Winfried Sebald - Campo Santo

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Campo Santo: краткое содержание, описание и аннотация

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This final collection of essays by W. G. Sebald offers profound ruminations on many themes common to his work — the power of memory and personal history, the connections between images in the arts and life, the presence of ghosts in places and artifacts. Some of these pieces pay tribute to the Mediterranean island of Corsica, weaving elegiacally between past and present, examining, among other things, the island’s formative effect on its most famous citizen, Napoleon. In others, Sebald examines how the works of Günter Grass and Heinrich Böll reveal “the grave and lasting deformities in the emotional lives” of postwar Germans; how Kafka echoes Sebald’s own interest in spirit presences among mortal beings; and how literature can be an attempt at restitution for the injustices of the real world.
Dazzling in its erudition, accessible in its deep emotion, Campo Santo confirms Sebald’s status as one of the great modern writers who divined and expressed the invisible connections that determine our lives.
“W. G. Sebald exemplified the best kind of cosmopolitan literary intelligence — humane, digressive, deeply erudite, unassuming and tinged with melancholy. . In [Campo Santo] Sebald reveals his distinctive tone, as his winding sentences gradually mingle together curiosity and plangency, learning and self-revelation. . [Readers will] be rewarded with unexpected illuminations.”
— The Washington Post Book World “Brilliant … bursting with flavors … at once precise and luscious … [Campo Santo] reminds us what a significant loss [Sebald’s] early passing was to the literary world.… [The] travel essays on Corsica are absolute gems.… [D]iscussions of Nabokov, Kafka, Gunter Grass, and the schizophrenic poet Herbeck … provide a satisfaction as rare as a perfect meal.”
— The Boston Globe “[A] darkly companionable voice … This magnificent writer may have left abruptly, but his own shadow lingers.”
— The New York Times Book Review “Max Sebald has begun to be widely recognized as one of the most important prose writers of the past 20 years.”
— The Economist “Nuanced … multidimensional … Ruminative and elegiac, the late W. G. Sebald wove threads of timelessness connecting past and present.”
— The Dallas Morning News “All of Sebald’s books are about journeys … [and he] is an entertaining guide.”
— The New York Review of Books “[Sebald] is prone to visions, hallucinations, and premonitions, usually induced by a confrontation with a personal memory or a historical site. These are the source of the subdued horror of much of Sebald’s work, and also of its very dry humor.… Four fragments of a literary work about a trip to Corsica … have the virtues of Sebald’s best work, with its odd blend of fiction, memoir, history, and travelogue.”
— The New York Sun “Stunning … intensely observant, erudite, lyrical, and provocative … Detailed descriptions of Sebald’s wanderings on [Corsica] turn into musings of astonishing beauty and insight into history, environmental decimation, and our feelings about death. These arresting meditations, brilliant syntheses of thought and feeling, are followed by masterful, passionate critical essays expressing Sebald’s belief in the healing power of literature and our obligation to remember the past and respect life in all its wonders and mysteries
— Booklist “[A] masterful translation … Sebald was a beautiful and intelligent writer.”
— Publishers Weekly “If you thought literary modernism was dead, guess again. The spirit of such masters as Kafka and Borges lives on in the [work] of W. G. Sebald.”
— The Wall Street Journal

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“To the Brothel by Way of Switzerland: On Kafka’s Travel Diaries” ( Via Schweiz ins Bordell. Zu den Reisetagebüchern Kafkas ). DieWeltwoche , 5 October 1995, p. 66.

“Dream Textures: A Brief Note on Nabokov” ( Traumtexturen. Kleine Anmerkung zu Nabokov ). Die Zeitschrift der Kultur 6 (1996), pp. 22–25.

“Kafka Goes to the Movies” ( Kafka im Kino ). Frankfurter Rundschau , 18 January 1997.

Scomber scombrus , or the Common Mackerel: On Pictures by Jan Peter Tripp” ( Scomber scombrus oder die gemeine Makrele. Zu Bildern von Jan Peter Tripp ). Neue Zürcher Zeitung , 23/24 (September 2000).

“The Mystery of the Red-Brown Skin: An Approach to Bruce Chatwin” ( Das Geheimnis des rotbraunen Fells. Annäherung an Bruce Chatwin ). Literaturen 11 (2000), pp. 72–75.

