of fermentation… Harris bombards the senses with the smells and tastes of times past… Harris’s talent lies in her own grasp of the quality she ascribes to wine, “layman’s alchemy, the magic of everyday things.” She is fanciful and grounded at the same time – one moment shrouded in mystery, the next firmly planted in earth. Above all, she has wit’ – -Jenni Murray, Sunday Express
***
Jay Mackintosh's memories are revived by the delivery of a bottle of home-brewed wine from a long-vanished friend. Jay, disillusioned by adulthood, escapes to a derelict farmhouse in France. There he faces old demons and the beautiful Marise, a woman who hides a terrible secret.

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‘Joe?’

But the old man was gone – if he had ever been there. The sound came again, softly, furtively. It must be an animal, Jay told himself. A dog, maybe, or a fox. He got up and moved towards the shuttered window.

A figure was standing behind the shutter.

Jesus! ’ He took a step backward and his injured ankle gave way, almost spilling him onto the floor. The figure was tall, its bulk exaggerated by the heavy overcoat and cap. He had a brief glimpse of blurry features beneath the cap’s peak, of hair spilling out over the collar, of angry eyes in a pale face. A flash of almost recognition. Then the moment passed and the woman looking at him from outside the shutter was a complete stranger.

‘What the hell are you doing here?’ He spoke English automatically, not expecting her to understand. After that night’s events he wasn’t even certain she was real at all. ‘And who are you, anyway?’

The woman looked at him. The old shotgun in her hand was not quite pointing at him, but by a tiny movement could be made to do so.

‘You are trespassing.’ Her English was strongly accented but good. ‘This house is not abandoned. It is private property.’

‘I know. I-’ This woman must be some kind of caretaker, Jay told himself. Perhaps she was paid to ensure no damage was done to the building. Her presence explained the mysterious sounds, the candles, the sleeping bag, the smell of fresh paint. The rest – the unexpected appearance of Joe, for instance – had been his imagination. He smiled at the woman in relief.

‘I’m sorry I shouted at you. I didn’t understand. I’m Jay Mackintosh. The agency may have mentioned me.’

She looked at him blankly. Her eyes flicked momentarily behind him, taking in the typewriter, the bottles, the luggage.

‘Agency?’

‘Yes. I’m the man who bought the house. Over the phone. The day before yesterday.’ He gave a short, nervous laugh. ‘On an impulse. The first I’ve ever had. I couldn’t wait for the paperwork. I wanted to see it straight away.’ He laughed again, but there was no returning smile in her eyes.

‘You say you bought the house?’

He nodded. ‘I wanted to come over and see it. I couldn’t get the keys. Somehow I managed to get stranded here. I hurt my ankle-’

‘That is impossible.’ Her voice was flat. ‘I would have been told if there had been another buyer.’

‘I don’t think they were expecting me so soon. Look, it’s perfectly simple really. I’m sorry if I startled you. I’m actually very glad you’re looking after the building.’

The woman looked at him oddly but said nothing.

‘I can see they’ve been doing the place up a little. I noticed the paint pots. Did you do it yourself?’

She nodded, her eyes lightless. Behind her the sky was hazy, troubled. Jay found her silence disconcerting. Clearly his story hadn’t convinced her.

‘Do you… I mean, is there a lot of that kind of work hereabouts? Caretaking, I mean. Renovating old properties.’

She shrugged. The gesture might mean anything. Jay had no idea what it was supposed to convey.

‘Jay Mackintosh.’ He smiled again. ‘I’m a writer.’

That look again. Her eyes flicked over him in contempt or curiosity.

‘Marise d’Api. I work the vineyard across the fields.’

‘Pleased to meet you.’ Either shaking hands wasn’t a local custom, or her refusal was a deliberate insult.

Not a caretaker, then, Jay told himself. He should have known it at once. That arrogance in her face, that harshness, proved it. This was a woman who tended her own farm, her vines. She was as stony as her land.

‘I suppose we’ll be neighbours.’

Again, no answer. Her face was a blind. No way to tell whether, beneath it, lay amusement, anger or simple indifference. She turned away. For a second her face, turning towards the moonlight, was silvered with light, and he saw that she was young – no older than twenty-eight or – nine – her features sharp and elfin beneath the big hat. Then she was gone, curiously graceful in spite of her bulky over-clothes, her boots kicking a swathe through the damp weeds.

‘Hey! Wait!’ Too late Jay realized that this woman could help him. She would have food, hot water, antiseptic, perhaps, for his injured ankle. ‘Wait a minute! Madame d’Api! Perhaps you could help me!’

If she heard him she did not reply. For a moment he thought he saw her, outlined briefly against the sky. The sound in the undergrowth might have been that of her passage, or something else altogether.

When he realized she was not coming back Jay returned to his makeshift bed in the corner of the room and lit a candle. The almost-empty bottle of Joe’s wine was standing by the bedside, though Jay was certain he had left it on the table. He must have moved it himself, he thought, during his fugue. It was understandable. He’d had a shock. By the light of the candle he peeled away his sock to examine the damage to his ankle. It was an ugly slash, the flesh around it bruised and swelling. Bishop’s leaves, the old man had said, and in spite of himself Jay smiled. Bishop’s leaves – the Yorkshire name for water betony – had been a common ingredient for Joe’s protection sachets.

But for now the only available antiseptic was the wine. Jay tilted the bottle and poured a thin stream of yellow liquid onto the gash. It stung for a minute, releasing its scent of summer and spice, and though he knew it was absurd, such was the power of that scent that Jay felt a little better.

The radio gave a sudden crackle of music and fell silent.

A breeze of other places – a scent of apples, a lullaby of passing trains and distant machinery and the radio playing. Funny how his mind kept going back to that song, that winter song, ‘Bohemian Rhapsody’.

Jay slept, a piece of red flannel still curled tightly in his palm.

But the wine – raspberry red, blackberry blue, rosehip yellow, damson black – stayed awake. Talking.

22

Nether Edge, Summer 1977

ZETH HADN’T CHANGED. JAY WOULD HAVE RECOGNIZED HIM instantly, even without the rifle crooked into his arm, though in a year he seemed to have grown much taller, his long hair tied back now in a thin pigtail. He was wearing a denim jacket, with GRATEFUL DEAD written across the back in biro, and engineer’s boots. From his hiding place above the canal Jay could not tell if he was alone or not. As he watched, Zeth raised his rifle and took aim at something just beyond the towpath. Some ducks which had been sitting by the water sprayed upwards, their wings going like clapperboards. Zeth yelled and fired again. The ducks went crazy. Jay stayed where he was. If Zeth wanted to shoot ducks, he thought, that was his business. He wasn’t going to interfere. But as he watched he began to have his doubts. Zeth seemed to be firing not at the canal, but somewhere beyond. Past the trees and towards the river, though the terrain there was far too open for birds. Rabbits, maybe, thought Jay, though with the noise he was making, surely any animal would have already fled. He narrowed his eyes against the lowering sun, trying to make out what Zeth was doing. The bigger boy fired again, twice, and reloaded. Jay realized he was Standing in almost exactly the same place he himself usually hid to watch…

The gypsies .

Zeth must have been firing at the washing line strung between the nearest two caravans, for one end already trailed limply into the grass, like a bird’s broken wing, flapping half-heartedly in the wind. The dog, tethered in its usual place, set up a strident barking. Jay thought he caught sight of something moving at the window of one of the caravans, a curtain pulled aside briefly and a face, pale, blurry, eyes wide in anger or dismay before the curtain was yanked back in place. There was no further movement from the caravans, and Zeth laughed again and began to reload. Now Jay could hear what he was shouting.

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