• Пожаловаться

William Gaddis: The Letters of William Gaddis

Здесь есть возможность читать онлайн «William Gaddis: The Letters of William Gaddis» весь текст электронной книги совершенно бесплатно (целиком полную версию). В некоторых случаях присутствует краткое содержание. год выпуска: 2013, категория: Биографии и Мемуары / на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале. Библиотека «Либ Кат» — LibCat.ru создана для любителей полистать хорошую книжку и предлагает широкий выбор жанров:

любовные романы фантастика и фэнтези приключения детективы и триллеры эротика документальные научные юмористические анекдоты о бизнесе проза детские сказки о религиии новинки православные старинные про компьютеры программирование на английском домоводство поэзия

Выбрав категорию по душе Вы сможете найти действительно стоящие книги и насладиться погружением в мир воображения, прочувствовать переживания героев или узнать для себя что-то новое, совершить внутреннее открытие. Подробная информация для ознакомления по текущему запросу представлена ниже:

William Gaddis The Letters of William Gaddis

The Letters of William Gaddis: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Letters of William Gaddis»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Now recognized as one of the giants of postwar American fiction, William Gaddis (1922-98) shunned the spotlight during his life, which makes this collection of his letters a revelation. Beginning in 1930 when Gaddis was at boarding-school and ending in September 1998, a few months before his death, these letters function as a kind of autobiography, and are all the more valuable because Gaddis was not an autobiographical writer. Here we see him forging his first novel The Recognitions (1955) while living in Mexico, fighting in a revolution in Costa Rica, and working in Spain, France, and North Africa. Over the next twenty years he struggles to find time to write the National Book Award-winning J R (1975) amid the complications of work and family; deals with divorce and disillusionment before reviving his career with Carpenter 's Gothic (1985); then teaches himself enough about the law to indite A Frolic of His Own (1994), which earned him another NBA. Returning to a topic he first wrote about in the 1940s, he finishes his last novel Agape Agape as he lay dying.

William Gaddis: другие книги автора


Кто написал The Letters of William Gaddis? Узнайте фамилию, как зовут автора книги и список всех его произведений по сериям.

The Letters of William Gaddis — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Letters of William Gaddis», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

William Gaddis


The Letters of William Gaddis

Photographs

p. 14: WG at Merricourt, c. 1928

p. 17: WG in the Caribbean, 1940

p. 17: Edith Gaddis, 1941

p. 27: WG in Arizona, 1942

p. 54: WG at Harvard, 1944

p. 75: WG and Ormonde de Kay, late 1940s

p. 111: WG sailing for Spain, 1948

p. 138: WG and Eulalio Abril Morales, 1949

p. 151: WG and Margaret Williams in Paris, 1950

p. 164: WG in Spain, 1950 and 1951

p. 197: WG back in the USA, 1951

p. 198: WG, Margaret Williams, Charles Eagan, and Kathleen Costello, 1951

p. 207: Sheri Martinelli

p. 220: WG, 1955

p. 229: WG with wife Pat and children, 1955 and 1958

p. 238: WG and David Markson, 1964

p. 238: Edith Gaddis at Massapequa, early 1960s

p. 252: WG in Germany, 1964

p. 259: WG on Fire Island, mid 1960s

p. 261: WG and Judith Gaddis, late 1960s

p. 277: WG and Judith in Ganja and Hess, 1972

p. 324: WG’s carpenter gothic house

p. 360: WG and Muriel Oxenberg Murphy, 1980

p. 398: WG and Frederick Exley, 1983

p. 398: WG with John Sherry and Donn Pennebaker, 1995

p. 425: WG with Mario Vargas Llosa and William H. Gass, 1986

p. 425: WG and Steven Moore, 1987

p. 430: WG with Sarah Gaddis in Paris, 1985

p. 430: WG in Paris, 1988

p. 445: WG with Donald Barthelme and Walter Abish, 1987

p. 524: WG’s house on Boat Yard Road

p. 524: WG with Saul Steinberg and Judith Gaddis, 1997

p. 526: WG with Matthew and Sarah Gaddis, Key West, 1998

Introduction

It’s hard to say whether William Gaddis would have approved of this book, hard to judge whether he was serious or joking when he wrote to his mother in 1949 to state, “Our correspondence should never be published.” Publically, he insisted that only a writer’s published work matters and “the rest is not our business” (as his revered T. S. Eliot wrote); he submitted to interviews reluctantly — and not until the second half of his career — gave no readings, and regarded biographical details as irrelevant. He planted his views early in his first novel, The Recognitions (1955), and thereafter directed inquiring critics and interviewers to reread this passage: “—What is it they want from a man that they didn’t get from his work?” the reclusive painter Wyatt Gwyon asks his wife Esther. “—What do they expect? What is there left of him when he’s done his work? What’s any artist, but the dregs of his work? the human shambles that follows it around. What’s left of the man when the work’s done but a shambles of apology” (95–96). He reiterated the point twenty years later in his second novel, J R (1975): when Rhoda, the teenage squatter at the 96th Street apartment, tells the composer Edward Bast that he’s not very “interesting,” he sputters, “—Well why should I be interesting! I mean, I mean I want my work to be interesting but why do I have to be interesting! I mean everybody’s trying to be interesting let them I’m just, I’m just doing something I have to do. .” (561). Gaddis admired Justice Oliver Wendell Holmes for “ordering all his papers burnt & letting his Opinions stand for themselves nobody’s business how he got there,” as he writes in one of the letters in this volume, and in another marveled at Faulkner’s “ambition to be, as a private individual, abolished and voided from history, leaving it markless, no refuse save for the printed books.” I can imagine what he would think of strangers reading his mail.

