Winfried Sebald - Campo Santo

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Campo Santo: краткое содержание, описание и аннотация

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This final collection of essays by W. G. Sebald offers profound ruminations on many themes common to his work — the power of memory and personal history, the connections between images in the arts and life, the presence of ghosts in places and artifacts. Some of these pieces pay tribute to the Mediterranean island of Corsica, weaving elegiacally between past and present, examining, among other things, the island’s formative effect on its most famous citizen, Napoleon. In others, Sebald examines how the works of Günter Grass and Heinrich Böll reveal “the grave and lasting deformities in the emotional lives” of postwar Germans; how Kafka echoes Sebald’s own interest in spirit presences among mortal beings; and how literature can be an attempt at restitution for the injustices of the real world.
Dazzling in its erudition, accessible in its deep emotion, Campo Santo confirms Sebald’s status as one of the great modern writers who divined and expressed the invisible connections that determine our lives.
“W. G. Sebald exemplified the best kind of cosmopolitan literary intelligence — humane, digressive, deeply erudite, unassuming and tinged with melancholy. . In [Campo Santo] Sebald reveals his distinctive tone, as his winding sentences gradually mingle together curiosity and plangency, learning and self-revelation. . [Readers will] be rewarded with unexpected illuminations.”
— The Washington Post Book World “Brilliant … bursting with flavors … at once precise and luscious … [Campo Santo] reminds us what a significant loss [Sebald’s] early passing was to the literary world.… [The] travel essays on Corsica are absolute gems.… [D]iscussions of Nabokov, Kafka, Gunter Grass, and the schizophrenic poet Herbeck … provide a satisfaction as rare as a perfect meal.”
— The Boston Globe “[A] darkly companionable voice … This magnificent writer may have left abruptly, but his own shadow lingers.”
— The New York Times Book Review “Max Sebald has begun to be widely recognized as one of the most important prose writers of the past 20 years.”
— The Economist “Nuanced … multidimensional … Ruminative and elegiac, the late W. G. Sebald wove threads of timelessness connecting past and present.”
— The Dallas Morning News “All of Sebald’s books are about journeys … [and he] is an entertaining guide.”
— The New York Review of Books “[Sebald] is prone to visions, hallucinations, and premonitions, usually induced by a confrontation with a personal memory or a historical site. These are the source of the subdued horror of much of Sebald’s work, and also of its very dry humor.… Four fragments of a literary work about a trip to Corsica … have the virtues of Sebald’s best work, with its odd blend of fiction, memoir, history, and travelogue.”
— The New York Sun “Stunning … intensely observant, erudite, lyrical, and provocative … Detailed descriptions of Sebald’s wanderings on [Corsica] turn into musings of astonishing beauty and insight into history, environmental decimation, and our feelings about death. These arresting meditations, brilliant syntheses of thought and feeling, are followed by masterful, passionate critical essays expressing Sebald’s belief in the healing power of literature and our obligation to remember the past and respect life in all its wonders and mysteries
— Booklist “[A] masterful translation … Sebald was a beautiful and intelligent writer.”
— Publishers Weekly “If you thought literary modernism was dead, guess again. The spirit of such masters as Kafka and Borges lives on in the [work] of W. G. Sebald.”
— The Wall Street Journal

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26 Ibid., p. 31; Eng., p. 75.

27 This and the following quotation are from ibid., p. 93.

28 Ibid., p. 100f.; Eng., p. 140.

29 From the introduction to the German version of David Cooper, Psychiatry and Anti-Psychiatry (London, 1967); Ger. Psychiatrie und Antipsychiatrie (Frankfurt, 1971), p. ii.

30 Peter Handke, Wunschloses Unglück , Frankfurt, 1974, p. 48; Eng., A Sorrow Beyond Dreams , tr. Ralph Manheim, London, 1976, p. 31.

31 Ernst Cassirer, Sprache und Mythos , Studien der Bibliothek Warburg, Leipzig and Berlin, 1925, p. 5; Eng., Language and Myth , tr. Susanne E. Langer, New York, 1946, pp. 6–7.

