Kurt Caswell - Laika's Window

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Laika's Window: краткое содержание, описание и аннотация

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Laika began her life as a stray dog on the streets of Moscow and died in 1957 aboard the Soviet satellite Sputnik II. Initially the USSR reported that Laika, the first animal to orbit the earth, had survived in space for seven days, providing valuable data that would make future manned space flight possible. People believed that Laika died a painless death as her oxygen ran out. Only in recent decades has the real story become public: Laika died after only a few hours in orbit when her capsule overheated.
positions Laika as a long overdue hero for leading the way to human space exploration.
Kurt Caswell examines Laika’s life and death and the speculation surrounding both. Profiling the scientists behind Sputnik II, he studies the political climate driven by the Cold War and the Space Race that expedited the satellite’s development. Through this intimate portrait of Laika, we begin to understand what the dog experienced in the days and hours before the launch, what she likely experienced during her last moments, and what her flight means to history and to humanity. While a few of the other space dog flights rival Laika’s in endurance and technological advancements, Caswell argues that Laika’s flight serves as a tipping point in space exploration “beyond which the dream of exploring nearby and distant planets opened into a kind of fever from which humanity has never recovered.”
Examining the depth of human empathy—what we are willing to risk and sacrifice in the name of scientific achievement and our exploration of the cosmos, and how politics and marketing can influence it—
is also about our search to overcome loneliness and the role animals play in our drive to look far beyond the earth for answers.
Kurt Caswell
Getting to Grey Owl: Journeys on Four Continents
In the Sun’s House: My Year Teaching on the Navajo Reservation
An Inside Passage
To Everything on Earth: New Writing on Fate, Community, and Nature
ISLE, Isotope, Matter, Ninth Letter, Orion, River Teeth
American Literary Review Review
About the Author “Caswell positions Laika as an animal astronaut rather than a lab animal and showcases the bond between Laika and the Soviet space scientists, redefining the story of Laika and the space dogs, the pioneers of all our space endeavors.”
― Chris Dubbs, author of “Brilliant, original, and heartbreaking, Laika’s Window takes us on a journey into the fascinating history of animals and humans in space travel and, beyond that, into the nature of our own loneliness as creatures, both here on earth and out in the vastness of the cosmos. Caswell’s tender consideration of Laika and her life is infectious, and I found myself just as invested in this little being that had been shot into space so many years ago. I won’t forget this powerful book, which brings us one step closer to making sense of our place in the universe.”
― Taylor Larsen, author of
“Laika’s Window is a magnificent account of one of the world’s most famously tragic dogs. Combining meticulous scholarship of the Cold War era, profound sociopolitical analysis, unerring literary skill, and―the book’s great surprise―some of the most heartrending, haunting reflections ever written on the relations between canines and humans, Kurt Caswell’s masterwork shot an arrow through my dog-loving heart yet left me nothing but grateful for the experience. This is a mesmerizing tale by a writer as sensitive and heartful as he is brilliant.”
― David James Duncan, author of

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Sputnik I left the US scrambling to put up its first satellite, Explorer I , which would not be achieved for nearly three more months. Explorer I was a much smaller satellite, weighing just over thirty pounds, while Sputnik I weighed in at 184 pounds. Sputnik II topped out at over 1,100 pounds. For comparison, the GOES-R weather satellite that I saw under construction in a clean room during my visit to Lockheed Martin’s Denver campus weighs 11,500 pounds. It launched from Cape Canaveral, Florida, on a United Launch Alliance Atlas V rocket in 2016. In the early days of the Space Race, however, the US did not have a rocket with the kind of power necessary to lift an object as heavy as Sputnik II into orbit, and Khrushchev knew it. Vanguard I , the US’s second satellite, went up on March 17, 1958, and it was even smaller than Explorer I . While it bears the distinction of being the first satellite powered by solar energy, it weighed a mere 3.2 pounds. Khrushchev taunted the US, calling Vanguard I a grapefruit. Even so, while the first two sputniks came down within a couple of months, Vanguard I is still up there, and it will likely remain in orbit for another couple hundred years.

Some historians have written that President Eisenhower was much less concerned with being first into space than he was in establishing space as open and free to all nations. Such an international agreement, Eisenhower knew, would allow nations to fly satellites over other nations, which would be very useful in spying. Along with other senior officials, Eisenhower had the advantage of reports from a new high-altitude spy plane, the U-2, which revealed that the Soviets were really not technologically or militarily ahead of the US. There was really no good reason to panic; still, his plan was a calculated risk. If the US was first into space and its satellite flew over the USSR, he reasoned, the Soviets might claim the satellite had violated their sovereignty and would then urge a referendum to partition not only the skies over nations, but outer space too. However, if the Soviets were first to fly their satellite over the United States, and the US did not protest, they would then have set a precedent enabling the US to fly satellites over the Soviet Union. What Eisenhower could not have predicted was the reaction of the American people to being beaten into space by the Soviets. In the US, the initial excitement surrounding the technological achievement of Sputnik I was supplanted by fear and anger, which was bad for the American psyche, bad for American security, and bad for Eisenhower’s presidency.

