Carlos Fuentes - The Crystal Frontier

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The nine stories comprising this brilliant new work of fiction from Carlos Fuentes all concern people who in one way or another have had something to do with, or still are part of, the family of one Leonardo Barroso, a powerful oligarch of northern Mexico with manifold connections to the United States. Each story concerns an encounter — sometimes hilarious, often tragic, frequently ambivalent, inevitably poignant — that in its own dramatic way epitomizes some striking contrast along the invisible, reflective, dangerous frontier that divides the North American world.Yet beyond the emblematic power of Fuentes's fiction to make us think about the political and cultural themes defining that world, there is the sheer human diversity of life on the "crystal frontier": these extraordinary stories pulse with vivid experience — of love in its many guises, of loneliness, of youth and old age, of heartbreak and redemption. Like many of the greatest Spanish-language novels, this exuberant fiction contains and alludes to journalism, politics, economics, famous tall tales, and picaresque adventures, all united by the "vitality, variety, and narrative force that Fuentes always gives his work" (La Jornada).

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“From the Venustiano Carranza commune.”

“From deep in the heart of Chihuahua.”

“No, not from the country. From a city smaller than Juárez.

“Well, from Zacatecas.” “From La Laguna.”

“My dad took charge of the whole move,” said Rosa Lupe, the woman with the aquiline profile who dressed like a Carmelite. “He said there were too many of us for the communal land. The land we could farm was getting smaller and smaller and drier and drier the more we divided it up among all my brothers. I was always active, very active. At the commune they put me in charge of keeping the streets clean and the walls painted white. I liked to make confetti for the fiestas, bring in the bands, organize the children’s choruses. Dad said I was too clever to stay in the country. He brought me to the border himself when I was fifteen. My mother stayed behind with my little brothers and sisters. My father didn’t beat around the bush. He told me that I was going to make ten times more money in a month than the whole family would make in a year on the commune. That I was very active. That it wasn’t going to break me down. As long as he stayed here, I accepted things. He was like an extension of my life in the village. I didn’t tell him I missed the land, my mother, my little brothers and sisters, the religious festivals, especially Candlemas — like Candelaria! — when we dress up the Christ Child, decorate the Holy Cross, and have these terrific scary fireworks. And Ash Wednesday, when the whole village wore charcoal crosses on their foreheads, Holy Week, when the Jews with their white beards and long noses and black overcoats come out to play tricks on Christians. All of it — pilgrimages, the Wise Men — I missed it all. Here I look up the dates on the calendar, I have to make an effort to remember them, but back there I didn’t. The fiestas came along without having to be remembered, see? But my father set me up here in Juárez in a one-room house and told me, ‘Work hard and find a man. You’re the cleverest one in the family.’ Then he left.”

“I don’t know what’s better,” Candelaria said immediately. “I’ve already told you, I’m loaded down with responsibilities. When I came to the border, I brought my kids. Then my brothers and sisters came. Finally my parents got up enough nerve. That’s a big strain with a salary like mine. Watch those jokes, Dinorah, damn you. What our men give us we deserve. What my father gives me is remembrance. As long as my father is in the house, I’ll never forget. It’s beautiful having things to remember.”

“That’s not true,” said Dinorah. “Memories just hurt.”

“But it’s a good hurt,” answered Candelaria.

“Well, I’ve only seen the bad hurt,” Dinorah retorted.

“That’s because you don’t have anything to compare it with. You don’t give yourself the chance to save up your good memories of the past.”

“Piggy banks are for pigs,” said Dinorah, incensed.

Rosa Lupe was about to say something when a supervisor came over, an extremely tall woman in her forties with eyes like marbles and lips thin and long as stringbeans. She began to scold the beautiful Carmelite with the aquiline profile. Rosa Lupe was breaking the rules — who did she think she was coming to the factory dressed like a miracle worker? Didn’t she know everyone had to wear the regulation smock for hygiene and safety reasons?

