Теодор Драйзер - Titan / Титан. Книга для чтения на английском языке

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Titan / Титан. Книга для чтения на английском языке: краткое содержание, описание и аннотация

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«Титан» – вторая книга «Трилогии желания» известного американского писателя Теодора Драйзера (1871–1945). Взлеты и падения в деловой сфере преследуют главного героя романа Фрэнка Каупервуда, а пренебрежение нормами поведения общества становится еще более ярко выраженной чертой его характера.
В книге представлен неадаптированный текст на языке оригинала с сокращениями, снабженный комментариями и словарем.

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“What’s the matter?” he asked, cheeringly, the rumble of the traffic destroying the carrying-power of their voices. He leaned toward her, very anxious to solve any difficulty which might confront her, perfectly willing to ensnare her by kindness. “Isn’t there something I can do? We’re going now for a long ride to the pavilion in Jackson Park, and then, after dinner, we’ll come back by moonlight. Won’t that be nice? You must be smiling now and like yourself – happy. You have no reason to be otherwise that I know of. I will do anything for you that you want done – that can be done. You can have anything you want that I can give you. What is it? You know how much I think of you. If you leave your affairs to me you would never have any troubles of any kind.”

“Oh, it isn’t anything you can do – not now, anyhow. My affairs! Oh yes. What are they? Very simple, all.”

She had that delicious atmosphere of remoteness even from herself. He was enchanted.

“But you are not simple to me, Rita,” he said, softly, “nor are your affairs. They concern me very much. You are so important to me. I have told you that. Don’t you see how true it is? You are a strange complexity to me – wonderful. I’m mad over you. Ever since I saw you last I have been thinking, thinking. If you have troubles let me share them. You are so much to me – my only trouble. I can fix your life. Join it with mine. I need you, and you need me.”

“Yes,” she said, “I know.” Then she paused. “It’s nothing much,” she went on – “just a quarrel.”

“What over?”

“Over me, really.” The mouth was delicious. “I can’t swing the censer [71] swing the censer – (разг.) курить фимиам always, as you say.” That thought of his had stuck. “It’s all right now, though. Isn’t the day lovely, be-yoot-i-ful!”

Cowperwood looked at her and shook his head. She was such a treasure – so inconsequential. Aileen, busy driving and talking, could not see or hear. She was interested in Sohlberg, and the southward crush of vehicles on Michigan Avenue was distracting her attention. As they drove swiftly past budding trees, kempt lawns, fresh-made flower-beds, open windows – the whole seductive world of spring – Cowperwood felt as though life had once more taken a fresh start. His magnetism, if it had been visible, would have enveloped him like a glittering aura. Mrs. Sohlberg felt that this was going to be a wonderful evening.

The dinner was at the Park – an open-air chicken à la Maryland affair, with waffles and champagne to help out. Aileen, flattered by Sohlberg’s gaiety under her spell, was having a delightful time, jesting, toasting, laughing, walking on the grass. Sohlberg was making love to her in a foolish, inconsequential way, as many men were inclined to do; but she was putting him off gaily with “silly boy” and “hush.” She was so sure of herself that she was free to tell Cowperwood afterward how emotional he was and how she had to laugh at him. Cowperwood, quite certain that she was faithful, took it all in good part. Sohlberg was such a dunce and such a happy convenience ready to his hand. “He’s not a bad sort,” he commented. “I rather like him, though I don’t think he’s so much of a violinist.”

After dinner they drove along the lake-shore and out through an open bit of tree-blocked prairie land, the moon shining in a clear sky, filling the fields and topping the lake with a silvery effulgence. Mrs. Sohlberg was being inoculated with the virus Cowperwood, and it was taking deadly effect. The tendency of her own disposition, however lethargic it might seem, once it was stirred emotionally, was to act. She was essentially dynamic and passionate. Cowperwood was beginning to stand out in her mind as the force that he was. It would be wonderful to be loved by such a man. There would be an eager, vivid life between them. It frightened and drew her like a blazing lamp in the dark. To get control of herself she talked of art, people, of Paris, Italy, and he responded in like strain, but all the while he smoothed her hand, and once, under the shadow of some trees, he put his hand to her hair, turned her face, and put his mouth softly to her cheek. She flushed, trembled, turned pale, in the grip of this strange storm, but drew herself together. It was wonderful – heaven. Her old life was obviously going to pieces.

