Joseph McElroy - Women and Men

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Women and Men: краткое содержание, описание и аннотация

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Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New Yorkfrom experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life.
McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirsbelievers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate.
A mirror of manners, the book is also a meditation on the languagesrich, ludicrous, exact, and also Americanin which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

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The newspaper crackled at the neighboring table and the man with the red mustache was heard to say, distinctly, "Good old Dive."

Maya rolled her eyes upward, lowered her voice a notch.

"He did bring home a couple of splits once."

"You see?" said Sue. "He doesn’t have a bushy red mustache, does he?"

"He appears to have changed his looks with the times," said Maya dryly.

Sue and Maya seemed closer. The woman in the yellow T-shirt leaned her elbows on the counter looking out toward the street.

Sue wanted to know how long they had been married.

Maya thought it over unhappily. She and Dave could be said to have been together, all told, for the better part of six years.

Sue said that Maya must really know the neighborhood. They identified the apartment houses where they lived. Sue got Maya’s address. Sue’s phone number was in the book with the initial S, she said.

When things were breaking down between Dave and Maya, rays came from him; he was hating her for knowing him, yet she kept reasonably quiet about it. She knew him, that is, too well.

"You kept quiet?" said Sue.

Later, more than earlier, it seemed to Maya. Dave seemed to think she didn’t know he was seeing someone; he couldn’t imagine that she would be angry only about how he was handling it.

"I don’t understand that," said Sue.

Like he was putting one over. For example, walking the puppy all the damn time. As for Maya, she didn’t want to know — that is, who it was.

"But you must have been angry," said Sue.

Maya looked past her out the window as if she had more to look at than Sue did.

The fat man exhaled audibly. Fresh cigarette smoke reached them.

Anger — it was a matter of degree. Of how things got said. Things had seldom been calm. Maya got a letter from her mother with advice on a particularly sore point. Maya determined to ignore the letter, not tell Dave; but then she left it on her table and, of course, Dave saw it and told her he sympathized. Then they got into a fight about it.

"About what?" said Sue, feeling the neighborly red mustache facing directly her way.

Maya’s not telling Dave.

"About the letter? A fight about the letter?"

"Isn’t that what I said?" said Maya.

She and Dave were close enough, and in the beginning Maya had never minded being dependent on Dave for love — wasn’t he dependent on her? He was so proud of her, didn’t want her to work, didn’t want her to clean the place until she said, hell, she had been used to doing her own place. However, it was two floors now of this brownstone he owned. And then she found him to be a greater slob than she’d first seen; he’d walk around the apartment first thing in the morning, brushing his teeth, his mouth full of toothpaste — and talking.

"Walking around?" said Sue, "talking? That’s. ." — she shook her head.

It had indeed been something to see.

At first Maya never minded being dependent on Dave for money, but not because in those "preinflationary" days she’d thought of her housework — her "homework" — as bringing in a portion of their income; his income was high even when she first knew him. Money was only money, and it wasn’t as if he had cleaned up at someone else’s expense — a chuckle came from two tables away — and if they had needed more money, she would have gone out to work again. But they were rich, comparatively — even not comparatively. She wasn’t saying it right.

"But I understand," said Sue, who had the slightest physical discomfort and was afraid the conversation had to get somewhere but might not. "You’re forgiven," she said to the other woman.

"You’re funny," said Maya.

"It’s behind you," said Sue.

"But money isn’t only money," said Maya suddenly. "It’s how hard you have to hack for it."

"Where in New England do you paint?" asked Sue. "I don’t think the book said."

"I don’t paint," said Maya. "I never had the slightest gift. It was Connecticut at first, Vermont later on. There was a problem about my getting a driver’s license."

"What was the problem?"

"I didn’t get one."

"How come?"

"I happen to think driving is insane," said Maya.

"What about being driven?" Sue asked. They observed the man with the red mustache licking his fingers.

Well, Maya was of the opinion that it depended on who was doing the driving, and Dave was perfectly adequate, so why pressure her?

"Really/’ said Sue, supportiveiy. But there she was, agreeing; and she added, "It’s hard to understand women who don’t drive; I think someone said that. But I couldn’t imagine not having my license." Again this was not quite what Sue had meant to say.

She felt she was overhearing Maya, who went on musingly, seeing from far off by private surveillance some poignant map of motions; see the women pulling into the train station parking lot at sunset in the springtime; see them busing the children to school; see them unlocking the back of the station wagon for the cute supermarket boy to unload the cart he’s wheeled out for you — a silver basket with a jammed wheel. Subjugation came step by step, not all at once, and suddenly there you were, you were in the picture, drawn in by some drug of living with others.

"That’s eternal," said Sue. Which came out flattering. "But don’t forget the women cab drivers up there in the front seat."

"Will you say what you mean," said Maya. She looked back across the room and smiled at the woman in the yellow T-shirt and pointed to her cup. The man with the bright, bushy eyebrows and the mustache to end all mustaches blew two smoke rings and would have managed a third but proceeded to cough violently, shaking his head and grinning as the women watched his paroxysms.

"Subjugation," said Sue. "Was it really subjugation?"

"No, for God’s sake," said Maya, "it wasn’t really subjugation. It was only in my head. Got any other questions? It sounds like you haven’t had your turn yet."

"I hope I don’t," said Sue.

"He sounds O.K.," said Maya gently.

Sue thought a moment. "I don’t know him too well yet," she said. "At least I can say what I mean to him."

"What you mean to him?" said Maya.

Sue shook her head and smiled tolerantly. "We’re more easygoing," she said. "I don’t ask him a lot of questions."

"About old loves."

"Right."

"Do you want to know?"

"Oh, once he had two girl friends going at the same time, and he was living with one. It didn’t make him exactly happy."

"Poor thing," said Maya.

"He did have," said Sue, "what he called a long misunderstanding with one person he really loved. I believe she was beautiful — I mean, I’m sure she was and," Sue shrugged, "he got really terribly confused, I gather. I didn’t much care to hear about her; I didn’t make a point of it, but he understood."

"I would have gotten every last detail," said Maya.

"Would you?"

"No. Yes."

"He said he was afraid she was suicidal, and once when they’d had a fight to end all fights, he felt suicidal himself — whatever that means."

"Which ain’t much," said Maya.

"But he said they could never have agreed on a suicide pact; he wishes he had made the point. They might have had a good laugh about it and parted more like friends."

"So he had a good laugh with you instead, right?"

"Right."

"Have you ever hated him?" asked Maya abruptly.

"I can’t say I have," said Sue.

"It’ll give you a rush," said Maya.

"I don’t follow you," said Sue. Maya had said the same thing to her.

"It’s liberating," said Maya.

"Well, I got a lot out of the workshop," said Sue.

"My dear," said Maya. "I think you haven’t smelled rock bottom yet."

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