And yet, he did not burn his papers. As essays, PhD theses, and then books on his work began to appear, Gaddis resigned himself to becoming the subject of a biography someday and to seeing his letters published after his death. He addressed the latter “threat” (as he called it) in the letters themselves; when I wrote to him in 1984 requesting permission to view some letters held by the Bruce Peel Special Collections Library (University of Alberta), he reluctantly granted permission, although as you’re surely aware it’s an entire area I’ve never condoned. Some of my reasons have been noted in relation to my reticence re interviews though here they go further: like many fledglings, my early letters were many times written with the vain notion of eventual publication & thus obviously much embarrassing nonsense; & of the later ones, those of substance will probably never be seen for equally fortunate if exactly different reasons. (I don’t know if you happened upon a review of Hemingway’s letters by Hugh Kenner, might have been in that same Harpers with my piece 2 or 3 years ago, but he does use them to flay the writer & point up frailties in his work as glimpses of the ‘real’ Hemingway, I think really these things go quite the opposite, the letters are the detritus &c).

Later that year, when I was stepping up my efforts to collect Gaddis’s letters — both for my own work and to secure those to former friends and contacts while they were still accessible — he snapped “no one’s [letters] are written for publication (unless they are in which case they’re probably full of lies).”

Privately, however, he maintained his archives over the years and near the end of his life carefully prepared them for eventual sale to a university library, telling his children that he relished the idea of scholars poring over his papers and making all sorts of discoveries. At any rate, his letters are neither full of lies nor the mere detritus of his life; they do indeed offer glimpses of the “real” Gaddis, and rather than providing the means “to flay the writer & point up frailties in his work,” they foster a deeper appreciation of the writer and his work.

It’s ironic that Gaddis complained — in a 1948 letter to his mother after reading about dramatist Eugene’s O’Neill’s early vagabond days — that he was “furious that one can no longer live as he did — just wandering about, one job, one ship to another,” for Gaddis led what sounds today like an almost mythic young writer’s life. Born near the beginning of the Roaring Twenties (29 December 1922), he went off to boarding school at age five, learning to negotiate the trains between Manhattan and Berlin, Connecticut, and writing numerous poems while still a child. In high school he contracted a rare tropical disease that baffled his doctors and kept him home from school for a year and a half. During the summer before his senior year, he sailed to the Caribbean and visited Haiti and Venezuela, and in 1941 was accepted by the only college he applied to, but had to leave Harvard after a few months because of complications resulting from his earlier treatment. He sailed through the Panama Canal (the week the Japanese bombed Pearl Harbor) to California and stayed at a ranch in Arizona for a few months, wrangling horses and hitchhiking through the southwest before driving an old woman and her mentally unstable son to St. Louis, where he spent a month and a half living on a government ship on the Mississippi River “building a pipeline for a dredge in big hip boots,” then went back west to celebrate Cheyenne’s Frontier Days with enough gusto to get thrown in jail, then headed down to Colorado to work at a mine near Leadville before returning to Harvard in the fall of ’42, a few months before his twentieth birthday.

There he became president of the Harvard Lampoon, but after a minor public disturbance (drunk and disorderly) that wouldn’t raise an eyebrow today, he was asked to leave Harvard in January 1945. He quickly snagged a job as a fact-checker at the New Yorker and lived in Greenwich Village (at the same address where Wyatt Gwyon forges his paintings), writing stories and raising hell until the spring of 1947, when he and a friend drove down to Mexico in a Cord convertible, an adventure recounted in a long letter (9 March 1947) that reads like a comic outtake from Jack Kerouac’s On the Road. A few months later he returned to New York for “grand and often wild times” amid “the drug ambience” of Greenwich Village (as he recalled in one of the last letters he wrote), falling in love with an enigmatic junkie/artist/Vogue model named Sheri Martinelli, until he hopped a plane for Panama City, where he worked on the canal locks for a few months and then left for next-door Costa Rica and participated in its brief 1948 revolution before returning to New York on a Honduran banana boat. He wasn’t there five months before he shipped out to Spain, where he lived on and off for the next two and a half years: staying a week in a monastery, trying out Paris for a year (avoiding the other expats on the Left Bank, whom he found pretentious), engaging himself to a fellow American named Margaret Williams, vacationing in Italy, spending a Christmas in England, visiting Robert Graves on the island of Majorca, and working on a film in North Africa before returning to the States in 1951 at the age of twenty-eight.

Читать дальше

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Letters of William Gaddis»

Представляем Вашему вниманию похожие книги на «The Letters of William Gaddis» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё не прочитанные произведения.


William Gaddis: J R
J R
William Gaddis
William Gaddis: The Recognitions
The Recognitions
William Gaddis
William Gaddis: Carpenter's Gothic
Carpenter's Gothic
William Gaddis
William Gaddis: A Folic Of His Own
A Folic Of His Own
William Gaddis
William Gaddis: Agape Agape
Agape Agape
William Gaddis
Отзывы о книге «The Letters of William Gaddis»

Обсуждение, отзывы о книге «The Letters of William Gaddis» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.