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Carlos Fuentes: The Crystal Frontier

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Carlos Fuentes The Crystal Frontier

The Crystal Frontier: краткое содержание, описание и аннотация

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The nine stories comprising this brilliant new work of fiction from Carlos Fuentes all concern people who in one way or another have had something to do with, or still are part of, the family of one Leonardo Barroso, a powerful oligarch of northern Mexico with manifold connections to the United States. Each story concerns an encounter — sometimes hilarious, often tragic, frequently ambivalent, inevitably poignant — that in its own dramatic way epitomizes some striking contrast along the invisible, reflective, dangerous frontier that divides the North American world.Yet beyond the emblematic power of Fuentes's fiction to make us think about the political and cultural themes defining that world, there is the sheer human diversity of life on the "crystal frontier": these extraordinary stories pulse with vivid experience — of love in its many guises, of loneliness, of youth and old age, of heartbreak and redemption. Like many of the greatest Spanish-language novels, this exuberant fiction contains and alludes to journalism, politics, economics, famous tall tales, and picaresque adventures, all united by the "vitality, variety, and narrative force that Fuentes always gives his work" (La Jornada).

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The gorge, too, reflects the seasons, but it also devours them, collapses them, and subjects them to the implacable death of gravity, a suffocating, final embrace of all things. The gorge is the vertigo in the order of this place.

Alongside the gorge, there is a munitions factory, a horrifying building of blackened brick with obscene chimneys, almost an evocation of the ugliness of the Nazis’ “night and fog.” The pistols produced by the Ithaca factory were the official side arm of the army of El Salvador, which is why officers and men there called them “itaquitas”—little Ithacas.

Juan Zamora asks me to tell all this while he turns his back on us because he was received as a guest in the residence of a prosperous businessman who in former years was connected with the munitions factory but now prefers to be an adviser to law firms negotiating defense contracts between the factory owners and the U.S. government. Tarleton Wingate and his family, in the days when Juan Zamora comes to live with them, are excited about the triumph of Ronald Reagan over Jimmy Carter. They watch television every night and applaud the decisions of the new president, his movie-star smile, his desire to put a halt to excessive government control, his optimism in declaring that a new day is dawning in America, his firmness in stopping the advances of Communism in Central America.

Wingate is a likable giant with fewer wrinkles on his fresh, juvenile face than an old saddle. His dull, sandy-colored hair contrasts with the platinum blond of his wife, Charlotte, and with the burnished, reddish-chestnut hair of the daughter of the house, Becky, who is thirteen. When the Wingates all sit down to watch television, they kindly invite Juan to join them. He doesn’t understand if they are pained when terrible pictures of the war in El Salvador appear— nuns murdered along the roadside, rebels murdered by paramilitary death squads, an entire village machine-gunned by the army as the people flee across a river.

Juan Zamora turns his back to the screen and assures them that in Mexico they applaud President Reagan for saving us all from Communism, just as much as people do here. He also tells them that Mexico is interested in growing and prospering, as they can clearly see in the massive development of the oil industry by the government of López Portillo.

The gringos smile when they hear that, because they believe that prosperity is an inoculation against Communism. Juan Zamora wants to ask Mr. Wingate how his business with the Pentagon is going but decides he’d better keep quiet. What he insinuates first and then emphatically declares is that his family, the Zamoras, are adapting perfectly to Mexico’s new wealth because they have always had lands, haciendas — the word has great prestige in the United States, where they pronounce the silent h —and oil wells. He realizes the Wingates don’t know that oil is the property of the state in Mexico and are amazed at everything he tells them. Dogmatically but innocently, the Wingates believe that the expression free world is synonymous with free enterprise.

They have received Juan with pleasure, as part of a tradition. For a long time, foreign students have been hospitably taken into private homes near campuses in the United States. It surprises no one that rich young Latin Americans seek out such homes as extensions of their own and use them to accelerate their assimilation of English.

“There are kids,” Tarleton Wingate assures him, “who have learned English spending hours in front of a TV set.”