The US had, in fact, two leading rocket programs in operation at the time: the navy’s Project Vanguard (which Gil Moore worked on) and the army’s Redstone missile program, directed by the German engineer Werner von Braun. Eisenhower suspected that putting a satellite into orbit on a military-purposed Redstone missile would incite fear in the Soviet Union, so he endorsed Vanguard’s science mission and told von Braun and his team to stand down. But Vanguard struggled. Attempt after attempt ended in failure. Von Braun’s team launched a rocket weeks in advance of Sputnik I that could have entered orbit, but they pulled it back to comply with the president’s directive. Then Sputnik I went up. “For God’s sake, turn us loose,” von Braun said. Eisenhower finally did, and Explorer I launched into orbit on January 31, 1958, on von Braun’s Redstone rocket, which put the US back on track in what became known as the Space Race.

Before the successful launch of Explorer I , though, Khrushchev planned to stun the world again with Soviet power and ingenuity. He ordered the launch of a second satellite, Sputnik II , to coincide with the fortieth anniversary of the Bolshevik Revolution. The satellite was also a science laboratory, as Laika, along with Sputnik II ’s instruments, would return data to the USSR essential to understanding the conditions in Earth orbit, data crucial to finding out if and how a human being could survive in space. The Soviet news agency TASS issued this statement in a press release: “Artificial earth satellites will pave the way to interplanetary travel, and apparently our contemporaries will witness how the freed and conscientious labor of the people of the new socialist society makes the most daring dreams of mankind a reality.”

¤

During her flight and for decades after, Laika was one of the most famous dogs in the world. She appears on most every list of famous dogs, along with Lassie, Hachiko, and Rin Tin Tin; and she is listed among Time magazine’s fifteen “most influential animals that ever lived,” joining the company of Alexander the Great’s war horse, Bucephalus; Dian Fossey’s favored mountain gorilla, Digit; and the world’s first successfully cloned adult mammal, Dolly the sheep. The Soviet Union issued a postage stamp in Laika’s honor, and so did Albania, Benin, North Korea, the Emirate of Sharjah (part of the United Arab Emirates), East Germany (now the reunited nation of Germany), Guyana, Hungary, Mongolia, Nicaragua, Poland, and Romania. Laika-brand cigarettes were hugely popular in the Soviet Union and in other countries. Her image was featured on cigarette cases, cigar bands, matchboxes, postcards, posters, in newspaper and magazine drawings and cartoons, on boxes of chocolates and chocolate wrapping papers, lapel pins and badges, handkerchiefs, confectionery tins, playing cards, commemorative plates, desktop sculptures, and porcelain figurines. In Japan, Laika’s image was featured on a child’s tin watering can, a spinning top, and a bucket. In the US she was featured on a child’s piggy bank, or “Sputnik Bank,” and on a child’s toy plastic helmet with two metal spring antennas, the “Wee Beep Sputnik” helmet. In West Germany a child’s mechanical toy featured Laika in a sputnik orbiting the Earth. And in Mexico, a tin serving tray pictured Betty Boop walking Laika on a leash across the surface of an alien world, possibly the moon. Laika has been the subject of poems, children’s books, at least one graphic novel, a few books of nonfiction, songs, and music videos. Years later, circulating on the internet, is the curious theory that Scooby-Doo is an escaped Soviet space dog, perhaps in Laika’s image, and you can see such a space dog running across the screen in the 2014 Marvel Studios movie Guardians of the Galaxy as part of the cosmic collection of a character called The Collector.

Laika is the only nonhuman represented on the Monument to the Conquerors of Space at the Memorial Museum of Cosmonautics in Moscow. Positioned on the roof of the museum, the monument is a 350-foot-high titanium sculpture of a rocket leading a plume of exhaust and smoke from its engines. The monument is wrapped in a bas-relief of the heroes of the Soviet space program. I stood before the monument in the summer of 2016 and walked around its base. It was a particularly cool day, and it had only just stopped raining. Through my reading I had come to know the names and faces of a number of the greatest figures in the early Soviet space program, but none of them was recognizable here. These were representations of a generalized Soviet hero, generalized faces in various generalized poses and actions. Laika, however, was recognizable, sitting in the capsule that took her to the stars. She is positioned over the shoulders of a man who is kneeling and looking at a set of drawings or plans, and beneath the raised arm of another man who, along with the rocket behind him, points the way to the stars. That monument—on which Laika is a central figure—writes Olesya Turkina in Soviet Space Dogs , “came to symbolise the hopes and dreams of an entire generation of Soviet people.”

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