BETWEEN HISTORY AND NATURAL HISTORY

1 Heinrich Böll, Hierzulande — Aufsätze zur Zeit , Munich, 1963, p. 128.

2 Günter Eich, 1907–72, poet and playwright; Paul Celan (pseudonym of Paul Antschel), 1920–70, poet; Wolfgang Borchert, 1921–47, poet, actor, writer of plays and short stories; Hans Erich Nossack, 1901–77, novelist, wrote on the air raids of the Second World War in Der Untergang , much quoted in the present work; Ernst Kreuder, 1903–72, journalist and novelist; Ilse Aichinger, b. 1921, novelist, writer of plays and short stories; Wolfdietrich Schnurre, 1920–89, novelist and literary critic; Hans Werner Richter, 1908–93, novelist; Walter Kolbenhoff (pseudonym of Walter Hoffmann), 1908–93, novelist; Rolf Schroers, 1919–81, writer; Elisabeth Langgässer, 1899–1950, poet, novelist, and essayist; Karl Krolow, 1915–99, poet; Siegfried Lenz, b. 1926, novelist; Arno Schmidt, 1914–79, novelist, essayist, and critic; Alfred Andersch, 1914–80, novelist and essayist; Walter Jens, b. 1923, novelist and essayist; Marie Luise von Kaschnitz, 1901–74, novelist and poet.

3 Heinrich Böll, Frankfurter Vorlesungen , Munich, 1968, p. 121.

4 Hans Erich Nossack, “Er wurde zuletzt ganz durchsichtig — Erinnerungen an Hermann Kasack,” in Pseudoautobiographische Glossen , Frankfurt, 1971, p. 50. The text was first published in Hamburg in 1966 in the Jahrbuch der Freien Akademie der Künste .

5 In the essay cited above, Nossack speaks of its being an international success. See ibid., p. 50.

6 Hermann Kasack, Die Stadt hinter dem Strom , Frankfurt, 1978, p. 18.

7 Ibid., p. 10.

8 A term coined by Nossack, in “Er wurde zuletzt …,” p. 152.

9 Kasack, Die Stadt , p. 152.

10 Ibid.

11 Ibid., p. 154.

12 Ibid., p. 142.

13 Ibid., p. 314.

14 Ibid., p. 315. Arno Schmidt’s prose work of 1949, Leviathan oder die beste der Welten , rests upon comparable juggling with contemporary reality. In this work, the theory of the successive self-realization of a negative cosmic principle is presented with physical and philosophical sophistry.

15 Cf. Nossack, “Er wurde zuletzt …,” p. 47: “Real literature was a secret language at the time.”

16 Die Stadt , p. 348.

17 Hans Erich Nossack, “Der Untergang,” in Interview mit dem Tode , Frankfurt, 1972, pp. 209, 225.

18 Ibid., p. 233.

19 Ibid., p. 230.

20 Ibid., p. 229.

21 Ibid., p. 210.

22 Ibid., p. 209.

23 This quotation is from the autobiographical essay Dies lebenlose Leben (“This Lifeless Life”), in which Nossack describes his time under the Fascist regime. It refers to a former fellow student who took his own life in 1933 because he wanted to be among the victims.

24 See in particular Canetti’s Crowds and Power , Weiss’s Abschied von den Eltern (“Farewell to My Parents”), and Hildesheimer’s Tynset .

25 Nossack, op. cit., p. 193 (the “classical” figure embodying this attitude is probably Pastor Helander, who dies with his boots on in Alfred Andersch’s novel Sansibar oder der letzte Grund (“Zanzibar: Or, the Last Reason”), dubious as that book is in many respects); Pseudoautobiographische Glossen , p. 21.