Moments musicaux ” ( Moments musicaux ). Frankfurter Allgemeine Zeitung , 7 July 2001.

“An Attempt at Restitution” ( Ein Versuch der Restitution ). Stuttgarter Zeitung , 18 November 2001.

“Acceptance Speech to the Collegium of the German Academy” ( Antrittsrede vor dem Kollegium der Deutschen Akademie ). In: “Wie sie sich selber sehen” (How They See Themselves). Acceptance speeches to the Collegium of the German Academy by members. With an essay by Hans-Martin Gauger. Ed. Michael Assmann, Göttingen, 1999, pp. 445–46.

About the Pictures

this page: Quint Buchholz, Die Befragung der Aussicht ( III ) (“Questioning the View”), 1989. Pen and colored ink drawing on paper.

this page: Jan Peter Tripp, Das ungeschriebene Gebot (“The Unwritten Commandment”), 1996. Acrylic on paper and wood, diameter 90 cm.

this page: Jan Peter Tripp, Endspiel (“Endgame”), 1999. Acrylic on canvas and wood, 50 × 50 cm.

About the Author

W. G. Sebald was born in Wertach im Allgäu, Germany, in 1944. He studied German language and literature in Freiburg, Switzerland, and in Manchester. He taught at the University of East Anglia in Norwich, England, for thirty years, becoming professor of European literature in 1987, and from 1989 to 1994 was the first director of the British Centre for Literary Translation. His previous books— After Nature, The Rings of Saturn, The Emigrants, Vertigo , and Austerlitz —have won a number of international awards, including the National Book Critics Circle Award, the L.A. Times Book Award, the Berlin Literature Prize, and the Literatur Nord Prize. He died in December 2001.

About the Translator

Anthea Bell was born in Suffolk and educated at Somerville College, Oxford. She has worked as a translator for many years, primarily from German and French, and her translations include works of nonfiction (biography, politics, social history, musicology, and art history), literary and popular fiction, and classic German works for young people. Anthea Bell has also served on the committee of the Translators Association and the jury panel of the Schlegel-Tieck German translation prize in the U.K., and has received a number of translation prizes and awards, including, in 2002, the Independent Foreign Fiction Prize (U.K.) and the Helen and Kurt Wolff Prize (U.S.) for W. G. Sebald’s Austerlitz . She lives in Cambridge, England.

Примечания

1

Published in English as On the Natural History of Destruction, and also including the essays on Jean Améry and Peter Weiss, which in the original German are part of the present volume published by Hanser.

2

Pasquale Paoli (1725–1807) was known as the “Father of the Corsican Nation.” He drew up the Corsican constitution.

3

Feuding Conflict and Banditry in Nineteenth-Century Corsica (Cambridge University, 1988).

4

Of the forests I have seen, Bavella is the loveliest.… Only, if the tourist wishes to see it in its glory, he must make haste!

5

My husband, who always used to come home with five or six partridges, got only one.

6

The Kasperl play is the German version of a Punch and Judy show.

7

A film by the director Gustav Ucicky, starring actors Paula Wessely, Peter Peterson, and Attila Hörbiger. The film was called Heimkehr (Homecoming).

8

The title of a 1931 novel filmed by the Austrian director Bernhard Wicki in 1961; the plot concerns the miraculous removal of a dance hall called the Garden of Eden from the city where it is giving offense.

9

Friedrich Ebert (1871–1925) was the first president of the Weimar Republic, and had become chairman of the Social Democratic Party in 1913. Gustav Noske (1868–1946) was also a prominent politician during the Weimar Republic period.

10

Kafka geht ins Kino, Hanns Zischler, 1996; trans. by Susan Gillespie as Kafka Goes to the Movies, Chicago, 2003.

11

The famous poet Friedrich Hölderlin (1770–1843) grew up in Nörtingen near Stuttgart. He had an unhappy love affair with the wife of his employer, the banker J. F. Gontard, in whose house he was a tutor. Around 1802 he showed the first signs of psychological distrubance, and spent most of the rest of his life suffering from mental illness. Much of his poetry celebrates the ideals of ancient Greece.

12

E.T.A. Hoffmann’s Der Goldne Topf of 1814.

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