“Listen,” he said, guardedly. “Will you meet me tomorrow at three just beyond the Rush Street bridge? I will pick you up promptly. You won’t have to wait a moment.”

She paused, meditating, dreaming, almost hypnotized by his strange world of fancy.

“Will you?” he asked, eagerly.

“Wait,” she said, softly. “Let me think. Can I?”

She paused.

“Yes,” she said, after a time, drawing in a deep breath. “Yes” – as if she had arranged something in her mind.

“My sweet,” he whispered, pressing her arm, while he looked at her profile in the moonlight.

“But I’m doing a great deal,” she replied, softly, a little breathless and a little pale.

Chapter XVI

A Fateful Interlude

Cowperwood was enchanted. He kept the proposed tryst with eagerness and found her all that he had hoped. She was sweeter, more colorful, more elusive than anybody he had ever known. In their charming apartment on the North Side which he at once engaged, and where he sometimes spent mornings, evenings, afternoons, as opportunity afforded, he studied her with the most critical eye and found her almost flawless. She had that boundless value which youth and a certain insouciance of manner contribute. There was, delicious to relate, no melancholy in her nature, but a kind of innate sufficiency which neither looked forward to nor back upon troublesome ills. She loved beautiful things, but was not extravagant; and what interested him and commanded his respect was that no urgings of his toward prodigality, however subtly advanced, could affect her. She knew what she wanted, spent carefully, bought tastefully, arrayed herself in ways which appealed to him as the flowers did. His feeling for her became at times so great that he wished, one might almost have said, to destroy it – to appease the urge and allay the pull in himself, but it was useless. The charm of her endured. His transports would leave her refreshed apparently, prettier, more graceful than ever, it seemed to him, putting back her ruffled hair with her hand, mouthing at herself prettily in the glass, thinking of many remote delicious things at once. <���…>

For something over a year neither Sohlberg nor Aileen was aware of the intimacy which had sprung up. Sohlberg, easily bamboozled, went back to Denmark for a visit, then to study in Germany. Mrs. Sohlberg followed Cowperwood to Europe the following year. At Aix-les-Bains, Biarritz, Paris, even London, Aileen never knew that there was an additional figure in the background. Cowperwood was trained by Rita into a really finer point of view. He came to know better music, books, even the facts. She encouraged him in his idea of a representative collection of theold masters, and begged him to be cautious in his selection of moderns. He felt himself to be delightfully situated indeed.

The difficulty with this situation, as with all such where an individual ventures thus bucaneeringly on the sea of sex, is the possibility of those storms which result from misplaced confidence, and from our built-up system of ethics relating to property in women. To Cowperwood, however, who was a law unto himself, who knew no law except such as might be imposed upon him by his lack of ability to think, this possibility of entanglement, wrath, rage, pain, offered no particular obstacle. It was not at all certain that any such thing would follow. Where the average man might have found one such liaison difficult to manage, Cowperwood, as we have seen, had previously entered on several such affairs almost simultaneously; and now he had ventured on yet another; in the last instance with much greater feeling and enthusiasm. The previous affairs had been emotional makeshifts at best – more or less idle philanderings in which his deeper moods and feelings were not concerned. In the case of Mrs. Sohlberg all this was changed. For the present at least she was really all in all to him. But this temperamental characteristic of his relating to his love of women, his artistic if not emotional subjection to their beauty, and the mystery of their personalities led him into still a further affair, and this last was not so fortunate in its outcome.

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