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Michael Shermer, Can we trust crime forensics? Scientific American , 1 Sept. 2015, https://scientificamerican.com/article/can-we-trust-crime-forensics/.
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Colin Moynihan, Hammer attacker sentenced to 22 years in prison, New York Times , 19 July 2017, https://nytimes.com/2017/07/19/nyregion/hammer-attacker-sentenced-to-22-years-in-prison.html?mcubz=0.
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Jeremy Tanner, David Baril charged in hammer attacks after police-involved shooting, Pix11 , 14 May 2015, http://pix11.com/2015/05/14/david-baril-charged-in-hammer-attacks-after-police-involved-shooting/.
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Long-time fugitive captured juggler was on the run for 14 years , FBI, 12 Aug. 2014, https://fbi.gov/news/stories/long-time-fugitive-neil-stammer-captured.
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Pei-Sze Cheng, I-Team: use of facial recognition technology expands as some question whether rules are keeping up , NBC 4NewYork , 23 June 2015, http://nbcnewyork.com/news/local/Facial-Recognition-NYPD-Technology-Video-Camera-Police-Arrest-Surveillance-309359581.html.
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С другой стороны, в 14 лет я была без ума и от PJ & Duncan — что я понимала?
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Matthew J. Salganik, Peter Sheridan Dodds and Duncan J. Watts, Experimental study of inequality and unpredictability in an artificial cultural market, Science , vol. 311, 10 Feb. 2006, p. 854, DOI: 10.1126/science.1121066, https://princeton.edu/~mjs3/salganik_dodds_watts06_full.pdf.
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Жаль, что формат книги не рассчитан на музыкальные цитаты. Мне очень хотелось бы, чтобы вы послушали эту образцово-отвратительную запись. Может, погуглите на досуге?
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Matthew J. Salganik and Duncan J. Watts, Leading the herd astray: an experimental study of self-fulfilling prophecies in an artificial cultural market, Social Psychology Quarterly , vol. 74, no. 4, Fall 2008, p. 338, DOI: https://doi.org/10.1177/019027250807100404.
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S. Sinha and S. Raghavendra, Hollywood blockbusters and long-tailed distributions: an empirical study of the popularity of movies, European Physical Journal B , vol. 42, 2004, pp. 293–296, DOI: https://doi.org/10.1140/epjb/e2004–00382-7; http://econwpa.repec.org/eps/io/papers/0406/0406008.pdf.
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‘John Carter’: analysis of a so-called flop: a look at the box office and critical reaction to Disney’s early tentpole release ‘John Carter’ , WhatCulture , http://whatculture.com/film/john-carter-analysis-of-a-so-called-flop.
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William Goldman, Adventures in the Screen Trade (New York: Warner, 1983).
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Sameet Sreenivasan, Quantitative analysis of the evolution of novelty in cinema through crowdsourced keywords, Scientific Reports 3 , article no. 2758, 2013, updated 29 Jan. 2014, DOI: https://doi.org/10.1038/srep02758, https://nature.com/articles/srep02758.
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Márton Mestyán, Taha Yasseri and János Kertész, Early prediction of movie box office success based on Wikipedia activity big data , PLoS ONE, 21 Aug. 2013, DOI: https://doi.org/10.1371/journal.pone.0071226.
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Ramesh Sharda and Dursun Delen, Predicting box-office success of motion pictures with neural networks , Expert Systems with Applications, vol. 30, no. 2, 2006, pp. 243–244, DOI: https://doi.org/10.1016/j.eswa.2005.07.018; https://sciencedirect.com/science/article/pii/S0957417405001399.
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Banksy NY, ‘Banksy sells work for $ 60 in Central Park, New York — video’, Guar-dian , 14 Oct. 2013, https://theguardian.com/artanddesign/video/2013/oct/14/banksy-central-park-new-york-video.
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Bonhams, Lot 12 Banksy: Kids on Guns, 2 July 2014, http://bonhams.com/auctions/21829/lot/12/.
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Charlie Brooker, Supposing… subversive genius Banksy is actually rubbish, Guardian , 22 Sept. 2006, https://theguardian.com/commentisfree/2006/sep/22/arts.visualarts.
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Gene Weingarten, Pearls before breakfast: can one of the nation’s greatest musicians cut through the fog of a DC rush hour? Let’s find out, Washington Post , 8 April 2007, https://washingtonpost.com/lifestyle/magazine/pearls-before-breakfast-can-one-of-the-nations-great-musicians-cut-through-the-fog-of-a-dc-rush-hour-lets-find-out/2014/09/23/8a6d46da-4331–11e4-b47c-f5889e061e5f_story.html?utm_term=.a8c9b9922208.
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Из личной беседы с Арманом Леруа. Он ссылается на статью: Matthias Mauch, Robert M. MacCallum, Mark Levy and Armand M. Leroi, The evolution of popular music: USA 1960–2010, Royal Society Open Science , 6 May 2015, DOI: https://doi.org/10.1098/rsos.150081.
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Авторство изречения спорно. Пикассо его приписал Стив Джобс в 1988 г. ( Прим. ред.)
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