Gore Vidal - Empire

“French, no. Sanford yes; living in France…”

“That’s what I meant. Jack and I visited your father at Saint-Cloud. That’s the way to live, I said, not like the way we do in the Hudson Valley, in wooden crates.” Then Caroline realized that Mrs. Jack was Mrs. John Jacob Astor, the daughter-in-law of the Mystic Rose. The war between the two ladies was a source of delight to New York. Although friendly when together in public, each tended to disparage the other when apart. Mrs. Jack found her mother-in-law’s social life boring, while Mrs. Astor thought Mrs. Jack’s circle fast. Worse, in the eyes of the Mystic Rose, her son had political interests if not ambitions. Like so many of New York’s young grandees, Jack Astor had been inspired to clean up the Augean stables if not of the republic, an impossible undertaking, of the city. He had been a colonel in the recent war; he was said to be an inventor; he had published a novel about the future. None of this gave pleasure to his mother. On the other hand, she herself had recently won the only family war that mattered: not only had William Waldorf Astor exchanged New York for London, he had also renounced his American citizenship. Caroline Schermerhorn Astor reigned alone. “I can’t think where my mother-in-law finds these people.” Mrs. Jack looked about the room. She was very handsome, Caroline decided; and very fashionable in the English rather than the American way. “I think they must be kept in cedar chests when they’re not here. Harry amuses, of course. Did you know Ward McAllister?”

“I think,” said Caroline, “he was under a cloud when I first stepped onto the stage.”

Mrs. Jack looked at her with some interest. “Yes,” she said, “it is very much a stage, our world. But the clouds are real, if one’s not careful.”

“The problem must be,” Caroline wished to sound tentative, and succeeded, she thought, “at least my problem is, what is the play that we are supposed to be acting in.”

“The play, Miss Sanford, is always the same. It is called ‘Marriage.’ ”

“How boring!”

“How would you know?” Mrs. Jack gave a sudden great hearty deep laugh. “One has to be married to know just how deeply boring the play is.”

“But if that’s the play, I’m well into the first act. Getting married is at least a third of the drama, isn’t it?”

“To Del Hay, I hear. Well, you could probably do worse.”

“Who knows? Perhaps I shall, Mrs. Astor.”

“Call me Ava. I shall call you Caroline. Do you play bridge?”

“Not yet.”

“I shall teach you. I used to play tennis until Jack took it up. Now I play bridge. It is exactly like being alive. You’ll love it. The danger. The excitement. We shall see each other from time to time. We shall lunch at restaurants together, something that drives my mother-in-law mad. We shall compare notes on the play, between terrible yawns. I do hate my life, you know.” On that intimate if somewhat somber-not to mention theatrical-note, Mrs. Jack bade her new close friend farewell; kissed ritually the cheek of the Mystic Rose; and departed.

“Ava is always bored,” said Mrs. Astor to Caroline, as if she had overheard their conversation. “I am never bored. I recommend that you never be bored either. There is nothing so boring as people who are always bored.”

“I shall remember that,” said Caroline, fearing that she would.

“I am told that your brother, Blaise Sanford, is in the city. He has not come to see me, though your d’Agrigente brothers have. They are French,” she mysteriously emphasized; then regained her subject, Blaise. “He works with that Mr. Hearst.”

“Yes. Blaise also plans never to be bored. He finds Mr. Hearst very exciting.”

“It is possible to be too exciting.”

“I’ve not been so lucky.”

“I see Mrs. Delacroix each summer in Newport, Rhode Island. She does not think Mr. Hearst a good influence on her grandson. She tells me that journalism is bound to draw Blaise into the company of politicians and Jews. She is deeply distressed.”

“I’ve not met her, you know.”

Mrs. Astor’s dark stare was curiously disconcerting. She looked at Caroline as if, indeed, Caroline were an actress on stage and she the critical audience when, Caroline was certain-or was she?-that it ought to be the other way around. “That is right. You had different mothers. I knew both. Your mother I knew very slightly. She was dark-like you. She was the Princesse d’Agrigente. Then Denise Delacroix Sanford died, and your mother married your father.”

“Yes, I know the sequence intimately.”

“Yes,” said Mrs. Astor. “I suppose you must.”

Harry Lehr then amused everyone; and the tea was over.

At midnight Broadway resembled itself at noon, except that the millions of white electrical lights used to spell out the names of theaters and plays, lacking all color, drained Broadway of color, too. There was something arctic about the scene, thought Caroline, as the carriage entered Longacre Square, a lozenge-shaped area whose south end was dominated by an odd triangle of a building. At midnight the square was almost as crowded as at noon. Streetcars rattled by; carriages stopped and started, as the night people got in, got out.

Blaise was entirely at home, thought Caroline, with a twinge of envy. She was still a foreigner; he was already a New Yorker. At the theater, he pointed out all sorts of New York figures in the audience, including a man who invariably bet a million dollars on almost anything, and another man, very fat and covered with diamonds, who ate a dozen dinners a day but drank only orange juice, a gallon at each meal.

“Here’s Rector’s.” Blaise was at his most attractive when he was excited, and New York excited him-electrified him, she thought, feeling a dozen years his senior. But despite her own new gravitas , she had enjoyed the play almost as much as the intermissions. Neither had mentioned the will; presumably, over supper, they would begin their business, and she would ignore her cousin’s warning.

Rector’s occupied a low yellow-brick building between Forty-third and Forty-fourth Streets on the east side of Longacre Square. Over the doorway hung an electrical griffin. “There’s no other sign,” Blaise explained happily. “Everyone knows this is Rector’s.”

As Caroline entered Rector’s the orchestra was playing what she had come to think of as the city’s anthem: “There’ll be a Hot Time in the Old Town Tonight.” She was not certain whether the war had made the song popular, or the other way around. In either case, she preferred this jaunty tune to the lachrymose “The Rosary.” A thick, heavy man-but then all New York men were thick, heavy-Mr. Rector himself greeted Blaise; and was pleased, if somewhat surprised, to learn that Caroline was his sister. “We’ll put you in the back, Mr. Sanford. A quiet table.”

“Has Mr. Hearst been in?”

“No, sir. But the evening’s young.”

They sat facing one another across a corner table. The room was overheated, and smelled of roast beef and cigar smoke.

“You’ll like the Chief. At least I think you will.”

“Mrs. Astor-”

“Oh, those people hate him. You see, he does everything his own way. They really hate that, you know. They also can’t believe it. Like Brooklyn Bridge…” The maître d’hôtel took their order for supper. Although Caroline could not get enough of Long Island’s oysters, she disliked France’s allegedly more delicate and distinctive oysters. The Atlantic was colder here than there; or so someone had said, trying to explain to her the crucial difference. Meanwhile, she ate as many oysters as she dared.

“What about Brooklyn Bridge?” Meekly Caroline accepted every delay that Blaise saw fit to contrive; and he was in a delaying mood. She had also begun, almost idly, to wonder what he was really like. She had, of course, analyzed him to their Sanford cousin, but even as she had held so sententiously forth on Blaise’s form of ambition, she now realized that she hardly knew this sharp-faced, high-colored blond youth sitting opposite her. They had been apart too often. Was he, for instance, in love with anyone? Or was he what Mrs. Astor’s circle called a libertine? Or was he simply interested in himself, in thrall to his own energy as she was to hers?