“But I’ve made a vow, ma’am,” said Rosa Lupe in a dignified tone.

“Around here there’s no vow bigger than mine,” said the supervisor. “Come on, take off that getup and put on your smock.”

“Okay. I’ll change in the bathroom.”

“No, dear lady, you aren’t going to hold up production with your saintly act. You can change right here.”

“But I don’t have anything on underneath.”

“Let’s see,” said the supervisor. She grabbed Rosa Lupe by the shoulders and pulled the habit down to her waist. There were Rosa Lupe’s splendid breasts. The woman with eyes like marbles, unable to contain herself, seized them and fastened her stringbean lips on the beautiful Carmelite’s stiffened nipples. Rosa Lupe was so shocked she froze, but Candelaria grasped the supervisor by her permanent, cursing her and pulling her off, while Dinorah gave the pig a kick in the ass and Marina ran over to cover Rosa Lupe with her hands, feeling how hard her friend’s heart was pounding, how her own nipples had stiffened involuntarily.

Another supervisor came over to separate the women, settle things down, and laugh at his colleague. Don’t start taking my girlfriends away from me, Esmeralda, he said to the disheveled supervisor who was as inflamed as a fried tomato, Leave these cuties to me and go find yourself a man.

“Don’t make fun of me, Herminio, you’ll be sorry,” said the wretched Esmeralda, retreating with one hand on her forehead and the other on her belly.

“Don’t try poaching on my territory.”

“Going to report me?”

“No, I’m just going to screw you up.”

“Okay, girls, clear out,” said Herminio the supervisor, smiling. He was hairless as a sugar cube and exactly the same color. “I’m moving up your break. Go on, go have a soda and remember what a nice guy I am.”

“Going to make us pay for the favor?” asked Dinorah.

“You all come around on your own.” Herminio smiled lasciviously now.

They bought some Pepsis and sat for a while opposite the factory’s beautiful lawn — KEEP OFF THE GRASS — waiting for Rosa Lupe, who reappeared with Herminio. The supervisor looked very satisfied. The worker was wearing her blue smock.

“He looks like the cat who ate the canary,” said Candelaria when Herminio was gone.

“I let him watch me change. I’d just as soon you knew. I did it to thank him. I’d rather be the one who calls the shots. He promised he wouldn’t bother any of us, that he’d protect us from that bitch Esmeralda.”

“Well, it didn’t take much to—” Dinorah started to say, but Candelaria shut her up with a glance. The others lowered their eyes, never imagining that from the high administrative tower sheathed in opaque glass those inside could see them without themselves being seen. The Mexican owner of the business, Don Leonardo Barroso, was observing them as he recited for the benefit of his U.S. investors the line about their being blessed among women because the assembly plants employed eight of them for every man. The plants liberated women from farming, prostitution, even from machismo itself — Don Leonardo smiled broadly — because working women soon became the breadwinners in the family. Female heads of households acquired a dignity and strength that set them free, made them independent, made them modern women. And that, too, was democracy — didn’t his partners from Texas agree?

Besides — Don Leonardo was used to giving these periodic pep talks to calm the Yankees and soothe their consciences— these women, like the ones you see down there sitting together by the grass drinking sodas, were becoming part of a dynamic economic growth instead of living a depressed life in the agrarian stagnation of Mexico. In 1965, under Gustavo Diaz Ordaz, there were no plants on the border, zero. Then in 1972, under President Echeverría, there were 10,000; in 1982, under López Portillo, 35,000; in 1988, under De la Madrid, 120,000; and now, in 1994, under Salinas, 135,000. And the plants generated 200,000 jobs in related fields.

“The progress of the nation can be measured by the progress of the assembly plants,” exclaimed a satisfied Mr. Barroso.

“There must be some problems,” said a Yankee drier than a corncob pipe. “There are always problems, Mr. Barroso.”

“Call me Len, Mr. Murchinson.”

“And I’m Ted.”

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