• Пожаловаться

Imre Kertész: Fiasco

Здесь есть возможность читать онлайн «Imre Kertész: Fiasco» весь текст электронной книги совершенно бесплатно (целиком полную версию). В некоторых случаях присутствует краткое содержание. Город: New York, год выпуска: 2013, ISBN: 9781612193298, издательство: Melville House, категория: Современная проза / на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале. Библиотека «Либ Кат» — LibCat.ru создана для любителей полистать хорошую книжку и предлагает широкий выбор жанров:

любовные романы фантастика и фэнтези приключения детективы и триллеры эротика документальные научные юмористические анекдоты о бизнесе проза детские сказки о религиии новинки православные старинные про компьютеры программирование на английском домоводство поэзия

Выбрав категорию по душе Вы сможете найти действительно стоящие книги и насладиться погружением в мир воображения, прочувствовать переживания героев или узнать для себя что-то новое, совершить внутреннее открытие. Подробная информация для ознакомления по текущему запросу представлена ниже:

Imre Kertész Fiasco

Fiasco: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Fiasco»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Translated into English at last, Fiasco joins its companion volumes Fatelessness and Kaddish for an Unborn Child in telling an epic story of the author’s return from the Nazi death camps, only to find his country taken over by another totalitarian government. Fiasco as Imre Kertész himself has said, “is fiction founded on reality” — a Kafka-like account that is surprisingly funny in its unrelentingly pessimistic clarity, of the Communist takeover of his homeland. Forced into the army and assigned to escort military prisoners, the protagonist decides to feign insanity to be released from duty. But meanwhile, life under the new regime is portrayed almost as an uninterrupted continuation of life in the Nazi concentration camps-which, in turn, is depicted as a continuation of the patriarchal dictatorship of joyless childhood. It is, in short, a searing extension of Kertész’ fundamental theme: the totalitarian experience seen as trauma not only for an individual but for the whole civilization — ours — that made Auschwitz possible From the Trade Paperback edition.

Imre Kertész: другие книги автора


Кто написал Fiasco? Узнайте фамилию, как зовут автора книги и список всех его произведений по сериям.

Fiasco — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Fiasco», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать
Fiasco by Imre Kertész The old boy was standing in front of the - фото 1

Fiasco

by

Imre Kertész

____________

The old boy was standing in front of the filing cabinet. He was thinking. It was midmorning. (Relatively — getting on for ten). Around this time the old boy was always in the habit of having a think.

He had plenty of troubles and woes, so there were things to think about.

But the old boy was not thinking about what he ought to have been thinking about.

We cannot know precisely what he was thinking about: all one could see was that he was thinking, not what he was thinking. It could be that he was not thinking at all. But then it was midmorning (relatively — getting on for ten), and he had got used to being in the habit of having a think around this time. By now the old boy had acquired such a routine of having a think that at these times he was capable of giving the impression of having a think even when he was not thinking, and perhaps even when he imagined he was thinking. That’s the honest truth, not to put too fine a point on it.

So the old boy stood thinking (absorbed in his thoughts) in front of the filing cabinet.

At this juncture we can hardly avoid saying something about the filing cabinet.

The filing cabinet was a direct descendent of one of those corner bookcases the two wings of which occupied the southwest corner of a west-facing room, precisely from the southern edge of the longitudinally north-south window surface to the corner, and from a chest of drawers placed along the line of the longitudinally east-west wall to the same corner, against a roughly 50-inch-wide protrusion of the wall the purpose of which no one had ever been able to establish and which was covered over (out of bashfulness, so to speak) by a glued-on (and very messily glued-on at that) wooden board (an appurtenance of the bookcase, as it were), if not quite up to the ceiling, then at least to the full height — a good six feet, in other words — of the bookcase.

If we are going to go into this level of detail, we cannot pass over the fact that the above-mentioned bookcase itself had been put together from the linen drawers of two former divan-beds through the ingenuity of a neighbourhood carpenter, whereas a more distant upholsterer had fashioned from the upholstery of the divan-beds two modern sofas , which were still standing, re-covered to be sure, in the western and eastern corners of the room’s north-lying wall.

It may be recollected that it was in the midmorning (relatively — getting on for ten). We are now in a position to supplement that with further details: it was a splendid, warm, slightly humid but sunny late-summer (early autumnal) morning.

While the old boy at this relatively midmorning hour — getting on for ten — was standing in front of the filing cabinet and thinking, he was fleetingly subject to a temptation to close the window.