26 Der Untergang , p. 254.

27 Ibid.

28 Pseudoautobiographische Glossen , p. 21.

29 Hans Erich Nossack, “Bericht eines fremden Wesens über die Menschen,” in Interview mit dem Tode , p. 8.

30 Der Untergang , p. 204.

31 Ibid., pp. 205, 208.

32 Ibid., p. 211f.

33 Ibid., p. 226f.

34 Victor Gollancz, In Darkest Germany , London, 1947. The book is a compilation of newspaper articles, letters, and observations by Gollancz himself, and in its very lack of literary pretention it conveys a precise impression of the situation of the German population directly after the war. It includes a chapter entitled “This Misery of Boots,” which is devoted to the footwear of the postwar Germans, as well as photographs documenting about twenty pairs of these boots and shoes. The extremely battered items of footwear shown do indeed suggest a phenomenon of natural history, reminding the viewer of all the connotations of the term “stout shoes” ( festes Schuhwerk ) for the Germans even later. It is almost a model of the documentary linking of past and present as practiced by Kluge. Gollancz was also one of the few individuals to speak up for the German people immediately after the war, just as he had previously been one of the few to point, at the earliest possible moment, to the murder of the Jews in the concentration camps and suggest practical countermeasures, without getting much response. (See Let My People Go — Some Practical Proposals for Dealing with Hitler’s Massacre of the Jews and an Appeal to the British Public , London, 1943. An impressive historical study of this subject has been published: T. Bower, A Blind Eye to Murder , London, 1981.)

35 Cf. Frankfurter Vorlesungen , p. 82.

36 Der Untergang , p. 216.

37 Frankfurter Vorlesungen , p. 83.

38 Der Untergang , p. 243.

39 Alexander Kluge, Neue Geschichten. Hefte 1–18, Unheimlichkeit der Zeit , Frankfurt, 1977, p. 102.

40 Theodor W. Adorno, Prismen , Munich, 1963, p. 267; Eng., Prisms , tr. S. and S. Weber, London, 1967, p. 260.

41 Kasack, Die Stadt , p. 82.

42 Ibid., p. 22.

43 Der Untergang , p. 217.

44 Elias Canetti, Die gespaltene Zukunft , Munich, 1972, p. 58.

45 Der Untergang , p. 219.

46 Ibid., p. 248f.

47 Ibid., pp. 248–49.

48 Theodor Adorno, Kierkegaard — Konstruktion des Ästhetischen , Frankfurt, 1966, p. 253.

49 Der Untergang , p. 245.

50 The Odyssey, XXII, 471–73, Eng. tr. Robert Fagles, New York, 1996.

51 Der Untergang , p. 245.

52 Neue Geschichten , p. 9.

53 Ibid., p. 83f. The conclusions that the reader can draw from these “statements” converge with the ideas published by Solly Zuckerman in his autobiography, From Apes to Warlords (London: 1978). Lord Zuckerman was scientific adviser on air warfare strategy to the British government during the war, and with great personal commitment tried to dissuade High Command of the bomber forces under Air Marshal Arthur “Bomber” Harris from continuing with the strategy of wholesale destruction that went by the name Operation Overlord. He backed, instead, a selective strategy aimed against the enemy’s system of communications, which he was convinced would have brought the war to an end sooner and with far fewer victims, an opinion that, incidentally, coincides with the conjectures on this subject put forward by Speer in his memoirs. Lord Zuckerman writes: “As we now know, bombing at about a hundred times the intensity of anything ever suffered by European cities during the Second World War at no moment broke the spirit of the people of Vietnam against whom the American forces were fighting between 1964 and 1973. In those nine years, seven million tons of bombs were dropped on South Vietnam (which received about half of the total), North Vietnam, Laos and Cambodia — three times the total tonnage of British, American and German bombs dropped on European soil in the Second World War” ( Apes to Warlords , p. 148). These observations bear out his thesis of the objective pointlessness of “area bombing.” As Lord Zuckerman says in his book, once he had seen for himself after the war the effects of the air raids on German cities, he agreed to write an account entitled “The Natural History of Destruction” for the journal Horizon , edited by Cyril Connolly, but unfortunately this project was never carried out.

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