If it were not for the blade of grass
Pushing apart the flagstones
Of my garden path.
“I wish” – a seed falls to the ground.
Not much chance
That it will land on fertile soil,
Find water, reach sunlight.
The substance of reality is hard.
It is mostly rocks:
“Impossible”, “Forbidden”, “Or else”.
It is riddled with petrified bones:
“I regret”, “I never”, “I always”.
It is swarming with voracious mouths:
“I should”, “I promised”, “I must”.
“I wish” – a seed falls to the ground.
Not much chance,
But a chance nonetheless.
May it take root: “I am”,
May it send up a shoot: “I will”.
Cat.
Feral black cat.
No name that I know of,
No name that I would presume to bestow.
For ten years I have addressed him
By his title:
“Cat”.
Sometimes he comes by for a leisurely visit.
He meows, I sing-song: “kitty-cat”.
His four paws step delicately in a single line,
The tail flicks my knees.
As I stroke his slick arched back,
He weaves infinity signs
Around and around my ankles —
A hypnotic ritual of joy.
Sometimes he shows up
Skittish, bristling,
Not wishing to be touched.
He eats the offered food quickly,
Silently melts into the night,
Black into black.
Sometimes he meets me
As I am taking a walk in the evening:
Emerges from the cover of a bush,
Follows me to my house,
Flickering as he passes through the shadows.
Sometimes he appears on my porch
Night after night, for a week.
Sometimes he is gone for a month or more.
I fret, walk around the neighborhood,
Pausing by every promising bush,
Calling him, knowing it is in vain.
His comings and goings are not predictable,
Are not governed by my concerns.
It would be a human conceit
To imagine that the cat intends
To teach me non-attachment.
But I learn, nonetheless.
In the supermarket,
I pack seven cans of “seafood dinner” into my bag.
The purchase is an act of hope.
I have not seen him in weeks.
The cashier asks with genuine interest:
“What kind of cat do you have?”
“I do not have a cat.”
Responding to her unspoken question,
I add, wistfully:
“This is for a friend.”
She stares, perturbed.
I wade deeper into the truth:
“My friend is a cat.”
The early bird gets the worm.
The early worm gets a one-way ticket
For a trip down the bird’s intestines.
Therefore, seek self-knowledge.
If you are a bird,
Do not feather your bed overmuch.
If you are a worm,
Do not delude yourself into expecting
That your wings will be sprouting any day now.
Instead, dig deep
And stay away from alarm clocks.
On love, on grief, on every human thing,
Time sprinkles Lethe's water with his wing.
Walter Savage Landor
Dr. William T.G. Morton, who first publicly demonstrated the use of ether as an anesthetic, called his ether «Letheon»
River Lethe,
Your name
Flows from the distant myth,
Stealthily seeps
Into the language
Of the here and now,
Glimmers
In the shadowy words:
Letheon, lethal, lethargic.
Your luminous waters
Wash away
All loss,
All longing.
Your silver whirlpools
Sweep away
All burdens,
All bonds.
It is not yet my time.
I walk on solid ground,
Though my feet
Sense the soft path
Sloping down to your shore.
I do not quench my thirst,
Though I know the taste
Of each syllable
Of your name.
River Lethe,
River Lethe,
River Lethe.
After the end. Lamentation
I love this child of mine
Like no other.
I remember
This one rising,
Striving, passing
Like no other.
My wounds still fester,
I still burn with fever,
Convulse and shudder
With the aftershocks.
I am still haunted
By the bitter end
To all the building,
Worshipping, contending,
To all the restless seeking…
The bitter, self-inflicted end.
This child of mine
Was not content
To live day after day,
To let the seasons
Revolve without change,
To let each generation
Pass through life
From start to finish.
This child strove
To subdue the flow of time,
To master life,
To conquer death,
To slip out of my embrace.
To this child any bond
Was bondage.
But still I love,
Remember,
Long for
This one child of mine
Who was like no other.
I keep the imprints
Of the footsteps
Pressed into my clay,
The bones fused with my stone.
The soaring, crumbling towers
Reach for the sky.
The rusting bridges
Sway across the chasms.
The words still sing:
Praise,
Lamentation,
Knowledge,
Love,
Despair…
The words still sing,
Though there is no longer
A voice to give them sound,
An ear to hear and comprehend.
The words still sing
On the singed, moldering pages,
Even as all that was created
By this child,
My child,
The human,
Returns to dust.
This pine tree does not end
At the tips of its needles.
Its shade soothes wilted grass.
Its seeds feed a squirrel
And a family of grosbeaks.
Its progeny can be found
As far as the next ridge.
Its sap sticks to my fingers,
Holding my words together.
Silent waters are swiftly rising,
Engulfing dead leaves and last year’s grasses,
Deepening
Under the rippling lace
Of the inverted bare trees,
Darkening under the bright reflections
Of white clouds in the April sky.
This flood of longing
Is unlike all the upheavals
That I remember:
The scorching dust-devils of desire,
Despair’s armor of hard black ice.
Back then
I retreated,
Hid in my house,
Shuttered the windows.
Now, enchanted, oblivious to danger
I draw closer, closer
To the water’s edge.
How tenacious
Are the roots of memory!
Their grip endures
Long after the tree is gone.
In my dreams,
I still turn to you,
The way a blind woman
Turns her face towards the sun.
You were wrong.
There is no God
Outside of how we treat each other.
Lusting to carve your names
Onto eternity's tablets,
You darkened the sky with a symbol
Written in blood and in ashes.
Its meaning could not withstand
The flood of tears.
It was undone
By the first shuddering sob.
Manhattan. February. Tuesday
Driving rain, thick fog.
Skyscrapers have lost their heads.
New Yorkers press on.
A steady stream of umbrellas.
Some shelter couples.
A few are bobbing, jostled
By a laughing company of friends.
Most are held
By people walking alone,
Hurrying domes of silence.
The smoothness of the lake is marred by wrinkles
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