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https://archive.org/stream/ohioauthorstheir00coyl/ohioauthorstheir00coyl_djvu.txt
Delany, Martin R. Blake Or, The Huts of America . Cambridge: Harvard UP, 2017. Print.
DeLoughrey, Elizabeth. “‘The Litany of Islands, The Rosary of Archipelagoes:’ Caribbean and Pacific Archipelagraphy.” ARIEL: A Review of International English Literature , 32.1 (2001): 21-51. date of access: August 24, 2018. https://journalhosting.ucalgary.ca/index.php/ariel/article/view/34394/28430
Greenberg, Amy S. Manifest Manhood and the Antebellum American Empire . New York, NY: Cambridge UP, 2005. Print.
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Guterl, Matthew Pratt. American Mediterranean: Southern Slaveholders in the Age of Emancipation . Cambridge: Harvard UP, 2008. Print.
Hutchison, Coleman. Apples and Ashes . Athens: U of Georgia P, 2012. Print.
Kutzinski, Vera M. “Borders, Bodies, and Regions: The United States and the Caribbean.” A Companion to the Regional Literatures of America . Blackwell Companions to Literature and Culture 21. Ed. Charles L. Crow. Oxford: Blackwell Publishers, 2003, 171–92. Print.
Levander, Caroline F. “Confederate Cuba.” American Literature 78.4 (2006): 821–845. doi: 10.1215/00029831-2006-053.
Lowe, John. Calypso Magnolia: The Crosscurrents of Caribbean and Southern Literature . Chapel Hill: The U of North Carolina P, 2016. Kindle.
May, Robert E. Manifest Destiny’s Underworld: Filibustering in Antebellum America . Chapel Hill: The U of North Carolina P, 2002. Print.
___ . “Reconsidering Antebellum US Women’s History: Gender, Filibustering, and America’s Quest for Empire.” American Quarterly 57.4 (2005): 1155–1188. doi: 10.1353/aq.2006.0013.
O’Brien, Colleen C. Race, Romance, and Rebellion: Literatures of the Americas in the Nineteenth Century , U of Virginia P, 2013, Print.
Powell, Douglas Reichert. “Introduction.” Critical Regionalism. Chapel Hill: The U of North Carolina P, 2007. 3–32. Print.
Sansay, Lenora. Secret History: Or, The Horrors of St. Domingo and Laura . Ed. Michael J. Drexler, Broadview Press, 2007. Print.
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Further reading
Hutchison, Coleman. Apples and Ashes . Athens: University of Georgia Press, 2012. Print.
Lassiter, Matthew D., and Joseph Crespino, eds. The Myth of Southern Exceptionalism . New York: Oxford UP, 2009. Print.
LeMenager, Stephanie. Manifest and Other Destinies: Territorial Fictions of the Nineteenth-Century United States . Lincoln: U of Nebraska P, 2004. Print.
May, Robert E. The Southern Dream of a Caribbean Empire, 1854-1861 . Baton Rouge: Louisiana State UP, 1973. Print.
Schoolman, Martha. Abolitionist Geographies . Minneapolis: U of Minnesota P, 2014. Print.
Woertendyke, Gretchen J. Hemispheric Regionalism: Romance and the Geography of Genre . New York: Oxford UP, 2016. Print.
1 Hereafter cited in text as FFC .
2 Here the author will be referred to as Lucy Holcombe, author of The Free Flag of Cuba , as she penned it before her marriage to F. W. Pickens. In the bibliography, her work can be found under her penname Hardimann, since the analysis here will be based on the first edition of her novel that was published under this pseudonym rather than the 2001 edition that was published with her married name Lucy Holcombe Pickens.
3 Lucy Holcombe herself received her formal education with her sister at the same institute.
4 For a comprehensive review of Cuba’s significance for the South, US attempts to annex the island, and filibusterism see: Chambers, Stephen. No God But Gain: The Untold Story of Cuban Slavery, the Monroe Doctrine, and the Making of the United States . RePrint., Verso, 2017.; May, Robert E. Manifest Destiny’s Underworld: Filibustering in Antebellum America . The University of North Carolina Press, 2002.; Sundquist, Eric J. To Wake the Nations: Race in the Making of American Literature . Belknap Press, 1998.
5 Ironically enough the novel almost disregards the non-US American origins of the expedition’s leader, the Venezuelan-born López, in this hierarchy: while Lowe notes that Holcombe “equates Lopez with the beau ideal of Southern masculinity,” Greenberg stresses that the novel emphasizes his European roots and argues that this “whitened” representation of López was indeed popular among his supporters (183).
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