Gore Vidal: Messiah

"You live here alone?" She indicated the wrong direction though taking in, correctly, the river on whose east bank I did live, a few miles to the north of Clarissa.

I nodded. "Entirely alone… in an old house."

She sighed. "No family?"

"None here. Not much anywhere else. A few in New Orleans, my family's original base." I waited for her to ask if I never got lonely living in a house on the river, remote from others; but she saw nothing extraordinary in this.

"It must be fine," she said slowly. She broke a leaf off a flowering bush whose branch, heavy with blooming, quivered above our heads as we sat on the garden bench and watched the dim flash of goldfish in the muddy waters of the pond.

"I like it," I said, a little disappointed that there was now no opportunity for me to construct one of my familiar defenses of a life alone: I had, in the five years since my days of travel had temporarily ended, many occasions on which to defend and glorify the solitary life I had chosen for myself beside this river. I had an ever-changing repertoire of feints and thrusts: for instance, with the hearty, I invariably questioned, gently of course, the virtue of a life in the city, confined to a small apartment with uninhibited babies and breathing daily large quantities of soot; or then I sometimes enjoyed assuming the prince of darkness pose, alone with his crimes in an ancient house, a figure which could, if necessary, be quickly altered to the more engaging one of remote observer of the ways of men, a stoic among his books, sustained by the recorded fragments of forgotten bloody days, evoking solemnly the pure essences of nobler times a chaste intelligence beyond the combat, a priest celebrating the cool memory of his race. My theater was extensive and I almost regretted that with Iris there was no need for even a brief curtain raiser, much less one of my exuberant galas.

Not accustomed to the neutral response, I stammered something about the pleasures of gardens; Iris's calm indifference saved me from what might have been a truly mawkish outburst calculated to interest her at any cost (mawkish because, I am confident, that none of our deepest wishes or deeds is, finally, when honestly declared, very wonderful or mysterious: simplicity not complexity is at the center of our being; fortunately the trembling "I" is seldom revealed, even to paid listeners, for, conscious of the appalling directness of our needs, we wisely disguise their nature with a legerdemain of peculiar cunning). Much of Iris's attraction for me… and at the beginning that attraction did exist… was that one did not need to discuss so many things: of course the better charades were not called into being which, creatively speaking, was a pity; but then it was a relief not to pretend and, better still, a relief not to begin the business of plumbing shallows under the illusion that a treasure chest of truth might be found on the mind's sea floor… a grim ritual which was popular in those years, especially in the suburbs and housing projects where the mental therapists were ubiquitous and busy.

With Iris, one did not suspend, even at a cocktail party, the usual artifices of society. All was understood, or seemed to be, which is exactly the same thing. We talked about ourselves as though of absent strangers. Then: "Have you known Clarissa long?" I asked.

She shook her head. "I met her only last winter."

"Then this is your first visit here? to the valley?"

"The first," she smiled, "but it's a little like home, you know. I don't mean Detroit, but a memory of home, got from books."

I thought so too. Then she added that she did not read any longer and I was a little relieved; somehow with Iris one wanted not to talk about books or the past. So much of her charm was that she was entirely in the present. It was her gift, perhaps her finest quality, to invest the moment with a significance which in recollection did not exist except as a blurred impression of excitement. She created this merely by existing. I was never to learn the trick, for her conversation was not, in itself, interesting and her actions were usually calculable in advance, making all the more unusual her peculiar effect. She asked me politely about my work, giving me then the useful knowledge that, though she was interested in what I was doing, she was not much interested in the life of the Emperor Julian.

I made it short. "I want to do a biography of him. I've always liked history and so, when I settled down in the house, I chose Julian as my work."

"A life's work?"

"Hardly. But another few years. It's the reading which I most enjoy, and that's treacherous. There is so much of interest to read that it seems a waste of time and energy to write anything… especially if it's to be only a reflection of reflections."

"Then why do it?"

"Something to say, I suppose; or at least the desire to define and illuminate… from one's own point of view, of course."

"Then why… Julian?"

Something in the way she said the name convinced me she had forgotten who he was if she had ever known.

"The apostasy; the last stand of paganism against Christianity."

She looked truly interested, for the first time. "They killed him, didn't they?"

"No, he died in battle. Had he lived longer he might at least have kept the Empire divided between the old gods and the new messiah. Unfortunately his early death was their death, the end of the gods."

"Except they returned as saints."

"Yes, a few found a place in Christianity, assuming new names."

"Mother of God," she murmured thoughtfully.

"An unchristian concept, one would have thought," I added, though the beautiful illogic had been explained to me again and again by Catholics: how God could and could not at the same time possess a mother, that gleaming queen of heaven, entirely regnant in those days.

"I have often thought about these things," she said, diffidently. "I'm afraid I'm not much of a student but it fascinates me. I've been out in California for the past few years, working. I was on a fashion magazine." The note was exactly right: she knew precisely what that world meant and she was neither apologetic nor pleased. We both resisted the impulse to begin the names again, threading our way through the maze of fashion, through that frantic world of the peripheral arts.

"You kept away from Vedanta?" A group of transplanted English writers at this time had taken to oriental mysticism with great eagerness, an atonement no doubt for their careers as movie writers. Swamis and temples abounded among the billboards and orange trees; but since it was the way for some it was, for those few at least, honorable.

"I came close." She laughed. "But there was too much to read and even then I always felt that it didn't work for us, for Americans, I mean. It's probably quite logical and familiar to Asiatics, but we come from a different line, with a different history; their responses aren't ours. But I did feel it was possible for others, which is a great deal."

"Because so much is really not possible?"

"Exactly. But then I know very little about these things."

She was direct: no implication that what she did not know either did not exist or was not worth the knowing, the traditional response in the fashionable world.

"Are you working now?"

She shook her head. "No, I gave it up. The magazine sent somebody to take my place out there (I didn't have the 'personality' they wanted) and so I came on to New York where I've never really been, except for week ends from school. The magazine had some idea that I might work into the New York office, but I was through. I have worked."

"And had enough?"

"For that sort of thing, yes. So I've gone out a lot in New York, met many people; thought a little…" She twisted the leaf that she still held in her fingers, her eyes vague as though focused on the leaf's faint shadow which fell in depth upon her dress, part upon her dress and more on a tree's branch ending finally in a tiny fragment of shadow on the ground, like the bottom step of a frail staircase of air.