Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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He tries to keep his grip on my arm while he gets the gun barrel jammed back where it belongs. And he is a strong fucker. But Mr. Two Pints In Two Days is stronger just now. And faster. I go left, twist my arm free and clip him with my elbow as I dodge into the street and around to the far side of a NYC Parks Department pickup sitting at the curb. He takes a couple steps around it to the right. I go right. He goes left. I go left. He shows me the gun, flashing it low and out of sight from the people on the sidewalk, reminding me who’s in charge.

– Get the fuck over here, Pitt.

– Why?

– Get the fuck over here or I’ll shoot you.

– Park’s full of undercover cops looking to bust the dealers in there. Pull the trigger and they’ll be on your ass in a flash. Throw you in a cell. That’s if you’re lucky, if the Enclave aren’t watching. Waiting to see if you’re gonna cause a scene.

– Shut the fuck up.

– Shit, Tom, don’t you ever bother to put together a plan? I mean a good one.

– Shut the fuck up.

– Know what Terry calls you behind your back?

– Shut!

Halfcock.

– The!

– I assumed it was cuz you’re always going off that way.

– Fuck!

– But maybe he knows something I don’t.

– Up!

– If you get what I mean.

He gets it.

He comes storming around the hood of the truck, shoving the pistol into one of the huge pockets of his army surplus jacket, those dirty blond dreads flying behind him.

– Gonna kick your fucking ass. Gonna beat your fucking face like I beat it before.

He did beat my face pretty bad that time. I got a gap between two molars that used to be filled by a third molar before he knocked it out. That pissed me off. So when he comes toward me with his fist raised, I let him tag me once on the neck and grab his sleeve and pull him close so he thinks I want to grapple, and then I use my free hand to whip out the.32 that’s still tucked in the back of my waistband because he was too fucking stupid to give me a little pat-down when he got the drop on me, and while he’s trying to wrap his hand around my throat I press the barrel against the top of his thigh and pull the trigger.

The shot is muffled by our bodies, but the folks who were just slowing down to look at our little scuffle decide it’s best to keep moving along. Tom falls to the ground, hands pressed over the hole in his leg, and I turn around and start walking quickly back toward Sixth. I mix in with the folks a little farther down the sidewalk and listen for the telltale sound of running feet that would mean there actually were a couple cops in the park wasting time on the dime-bag dealers.

I don’t bother looking back to see what Tom is doing. He’ll be on his feet by now, but he won’t try coming after me with that hole in his leg. He’ll be moving as quickly as possible back toward the Society border, making for the partisans he has posted there, hoping like hell there are no cops around. Once he crosses onto his own turf there’ll be a safe house right around the corner, the place he was planning to take me.

I reach The Cage and walk past it and down the steps into the West 4th Street station, crossing my fingers that Tom didn’t get nabbed. I might get away with shooting him, but if he gets busted, if it ends up being that kind of scene, I may as well take this train to the end of the line and get out and start walking ’til I walk right off the edge of the island.

It’s just after six. The train is packed tight, the commuters squashed against each other in the aisles bitterly eyeballing the commuters squashed together on the seats. I press through the clot of bodies that always forms around the doors and find a little elbow room at the end of the car, the last car on the train. We pull out and everyone lurches.

We cover the distance to 14th in a couple minutes. A bunch of people spill out of the train to make a connection, but even more cram themselves on. The intercom buzzes static as the conductor shouts at the passengers, telling them not to block the doors. The doors close and we’re off. Across the Coalition border.

I stand a little taller than most of the bodies squeezed in here. I use the height to scan the faces. I don’t smell anything I shouldn’t, just the rank air and the sweat slowly starting to trickle beneath everyone’s parkas. There could be a Coalition Renfield on board, but I don’t see anything. Fair enough. The real danger starts at 34th, the first stop in Coalition turf.

The train zips through the local stop at 23rd. Somewhere in the middle of the car a man too short for me to see through the bodies is yelling at the top of his lungs, telling the passengers about how he was burned out of his apartment and how he needs ten dollars and forty-seven cents to have enough to stay in a transient hotel tonight. I think about Terry.

Figure Tom’s move one of two ways. Either he told Terry I’d been poking around and Terry rubber-stamped his play on me, or he invoked his security authority and made the move himself. Terry might have cleared it, just to keep from admitting that I was doing some clandestine shit for him. Just to keep a cover on whatever his angle is. Figure it’s more likely Tom did it on his own. After my lengthy chat with Terry, Tom’s smart enough to know something’s up. He sure as shit knows Phil is my number one snitch. He probably didn’t bother to follow me at first, just went after Phil. Once he beat everything out of him, he would have checked in with The Count.

We jerk to a stop at the 34th Street platform. I get some breathing room as the Bridge and Tunnel commuters pile off and make for Penn Station, but I lose it right away as the Midtown workers heading for Queens and the Bronx come on.

Figure Tom wouldn’t have to threaten The Count. Hell, The Count is one of his. Tom just has to ask him what I wanted, what I was looking into. Figure that was too close to the bone. Close to something anyway. Close to all these new fish popping up and the whole shooting the Vyrus thing. After that, all he needed to do was stake out my pad and tail me over to the Enclave. Fucker’s definitely got a bee in his bonnet over this shit.

42nd Street, Times Square. The train exhales a rancid mass of drones and sucks in a fresh mass of the same. The doors close. 59th Street and relative safety dead ahead. The A runs express from 59th all the way to 125th, inside Hood turf. After 59th, any enforcers riding the express will be taking a big chance.

Yeah, Tom’s definitely got some skin in this game. Then again, it could all be Terry. He might have sent Tom after me himself. Maybe I got too close too fast when I talked to The Count. Maybe Terry’s finally gotten tired of having me on Society turf and the whole thing is the start of his play to get rid of me.

Something tickles my nose.

Blood.

Someone in the car is bleeding. Bleeding fresh. Not menstrual blood, not an old cut opening up, but fresh blood. Someone just opened a small wound.

I don’t look up. It’s the oldest trick in the book, so I don’t look up. Could be a nosebleed. Could be a little kid’s tooth just fell out. Could be some lady got jarred by the train swaying from side to side and ran the sharp tip of her nail file up under her nail. Still, I don’t look up. ’Cause it just as easily could be someone just pricked their hand with a tiny lance and is watching everybody on the train, watching to see who jerks their face toward the source of the blood. The oldest trick in the book.

I keep my head down and scent the air. Someone has stepped in dog crap. A businessman had to puke after his four martini lunch and tried to cover the smell with a fistful of Altoids. Someone just bought a CD player and I smell the new plastic as they tear open the bubble-pack it’s wrapped in. Shampoo. Ink from the fat tip of a felt-tip pen as a kid tags a window of the car. Someone had sex just before she caught the train and semen dribbles down the inside of her thigh. Foot powder. Tiger Balm. A Hershey’s bar. French fries. A puff of deodorant released as someone unzips their jacket. Hair spray, hair gel, hair mousse, hair cream, hair wax. Over a dozen types of perfumes, twice as many lotions and creams. Once I focus on all of it, once I let that lizard part of my brain that deals with smells start sifting them all out and identifying them, it makes me want to vomit. I bite it back and take another whiff.

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