Isaac Asimov - Asimov’s Guide To Shakespear. Volume 1
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- Название:Asimov’s Guide To Shakespear. Volume 1
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—Act III, scene i, lines 1-5
Parthia is called "darting" because of its reliance on archers in its battles. The Parthian arrows were their most effective weapon.
… Media, Mesopotamia…
Ventidius' aide, Silius, eagerly urges the general to pursue the enemy, to follow up the victory crushingly, and put an end to the Parthian menace forever. He says:
Spur through Media,
Mesopotamia, and the shelters whither
The routed fly.
—Act III, scene i, lines 7-9
Mesopotamia ("between the rivers") is the name given by the Greeks to the upper portion of the Tigris-Euphrates valley. It was the area within which Crassus had fought and died. The Romans struggled to grasp and hold it for centuries after Crassus' time, and from time to time succeeded. Nearly seven centuries went by before the region passed definitively out of their hands.
Media lay immediately to the east of Mesopotamia. It had been controlled by the Persians, conquered by Alexander the Great, and ruled by the early Seleucids, but at no time, then or later, could Roman force extend itself so far.
I have done enough…
Ventidius resists the temptation to continue the war. He might argue that a limited victory is safest. History is full of generals who could have gained greatly through initial victories and then went on to grasp for too much and to lose all. Adolf Hitler of Germany is only the latest example of this.
There have been exceptions, of course; Alexander the Great being the most notorious. It is hard to say how many generals have been lured to destruction by the specter of Alexander and by the fact that they themselves were not the military genius he was.
Ventidius does not advance such reasonable military grounds. He prefers instead to answer with the wisdom of the practical politician.
O Silius, Silius
I have done enough: a lower place, note well,
May make too great an act. For learn this, Silius,
Better to leave undone, than by our deed
Acquire too high a fame when him we serve's away.
—Act III, scene i, lines 11-15
Perhaps this is true in Antony's case, and if so it is another weakness of his. Since military valor was Antony's great recommendation, he could not endure having his subordinates display too much of it, lest people decide they can do without Antony.
Octavius Caesar had no difficulty of this sort. He was no military man, but he was a political genius. His generals could cover themselves with glory in his name for all he, or anyone, would care-as long as they followed his orders and left the political machinations to him.
… to Athens …
As the Parthian menace is ended, at least temporarily, in victory, so the difficulties with Sextus Pompeius are ended, at least temporarily, in compromise. The quadrumvirs are separating and Mark Antony must go east again to look after his affairs. But still not to Alexandria. He must yet maintain peace with Octavius Caesar and that means maintaining the marriage with Octavia.
In Syria the victorious Ventidius has heard of Antony's move. He says to Silius:
He [Antony] purposeth to Athens…
—Act III, scene i, line 35
Athens was no longer the great warlike power it had been in the time of Alcibiades and Timon (see page I-140) four centuries before. While its fleet had been in being, it was a city to be reckoned with, but its last fleet had been destroyed at the Battle of Amorgos (an island in the Aegean Sea) in 322 b.c.
After that, it was at the mercy of the Macedonians and could at best only wriggle a bit when Macedon was in trouble. In 146 b.c. all of Greece, including Athens, came under direct Roman control as the province of Achaea, and the last vestige of Athenian independence was gone.
Yet Athens could, and did, make one last gamble. In 88 b.c. the kingdom of Pontus in the northeastern stretches of Asia Minor under its able king, Mithradates VI, attacked Rome. Rome was having internal troubles and was caught flat-footed. The Pontine blitz captured all of Asia Minor. For a wild moment, Greece thought that the Greek-speaking Pontines would lead the way to Greek freedom once more. Athens declared for Pontus and moved into opposition against Rome.
Rome, however, sent its able and ruthless general, Sulla, eastward. He laid siege to Athens, quite without regard to its past glories, and Mithradates of Pontus was utterly unable to send help. In 86 b.c. Athens was taken and sacked and that was the final end. Never again, throughout ancient times, was Athens ever to take any independent political or military action. It settled down to the utter quiet of a university town and for two and a half centuries it was to know complete peace at the price of complete stagnation.
It is to somnolent Athens that Antony now comes and it is there he will stay, with Octavia, for over two years.
This is too long a time for the purposes of the play, of course, since Shakespeare is anxious to show the love affair between Antony and Cleopatra to follow an absolutely irresistible course. He must therefore give the impression that Antony's connection with Octavia is fleeting.
To do this, there is a scene, following that which involves Ventidius, which shows Antony leaving with Octavia for Athens, and then, immediately afterward, one which shows Cleopatra still questioning the Messenger who brought her news of the marriage.
While tremendous events are transpiring in the outside world-a year of campaigning in Parthia and Syria, a year of negotiation in Italy-it is yet the same day in Cleopatra's palace. She is still planning to win Antony back from Octavia, and the Messenger, well knowing what is expected of him, gladly describes Octavia as short, round-faced, with a low forehead and a shambling walk.
New wars 'gainst Pompey…
Antony's establishment of his capital in Athens is, in itself, an invitation to more trouble. It was part of the compromise agreement with Sextus that the latter be given Greece as one of his provinces. Antony never lived up to that part of the bargain and may have deliberately come to Athens to make sure that Greece remained his.
Once Sextus realized that Antony was not going to keep his part of the treaty, he was naturally infuriated, and once again began his offensive against Rome's food supply. The pact of Misenum was in ruins before it really got a chance to work.
Shakespeare mentions none of this. When he turns to Antony's house in Athens, he pictures Antony as infuriated at events in Italy and placing all the blame for the renewed trouble on Octavius Caesar. Antony is saying angrily to Octavia, concerning her brother:
… he hath waged
New wars 'gainst Pompey; made his will, and read it
To public ear; Spoke scantly of me …
—Act III, scene iv, lines 3-6
Naturally, Octavius must fight Sextus again; when Sextus begins to stop the grain shipments, Octavius has no choice but to regard it as an invitation to war.
Since Sextus' pretext is the withholding of Greece, which is Antony's act, Octavius Caesar can scarcely keep from suspecting that Antony is behind Sextus; that the two have an understanding. He therefore renews the propaganda offensive against Antony ("spoke scantly of me").
Furthermore, Octavius Caesar shored up his own popularity with the Romans by preparing a will donating money and property to the people in case of his death. He carefully let that will be made public. (Mark Antony once read Julius Caesar's will to the public, see page I-295, and he knows well how powerful a weapon a proper will can be.)
Antony might not have been so angry if Octavius Caesar's struggle with Sextus Pompeius had gone badly for the former. The situation had changed from what it was before, however. When Sextus closed off Rome's life line he found out why Menas had been opposed to the compromise agreement at Misenum. Octavius had used the respite to stock Rome and to fill its storehouses. It would take a long time before it could be choked once more and meanwhile Octavius could strike back. Sextus found that while Antony and Octavius could easily undo their part of the agreement, he could not undo his; he could not withdraw the food he had allowed into Rome.
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