Jean-Paul Sartre - No Exit

GARCIN: Well! Well!

INEZ: Yes? What's in your mind?

GARCIN: Nothing. Only that it's not a pretty story

INEZ: Obviously. But what matter?

GARCIN: As you say, what matter? Your turn. What have you done.

ESTELLE: As I told you, I haven't a notion. I rack my brain, but it's no use.

GARCIN: Right. Then we'll give you a hand. That fellow with the smashed face, who was he?

ESTELLE: Who- who do you mean?

INEZ: You know quite well. The man you were so scared of seeing when you came in.

ESTELLE: Oh, him! A friend of mine.

GARCIN: Why were you afraid of him?

ESTELLE: That's my business, Mr. Garcin.

INEZ: Did he shoot himself on your account?

ESTELLE: Of course not. How absurd you are!

GARCIN: Then why should you have been so scared? He blew his brains out, didn't he? That's how his face got smashed.

ESTELLE: Don't! Please don't go on.

GARCIN: Because of you. Because of you.

INEZ: He shot himself because of you.

ESTELLE: Leave me alone! It's – it's not fair, bullying me like that. I want to go! I want to go!

GARCIN: Go if you can. Personally, I ask for nothing better. Unfortunately the door's locked.

ESTELLE: You're hateful, both of you.

INEZ: Hateful? Yes, that's the word. Now get on with it. That fellow who killed himself on your account- you were his mistress, eh?

GARCIN: Of course she was. And he wanted to have her to himself alone. That's so, isn't it?

INEZ: He danced the tango like a professional, but he was poor as a church mouse- that's right, isn't it?

GARCIN: Was he poor or not? Give a straight answer.

ESTELLE: Yes, he was poor.

GARCIN: And then you had your reputation to keep up. One day he came and implored you to run away with him, and you laughed in his face.

INEZ: That's it. You laughed at him. And so he killed himself.

ESTELLE: DId you use to look at Florence in that way?

INEZ: Yes.

ESTELLE: You've got it all wrong, you two. He wanted me to have a baby. So there!

GARCIN: And you didn't want one?

ESTELLE: I certainly didn't. But the baby came, worse luck. I went to Switzerland for five months. No one knew anything. It was a girl. Roger was with me when she was born. It pleased him no end, having a daughter. It didn't please me!

GARCIN: And then?

ESTELLE: There was a balcony overlooking the lake. I brought a big stone. He could see what I was up to and he kept on shouting: "Estelle, for

God's sake, don't!" I hated him then. He saw it all. He was leaning over the balcony and he saw the rings spreading on the water-

GARCIN: Yes? And then?

ESTELLE: That's all. I came back to Paris- and he did as he wished.

GARCIN: You mean he blew his brains out?

ESTELLE: It was absurd of him, really, my husband never suspected anything. Oh, how I loathe you!

GARCIN: Nothing doing. Tears don't flow in this place.

ESTELLE: I'm a coward. A coward! If you knew how I hate you!

INEZ: Poor child! So the hearing's over. But there's no need to look like a hanging judge.

GARCIN: A hanging judge? I'd give a lot to be able to see myself in a glass. How hot it is! (Takes off coat.) Oh, sorry! (Puts it on again.

ESTELLE: Don't bother. You can stay in your shirt-sleeves. As things are-

GARCIN: Just so. You mustn't be angry with me, Estelle.

ESTELLE: I'm not angry with you.

INEZ: And what about me? Are you angry with me?

ESTELLE: Yes.

INEZ: Well, Mr. Garcin, now you have us in the nude all right. Do your understand things any better for that?

GARCIN: I wonder. Yes, perhaps a trifle better. And now I suppose we start trying to help each other.

INEZ: I don't need help.

GARCIN: Inez, they've laid their snare damned cunningly- like a cobweb. If you make any movement, if you raise your hand to fan yourself,

Estelle and I feel a little tug. Alone, none of us can save himself or herslf; we're linked together inextricably. So you can take your choice. Hullo?

What's happening?

INEZ: They've let it. The windows are wide open, a man is sitting on my bed. MY bed, if you please! They've let it, let it! Step in, step in, make yourself at home, you brute! Ah, there's a woman, too. She's going up to him, putting her hands on his shoulders…Damn it, why don't they turn the lights on? It's getting dark. Now he's going to kiss her. But that's my room, MY room! Pitch-dark now. I can't see anything, but I hear them whispering, whispering. Is he going to make love to her on MY bed?What's that she said? That it's noon and the sun is shining? I must be going blind. Blacked out. I can't see or hear a thing. So I'm done with the earth, it seems. No more alibis for m! I feel so empty, desiccated- really dead at last. All of me's here, in this room. What were you saying? Something about helping me, wasn't it?

GARCIN: Yes.

INEZ: Helping me to do what?

GARCIN: To defeat their devilish tricks.

INEZ: And what do you expect me to do in return?

GARCIN: To help ME. It only needs a little effort, Inez; just a spark of human feeling.

INEZ: Human feeling. That's beyond my range. I'm rotten to the core.

GARCIN: And how about me? All the same, suppose we try?

INEZ: It's no use. I'm all dried up. I can't give and I can't receive. How could I help you? A dead twig, ready for the burning. FLorence was fair, a natural blonde.

GARCIN: Do your realize that this young woman's fated to be your torturer?

INEZ: Perhaps I've guessed it.

GARCIN: It's through her they'll get you. I, of course, I'm different- aloof. I take no notice of her. Suppose you had a try-

INEZ:Yes?

GARCIN: It's a trap. They're watching you, to see if you'll fall into it.

INEZ: I know. And you're another trap. Do you think they haven't foreknown every word you say? And of course there's a whole nest of pitfalls that we can't see. Everything here's a booby-trap. But what do I care? I'm a pitfall, too. For her, obviously. And perhaps I'll catch her.

GARCIN: You won't catch anything. We're chasing after each other, round and round in a vicious circle, like the horses on a roundabout. That's part of their plan, of course… Drop it, Inez. Open your hands and let go of everything. Or else you'll bring disaster on all three of us.

INEZ: Do I look the sort of person who lets go? I know what's coming to me. I'm going to burn, and it's to last forever. Yes, I KNOW everything.

But do you think I'll let go? I'll catch her, she'll see you through my eyes, as Florence saw that other man. What's the good of trying to enlist my sympathy? I assure you I know everything, and I can't feel sorry even for myself. A trap! Don't I know it, and that I'm in a trap myself, up to the neck, and there's nothing to be done about it? ANd if it suits their book, so much the better!

GARCIN: Well, I, anyhow, can feel sorry for you, too. Look at me, we're naked, naked right through, and I can see into your heart. That's one link between us. Do you think I'd want to hurt you? I don't regret anything, I'm dried up, too. But for you I can still feel pity.

INEZ: Don't. I hate being pawed about. And keep your pity for yourself. Don't forget, Garcin, that there are traps for you, too, in this room. ALl nicely set for you. You'd do better to watch your own interests. But, if you will elave us in peace, this child and me, I'll see I don't do you any harm.

GARCIN: Very well.

ESTELLE: Please, Garcin.

GARCIN: What do you want of me?

ESTELLE: You can help ME, anyhow.

GARCIN: If you want help, apply to her.

ESTELLE: I implore you, Garcin- you gave me your promise, didn't you? Help me quick. I don't want to be left alone. Olga's taken him to a cabaret.

INEZ: Taken whom?

ESTELLE: Peter…Oh, now they're dancing together.