They all watch Peter Sellers’s movie Being There, where the protagonist knows nothing except what he learns watching television, which is why he passes as a genius.

The Wingates ask Juan Zamora if Mexican television is good, and he has to answer truthfully that it isn’t, that it’s boring, vulgar, and censored, and that a very good writer, widely read by young people, Carlos Monsiváis, calls it “the idiot box.” That seemed hilarious to Becky, who says she’s going to tell it to her class — the idiot box. Don’t put on intellectual airs, Charlotte tells her daughter; “egghead” she calls her, smiling as she tousles her hair. The redhead protests, don’t tangle my hair, I’ll have to fix it again before I baby-sit tonight. Juan Zamora is amazed at how gringo children work from the time they are young, baby-sitting, delivering papers, or selling lemonade during the summer. “It’s to teach them the Protestant work ethic,” Mr. Wingate says solemnly. And him? How did you ever grow up without television? Becky asks. Juan Zamora understands very well what Mr. Wingate is saying. Being rich and aristocratic in Mexico is a matter of land, haciendas, farm laborers, an elegant lifestyle, horses, dressing up as a charro, and having lots of servants — that’s what being wealthy means in Mexico. Not watching television. And since his hosts have exactly the same idea in their heads, they understand it, praise it, envy it, and Becky goes out to earn five dollars as a babysitter. Charlotte puts on her apron to cook dinner, and Tarleton, with a profound sense of obligation, sits down to read the number-one book on the New York Times best-seller list, a spy novel that happens to confirm his paranoia about the red menace.

3

If the city of Ithaca is a kind of suburban Avernus, Cornell University is its Parnassus: a brilliant cream-colored temple with modern, sometimes almost Art Deco lines and vast green and luminous spaces. Given the abrupt nature of the terrain, the campus is linked by beautiful terraces and grand stairways. Both lead to places that are centers of the life of the Mexican student Juan Zamora. One is the student union, which tries to make up for all of Ithaca’s shortcomings with books, a stationery store, movies, theater, clothing, mailboxes, restaurants, and places to meet. Moving among those spaces, his back toward us, Juan Zamora tries to connect with the place. He takes special notice of the extreme sloppiness of the students. They wear baseball caps they don’t even take off indoors or when they greet women. They rarely shave completely. They drink beer straight from the bottle. They wear sleeveless T-shirts, revealing at all hours their hairy underarms. Their jeans have torn knees, and at times they wear them cut off at the thigh and unraveling. They sit down to eat with their caps on and fill their mouths with hamburgers, french fries, and an entire menu pulled out of plastic bags. When they really want to be informal, they wear their baseball caps backward, with the visors cooling the napes of their necks.

One day, an athletic boy, blond, with pinched features, ordered a plate of spaghetti and began to eat it with his hands, by the fistful. Juan Zamora felt an uncontrollable revulsion that obliterated his appetite and forced him for the first and perhaps only time to criticize a fellow student. “That’s disgusting! Didn’t they teach you how to eat at home?” “Of course they did. My family’s pretty rich, for your information.” “So why do you eat like an animal?” “Because now I’m free,” said the blond through a mouthful of pasta.

Juan Zamora arrived at Cornell not in a sports coat and tie but in blue jeans, a leather jacket, a sweater, and loafers. While alive, his father resigned himself to this scruffiness: “We used to wear suits and ties to class at law school …” Little by little, Juan assumed a more casual wardrobe— sweatshirt, Keds — but he always maintained (with his back turned) a minimal properness. He understood that the shabby disguise worn by the students was a way of equalizing social classes, so no one would ask about family background or economic status. All equal, equalized by sloppiness, the T-shirts, baseball caps, sneakers. Only in his refuge — the residence of the Wingate family — could Juan Zamora say, with impunity and with universal approval, even impressing them: “My family is very old. We’ve always been rich. We have haciendas, horses, servants. Now with the oil, we’ll simply live as we always have, but with even more luxury. If only you could visit us in Mexico. My mother would be so happy to receive you and thank you for your kindness to me.”

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