Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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– Pitt. Joe muthafuckin’ Pitt. You Terry Bird’s bitch. You his pet Rogue bitch, ain’t you? This shit gettin’ curiouser an’ curiouser. What Bird send you up here for? His hippie ass know better than to send no Rogue agent up here without no transit agreement.

– He didn’t send me.

– Uh-huh. You jus wand’rin’ up here all by yo lonesome. Sight-seein’ like.

– Heard the fried chicken and waffles can’t be beat.

The barber stops cutting.

Digga puckers his lips.

– What that you just say?

– Heard about the fried chicken and waffles.

– That’s thin ice, bitch. That fried chicken talk is some thin ass ice for a muthafucka to be treadin’ on.

– Sorry.

– That right you sorry.

– Not like I said I was here for the watermelon season.

His eyes open wide.

– Uh-uh. You did not. You did not.

He points at the barber.

– You done with that shit?

The barber looks at my head.

– Doan look no worse none than when I started.

Digga flaps his hand at him.

– Leave it, leave it. Lather muthafucka up and give him a scrape.

The barber sets his scissors aside, stirs a brush around in an old coffee cup and starts lathering my cheeks and neck.

Digga turns his back to me and faces the mirror again. He flicks his pinkie over the tips of his moustache.

Watermelon season. That some classic shit. That some good, old-skool, stereotypin’, racist humor that is. You a racist, Pitt?

The barber puts his index finger on the point of my chin and tilts my head back.

– Not really. I just don’t like assholes.

– Muthafucka!

He grabs the razor from the barber, pushes him aside and tucks the blade up under my jaw.

– Asshole this, muthafucka. You tell me what you doin’ up here. Now, muthafucka. Want to know what you doin’ comin’ up here trailin’ a fuckin’ enforcer behind you. You on Predo’s tip or whorin’ for Bird, I doan care, you just talk, muthafucka, talk. And doan move yo mouth too much or you slit yo own damn throat ’fore I can.

– Not here for Predo.

– Oh, you know that name now, do ya?

– Not here for Bird.

– Who for?

– I’m here on my own, on my own business.

He adds an ounce of pressure to the blade and the skin splits and I feel the blood start to run.

On your own bizniz. A Rogue out traipsin’ ’cross Coalition turf, takin’ a spin up ta the Hood on his own bizniz. Bullshit.

– It’s my own thing.

– You got someone gonna vouch that shit? You got someone gonna throw down for you on that? You got a brotha gonna back you?

I don’t say anything. Got nothing to say.

– That your answer, son? Got no names for me?

The blade slices deeper, the edge raking the cartilage sheath around my esophagus.

I throw the only name I have.

– Chubby Freeze.

He eases slightly on the razor.

Chubby Freeze. That downtown niggah. He vouch you?

– He might.

– Hunh.

He lets go of my head and snaps at Timberlands.

– Chubby Freeze. You got that niggah’s digits?

– Ya-huh.

– Blow ’im up. Get that niggah on the phone.

Digga turns to the mirror and adjusts his collar and tie.

– Lucky I di’nt get no blood on this tie.

Timberlands waves his arm.

– Got ’im.

– What he say?

The guy talks quietly into the phone, nods a couple times and then flips it closed.

Digga snaps his fingers.

– Well, niggah?

– Chubby say he cool.

– He vouch?

– Chubby Freeze say he vouch for the man. Say the man righteous to a fault. Say they do bizniz and it always come out right.

– Hunh. Well. Well, well.

He looks me over.

– A vouch from Chubby Freeze. Ah’ite, that somethin’. So, Mr. Pitt, what you doin’ up here all by yo’self? What’s this bizniz?

– No big deal.

– Uh-huh?

– Just looking for the son of a bitch who’s sending bags of Vyrus downtown for the new fish to shoot.

– Huh. No shit.

He holds out his hand and one of the rhinos passes him his Armani jacket. He pulls it on and does the buttons.

Lookin’ for the son of a bitch.

He picks up the razor.

– That is some in-ter-es-tin’ shit.

He hands the razor to the barber.

– Finish the man up.

He starts for the door, talking to Timberlands as he goes.

– When he done with his shave, toss him in the Hummer and haul his ass up to the Jack. We gonna show muthafucka some shit.

He walks out the door with the two rhinos on his heels. The barber looks at my throat.

– Look there, that all closed up already. Nothin’ no how but a scratch that.

He freshens the lather on my face and gives me a shave.

The Jackie Robinson Recreation Center looks like a Civil War fortress: red brick with round turrets at the corners and huge steel doors. The Jack.

Timberlands parks the Hummer on an empty basketball court just inside a chain-link gate. Behind the Jack, a cliff of whatever rock Manhattan is made out of rises several stories above us, Edgecomb Avenue running along its top. It’s cold outside the Hummer.

I look at Timberlands.

– How ’bout you give me my jacket back.

He runs his hand down the sleeve, feeling the leather.

– This jacket?

– Uh-huh.

– This my jacket. Why’m I gonna give you my jacket?

– Brotherly love?

He gives me a good push, letting my face open the door for us. He tilts his head at the guy sitting at the check-in desk and muscles me down a corridor of white-painted cinderblock.

At the end of the hall a guy in a cheap black suit and wraparound black shades leans against a door. We stop in front of him. He keeps staring at whatever he’s staring at, not bothering to turn his head in our direction.

Timberlands snaps his fingers.

– Open up.

Slowly, Shades rotates his face to us.

– Private party.

– We on the guest list.

Shades unbends a finger and points it at me.

– He ain’t.

– He with Digga.

Shades leans his head back, relaxing a little more.

– Already got a main attraction. Don’t need an opening act.

Timberlands steps up.

– Say he from Digga.

Shades unrelaxes.

– Digga don’t have no free white boy passes.

– This the Hood. This Digga’s turf.

– So they say.

The scent is up on them, rank Vyrus pheromones spraying the air. Blood will be spilled. I start looking for a window I can dive through.

– What all this?

Digga and his rhinos come up the hall behind us.

– What all this hostility I see? Where the love?

He stops, looks at the standoff in front of the door, a big smile across his face.

– What the problem, we ain’t got the juice to get beyond this velvet rope? Doorman don’t like our kicks? We ain’t up to the clientele inside?

Shades points at me again.

– He’s white.

Digga looks at me.

– Damn! How’d I miss that? Well, shit, you right ’bout that. Still doan see the problem.

– He’s white.

– Uh-huh. Well, as to that, know what Luther X used to say? He say, We all the same color inside. By that, he mean we all red. Now, I can prove it on you.

He loses the smile.

– Or you can open the damn door.

– Papa won’t like it.

– Somebody elect Papa president of the Hood? Somebody give him my job, forgot to tell me ’bout it? Open up.

Shades takes a step to the side.

– I di’nt say move, muthafucka, I said, open up.

Shades opens the door.

Digga sweeps his arm in front of me.

– After you.

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