William Gaddis - The Recognitions

He carried them clasped before him, and did not look up until he had reached the church itself, There he explained he had come early, to play through this one part he would play later, explained as best he could, that is, with his hands, the pages, pointing to the organ, to himself (the red necktie), for this priest understood no English, and spoke to him in Italian, a continuous stream of it as he conducted Stanley to the keyboard, leading him with a hand on his arm, then on his shoulder, and Stanley came on head bowed, closely attending the words he did not understand, as he seated himself and touched the keys, pulling out one stop and another as he listened, and why the priest shook his head and pushed two of them back as he spoke, Stanley did not understand (and he pulled them back out when the priest was gone, apparently in a hurry to be off somewhere before the next service called him back). — Prego, fare attenzione, non usi troppo i bassi, le note basse. La chiesa è così vecchia che le vibrazioni, capisce, potrebbero essere pericolose. Per favore non bassi. . e non strane combinazioni di note, capisce. .

When he was left alone, when he had pulled out one stop after another (for the work required it), Stanley straightened himself on the seat, tightened the knot of the red necktie, and struck. The music soared around him, from the corner of his eye he caught the glitter of his wrist watch, and even as he read the music before him, and saw his thumb and last finger come down time after time with three black keys between them, wringing out fourths, the work he had copied coming over on the Conte di Brescia, wringing that chord of the devil's interval from the full length of the thirty-foot bass pipes, he did not stop. The walls quivered, still he did not hesitate. Everything moved, and even falling, soared in atonement.

He was the only person caught in the collapse, and afterward, most of his work was recovered too, and it is still spoken of, when it is noted, with high regard, though seldom played.

The End