William Gaddis - The Recognitions

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The book Jonathan Franzen dubbed the “ur-text of postwar fiction” and the “first great cultural critique, which, even if Heller and Pynchon hadn’t read it while composing
and
, managed to anticipate the spirit of both”—
is a masterwork about art and forgery, and the increasingly thin line between the counterfeit and the fake. Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.

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Not to be confused with that state of political bigotry, mental obstinacy, financial security, sensual atrophy, emotional penury, and spiritual collapse which, under the name "maturity," animated lives around him, it might be said that Reverend Gwyon had reached maturity.

It must also be noted that, though his position in the community was appointed to justify the accumulated clutter of the things of this world in the eyes of the next, neither was there present in his face that benign betrayal of total incomprehension of the designs of eternity, and the concomitant suspension of the intellect, which so carefully separates this world from the next on Sunday mornings all over the country and, in asylums all over the world, every day of the week.

Gwyon's face was creased with lines of necessity. They sprang away from the eyes he lowered down from the clotted sky and right past the face before him, a face lined itself whose every lineament watched him anxiously. — Ahh, Gwyon said, — you've come. . and his gaze settled on the gold bull. Then as Gwyon reached forth a resolute hand and rested it on the head of the bull figure, an unsteady and blood-streaked hand came up and took his arm and they stood like that, each looking at the hand of the other, when the sun was suddenly blotted out and they were left standing shadow-less on the lawn.

The sky was becoming littered with fragments of cloud. They were being fed across it from a great bank in the north. The cloud bank was gray and motionless, and it did not diminish.

Gwyon shivered suddenly under his hand, and looked up at the impaired sunrise with an expression of severe indignation. Then the bull figure was lifted decisively from under his arm, and with it Gwyon turned before him and made with long strides for the house.

By the time they reached the porch the sun was unencumbered. It had already commenced to diminish in ascent, and to lose the fierce coloring of its violent entering into the sky.

At the top step Reverend Gwyon halted in front of him so abruptly that he almost lost his balance. — There, Gwyon said, making a sweeping motion with his free hand which included the porch and the sun behind them, — any fool can see what the churches lost when they put the entrances around facing the setting sun. His tone rang with the same direct and peremptory appeal that his face had reflected a moment earlier; but as he went on, rearing his great head to the presence he'd apparently expected to find beside him, surprised to find it moving unsteadily round behind, Gwyon's voice lowered as though talking to himself, and as though in the habit of so doing. — The Christian temple at Tyre, he muttered. — The propylaeum faced the rising sun, of course. Attracted passers-by with its glitter that way. Then he glanced quickly as though to secure that he was being followed in.

The hammering began again from the other side of the house, down in the direction of the carriage barn, clear sharp blows from a great distance it seemed; otherwise all was very quiet but for the heavy footfalls of Reverend Gwyon crossing the porch ahead of him. The muffled ka-klack ka-klack had ceased some time earlier. Watching Gwyon stoop before him to open the front door, he was inclined to do so himself, once inside the house, where it was darker and he had only the gold tail of the bull figure to guide him. Surely there was no danger of bumping a doorframe with his head nevertheless childhood still obtained and every portal was lower, and hallway more narrow, every turning closer and room smaller. Thus he hunched, past Olalla as though with cold and past the cruz-con-espejos into the dining room. The house was cold at that.

For some reason he went straight round to Aunt May's place at the dining-room table and sat down there. Gwyon poured two glasses of sherry wine. It was rich dark oloroso, a fresh bottle though the cork had been pulled. He put the bottle down between them and remained standing, one hand on the bull figure which he had not relinquished.

— What a trip, getting here.

— Yes, yes, Gwyon affirmed immediately, agitated. He emptied his own glass quickly and then, a moment later, looked down at it in his hand as though it were an unfamiliar object and he didn't know how it had got there. He put it on the table carefully. — You've come a great way… a great distance, he said looking up again at the figure seated there much, perhaps, as he might have looked upon the incarnation of some abstraction conceived long before, disturbed less by the actual epiphany and its haggard unsteady appearance than by its abiding and familiar permanence, in spite of the transient air it had assumed immediately he gained the weight of the gold bull figure into his own hand. Gwyon stood, with one hand still, heavy on the bull figure, the other busily contriving upon nothing at his side, configuring recourses in the air.

For this moment he seemed bound there, standing at his place at the head of the table. The sun by now was coming through the dining-room window which faced to east where the porch left off on that side of the house. — Here, this:. Gwyon said to him, sitting there with his left side to the exposure where the sun entered, — for safekeeping, this had better be put away for safekeeping. Gwyon flourished the gold figure in a strain of sunlight and left him sitting there in the sun, his back to the buffet, looking at the empty place across the table. He looked up when Gwyon turned out of the room, but too late to see more than the departing back, that most prominently distinguishing feature of Reverend Gwyon.

He sat still for a moment, then raised a hand to his forehead and found it smooth. Inside, the headache persisted, its insistence ignominious, calling attention to tenancy and no more, devising, perhaps, a quantum theory of memory upon the departure of the old man gone, step by step, ushering the gold bellowless bull, Oorooma way? Gone Krakatao and the yellow day in Boston, the Grand Climacteric and Valerian, Ballima way? while he sat here in the full of the morning sun warming Aunt May's side of the face at the breakfast table, looking as she did never across at an empty place. (To right was the dark corner where all Good works were conceived.) — Cave, cave, he got to his feet, — dominus vulgus vult. His eyes were cooled; the sun itself did not warm them, lowering them from the glory there through the window to the low table beneath, and the faded figure in the table's center shivered for an instant, underclothed, and remained still as he passed, shoulders drawn, listening, under surveillance, abruptly considering Tyn-dale strangled and burned for his labor of love. — The devil finds work for idle hands, here, without music, where reverberations of the human voice weary in recall with generations of fruitless exhaustion, denied the very possibility of music. A sharp unfriendly sound from the kitchen confirmed the silence and the vigilant conspiracy of inanimate things, watching for any break in the pattern. A movement broke it, his hand reaching forth to put his glass at his place at the table; and he stood in suspense sustaining the trust thrust upon his frame by the static details of dark woodwork, maintaining the inert vigil which belied music: music as ideal motion, a conceit in itself manifestly sinful, as the Serpent, gliding in the Garden, moved with unqualified motion, as the sound of a lute, struck here now, would move upon undulant planes never before explored, to be cornered and quickly killed by the ruthless angles of the room, proving that those planes had never existed, affirming, in sharp consentaneous silence, the illusion of motion, the sin of possibility, the devil-inspired absurdity of indetermination.

Above, another blue day, (upstairs) the room papered with green-capped pink-faced dogs, and the button drawer, only apparitions move to perfection, there! Pray the Lord to keep you from lying, there, O spectral stabat mater may I go out and play the violin outside to the town wearing its sinside inside and not a soul in sight. Church bells inspissated the air, dropping it in sharp fragments. He sat down in his place at table, excused by the falling weights of the bells, and motionless when they had done. There, old vicary, congratulate my refuge, the saneside outside sheltering the insane inside: to present the static sane side outside to another outside sane-side, to be esteemed for that outsane side while all the while the insaneside attacks your outsane side as though we weren't both playing the same game, and gone down Summer Street (singing unchristian songs) the inane sinside, pocketing a cool million wearing the shoutside outside and the doubtside inside, the vileside inside and the violinside outside skipping dancing and foretelling things too come all ye faithful, of thine own give we back to thee.

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