He didn’t have the heart to do it, however, because the warm, slightly humid but sunny late-summer (early autumnal) morning outside was so splendid.

It was as if a pale azure-tinted bell jar had been overturned onto the old boy, standing and thinking in front of the filing cabinet, and his wider environs.

That simile, like apt similes in general, is aimed at heightening sensitivities through the associations it evokes. For what we must also imagine are the countless sources of noise and smells in a very busy street under a tightly sealed bell jar, because that was the sort of street overlooked by the window, slightly to the south of which — or to the left, if we stand facing him — the old boy was standing and thinking in front of the filing cabinet.

It was an odious street.

The Slough of Deceit, as the old boy called it.

In reality it was just a side street. (Officially speaking).

Nonetheless, jammed as it was between two main thoroughfares, the side street was very busy coping — how could it not have been? — with the traffic from the two main thoroughfares.

On the kerbs of the sidewalk, which ran in a longitudinally north-south direction, were mounted various signposts (so many flagrant symbols of futility), whereas the southern debouchment of the street, at the junction of one forking main thoroughfare and three converging side streets, was closed off by a traffic lamp, which behaved as if the street were indeed a side street, so that out of the herd of cars of every conceivable size, from midget minicars to the giant towing units of heavy-goods vehicles (along with the corresponding exhausts and harmonics) (the latter sometimes in surprising discrepancy, yet more often than not proving to be proportionate, to the size), which honked, vroomed, and tremulously fumed before it, its permitting a mere two or three at a time to proceed before changing back to red.

Officially no trams ran along the street.

Unofficially, however, all trams travelling to or from one particular depot along one of the two main thoroughfares in point of fact effected their route, as if it were nothing to make a fuss about, by progressing via this side street jammed between the two thoroughfares.

A bellowing, rattling, grinding, rattling, screeching, and unbridled tumult boiled up from the Slough of Deceit as from the depths of a bubbling cauldron, among exhaust gases that were sometimes blackly louring, sometimes merely grizzling, whereas after the onset of evening (before the onset of winter) (for thus far we have not seen fit to so much as mention the chimney stacks) turning more a torpid bluish — until toward the dawn hour of 3:30 the first harbinger of the swarms of buses that would be emerging from their garages made its appearance (and with it a fresh day’s fresh black gases), hurtling at breakneck speed and twitching its empty rear-end like a mare in heat, at the northern debouchment of the street.

This street, running in a longitudinally north-south (or south-north) direction, was lined by not more than ten or fifteen buildings, yet an entire historical epoch had stamped its mark on even that relatively small number of buildings — a mark which, curiously enough, found chronological expression, going spatially in a south-north longitudinal direction.

The first half of the Forties had fallen on the middle of the street’s eastern side.

Those years had been characterized by the war, its buildings by an urgent investment of capital and the attendant corner-cutting and wartime material shortages.

The old boy lived in one of these buildings, in a second-floor flatlet (a bed-sitting room with hallway, bathroom, and kitchenette, 28 m 2in all, rented council property, at a monthly rental which had grown, in line with the general inflation of rents, from 120 forints to currently still just 300 forints), registered temporarily for decades by right of marriage (since his permanent residence permit was valid, by right of his being an immediate family member, for his mother’s apartment, though he never lived there, not even temporarily, but seeing that it was ultimately inevitable that the old lady, for all the hopes that she would carry on to the extreme limit of human life …) (in short, on being left vacant as a consequence of this ultimately inevitable event, the apartment would, by virtue of this subterfuge, pass on to the old boy) (provided this subterfuge, as could be anticipated on grounds of customary law, was respected by the competent authority within the council) (and despite the fact that it too was just a single room, albeit a large room with all amenities and in the green belt, on account of which this apartment where the old boy was registered as a permanent resident, though he never lived there, not even temporarily, was undoubtedly more serviceable, if only as the basis for a swap).

Читать дальше
Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Fiasco»

Представляем Вашему вниманию похожие книги на «Fiasco» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё не прочитанные произведения.


Imre Kertesz: Dossier K: A Memoir
Dossier K: A Memoir
Imre Kertesz
Imre Kertész: Fatelessness
Fatelessness
Imre Kertész
Imre Kertész: The Union Jack
The Union Jack
Imre Kertész
Imre Kertész: Detective Story
Detective Story
Imre Kertész
Отзывы о книге «Fiasco»

Обсуждение, отзывы о книге «Fiasco» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.