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Joseph McElroy: Women and Men

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Joseph McElroy Women and Men

Women and Men: краткое содержание, описание и аннотация

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Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New Yorkfrom experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life. McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirsbelievers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate. A mirror of manners, the book is also a meditation on the languagesrich, ludicrous, exact, and also Americanin which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

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Joseph McElroy

Women and Men

I always think of the child as a girl. What if it’s a boy?

Oh, it couldn’t be. .

Martha Martin, Revelations, Diaries of Women

Nothing new here, except my marrying, which to me, is matter of profound wonder.

A. Lincoln, Letter to a fellow lawyer, November 9, 1842

~ ~ ~

My thanks to Alice Quinn, my editor at Knopf, for hours, weeks, and months she spent on this book. Thanks also to Margaret Cheney, the copy editor, who has followed every parenthesis and sentence with the most exacting attention. And thanks to my friend Robert Walsh, a young writer and editor of great gifts, who has read the book several times and encouraged me at every turn to believe in the American heart of its common sense and heartfelt and humorous extremities. And thanks to Chris Carroll for help when I needed it.

My thanks also to the Guggenheim Foundation and the National Endowment for the Arts for grants, and to Queens College of The City University of New York for paid time-off from teaching, and to the University of New Mexico for the D. H. Lawrence Fellowship in San Cristobal, New Mexico.

J.M.

division of labor unknown

After all she was not so sure what had happened, or when it had started. Which was probably not a correct state to be in, because what had happened made the biggest difference in her life so far. Hours of life that worked her back full to breaking of pain and drained it of its work when the back of her child’s head with a slick of dark hair and its rounded shoulders gave her that last extra push to free its arms still held inside her. She would tell her husband later — she knew she would — and she did tell him. She told her husband and he told others for weeks afterward. Also he had his own side to tell. She loved his excitement.

Pain all in her back worked free of her at the end, dropping away into a void below, and it could almost not be recalled. This pain had been new and undreamt of. As new as the height of the young obstetrician whom she had never seen until she arrived at the hospital, he stood in surgical green against the ceiling above her head, then at her feet, at a distance down there between the stirrups tilting his head this way and that way between her thighs, and the green cap on his head was as far away as the bright, fairly unmetallic room she was giving birth to her child in, and the young obstetrician’s words were the talk that went almost and sharply along with the pain her husband Shay — she was thinking of him as Shay — also in surgical green, could not draw off into the ten-buck pocket watch he’d timed her with (where was it? in a pocket? mislaid? she didn’t care where it was). Her husband Shay’s chin hung close to her; I will always be here, his chin might have said, and his hand out of sight somewhere gripped hers, his hand might have been invisible for all she knew; but then he had to see for himself what was going on at the other end and he moved down to the foot of the delivery table and he peered over the doctor’s shoulder as if they were both in it together, and then Shay half looked up from that end against his better judgment she was sure and frowned at her but with love smiled the old smile. He needed a shave, his tan had grown seedy. The doctor stood up between her thighs and said they were getting there.

She was just with it enough to be embarrassed and so she didn’t say she didn’t want Shay down there looking. He was already there. Her baby had changed. It had felt older last week, older than their marriage. One night he had told her with his tongue just what he would do to her when the head began to show, and she didn’t think he meant it but she didn’t tell him. Now he heard her pain. He couldn’t see it. She could see it on the blank ceiling, oh God oh blank, and it was coming to birth, that pain, and would always be there like a steady supply of marrow-to-burn mashed out of her from her skull downward.

The men there between her thighs said, "Hey" and "Oh" at the same time (doctor, husband, respectively). They spoke at once, like song.

What’s she look like down there? Oh God oh God. What’s she sucking spitting look like down sucking splitting there? Look like? Well, she never really had known, so why should she know now? A saddle of well-worked mutton? A new dimension of Her. Later she was encouraged to recall it all. As if she did.

Afterward she did recall a thought about being an invalid that had escaped her during the pain, the labor, and came back at a later moment of the pain when she was not really trying very hard to recall another, different thing that she couldn’t at that moment even refer to (so how did she know there was anything to recall?), it suddenly quite naturally during the pain took the place of the invalid insight and it had to do with Shay moving the way he moved when they were at last in the delivery room and he’d been at her side holding her hand. He moved then slowly away from her head to the foot of the delivery table to look at the very top of the baby’s head (girl head or boy head). But also at the part of her he said opened like an animal looking to be a flower. But now with the baby coming down, she was pushing against what Shay would be seeing, whatever that was, and the thing that had come to her had to do with his moving from one end of her to the other, from the upper part where her eyes were, downward — the way he did it, walked to the foot of the table, and the way this turned her into something but she lost it — had it, lost it, a wrinkle in her mind somewhere stirred like the start of a laugh— and later she found herself recalling this thing about being an invalid: that, here she was perfectly healthy, never more, and healthier than Shay with his sinus; and in order to have this baby she had to become an invalid, and she got the picture again of her recurrent dream she’d never told Shay, of gazing out the endless window of her lab and seeing a man led to execution who she learned had been in the hospital getting better for several weeks until he was able to have the punishment executed on him which then she saw was a thousand and one strokes; then he was to crawl back to the infirmary he had just walked out of: but she saw that her thinking was incorrect and she was not an invalid at all, she was using herself, that was what she was doing, being fruitful. Her husband had hated his first name when he was eleven and had been Dave for a while and then, of all things, Shay, he hadn’t gotten over it, she called him Shay sometimes, hadn’t gotten over what? it sounded like a movie actor. What is the fruit of a cross between an animal and a flower?

The men looking her over, head to toe, were glad to be there and so was she to have them, and so was the nurse and so was she to have the nurse and so were they to have the nurse, and so were they glad to have her and her pain and the baby that she could remember looking ahead to: the truth was not head to toe, it was the men looking when they couldn’t see in, until they saw what was coming out to meet them, which was nice, wasn’t it.

How did you feel?

It was (she sips the last of her daiquiri which now is not so chilled) the most beautiful experience of my life. No, it was rough, it was painful, but I couldn’t remember all the pain. It was an experience I wouldn’t have missed.

Have another?

O.K.

She was glad it was ending, glad Shay wanted to be there with her, she was alone with her pain whittling at her, but no, we are not alone.

Shay and the chin he was hitched to moved away but down and near the foot of the delivery table in the bright delivery room, and he moved politely as if he didn’t want to notice himself moving. She found on his face a pursed-lip fixity sharing her pain, she knew he shared it. It was love. She was glad, so glad. She couldn’t have done it without him, later that was what she was telling everyone again. Having apparently already told them. For how else could there be an again? She heard herself.

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