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Charlie Huston: My Dead Body

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Charlie Huston My Dead Body

My Dead Body: краткое содержание, описание и аннотация

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NOBODY LIVES FOREVER. NOT EVEN A VAMPYRE. Just ask Joe Pitt. After exposing the secret source of blood for half of Manhattan 's Vampyres, he's definitely a dead man walking. He's been a punching bag and a bullet magnet for every Vampyre Clan in Manhattan, Brooklyn, and the Bronx, not to mention a private eye, an enforcer, an exile, and a vigilante, but now he's just a target with legs. For a year he's sloshed around the subway tunnels and sewers, tapping the veins of the lost, while above ground a Vampyre civil war threatens to drag the Clans into the sunlight once and for all. What's it gonna take to dig him up? Just the search for a missing girl who's carrying a baby that just might be the destiny of Vampyre-kind. Not that Joe cares all that much about destiny and such. What he cares about is that his ex-girl Evie wants him to take the gig. What's the risk? Another turn playing pigeon in a shooting gallery. What's the reward? Maybe one shot of his own. What's he aiming for? Nothing much. Just all the evil at the heart of his world.

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Charlie Huston My Dead Body The fifth book in the Joe Pitt series 2005 To - фото 1

Charlie Huston

My Dead Body

The fifth book in the Joe Pitt series, 2005

To Simon Lipskar.

For suggesting that I might avoid a return to bartending

by writing a book in a genre other than crime.

“Fantasy, SF, I don’t know, horror maybe.”

And to Mark Tavani.

For ignoring his entirely rational first reaction.

“Vampires really aren’t my thing.”

ORIGINAL TRANSCRIPTION DO NOT COPY If youre listening to this Im dead - фото 2

ORIGINAL TRANSCRIPTION DO NOT COPY

If you’re listening to this I’m dead.

(laughter)

Could be that’s maybe only funny to me right now. Listen to a little more of this and could be it’ll be funny to you too. But probably not. My guess, anyone listening to this won’t find much amusement. If you believe it, that is. You don’t believe it, you’ll probably just about die laughing. I would.

I wonder how I did die.

So many goddamn options. The mind fucking boggles. But probably I just got plain shot. Course, seeing as how many times I’ve been shot before, it must have been a well-placed bullet. Or just a lot of them all at once. Then again, I knew a guy in my line who got machine-gunned more than once and lived to tell about it both times.

(laughter)

Lived to tell about it. That’s funny. But you got to be in on the joke.

I was put in on the joke when I was sixteen. Happened in a bathroom at CBGB during a Ramones gig in ′77. What it was, a guy was paying me twenty bucks to hand-job him, and while I was doing it he chewed a hole in my neck and started slurping.

( laughter)

Okay, maybe you had to be there.

That guy, if I could have ever got my hands on that guy. I got my hands on plenty of other people I had a problem with. But I’m not the type to keep score.

( laughter)

Trust me, the jokes don’t get any better the rest of the way.

What I notice about getting older, things that seemed funny before just seem boring or stupid or sad. Things that shouldn’t seem funny at all suddenly have a lighter side. No, that’s not it. Nothing lighter about it. More that things you never thought you’d laugh at you find yourself laughing at because you got no other choice. Like the alternative is you go digging under the sink for some Drāno to guzzle.

( laughter)

See what I mean.

Tell the truth, this is the most I’ve laughed in forever. Not literally forever , I’m not that old. But, yeah, something about this is hitting the funny bone.

Probably it’s the idea of you, whoever you are, listening to this. For you, this is one of two things. Either it’s the lamest prank ever, or it’s too little too late. If you’re listening to this, either everything has blown up and everyone knows everything, or it hasn’t. Either way, I’m gonna tell it.

So.

So, hey, here’s some trivia for you. Did you know a pregnant woman has about forty percent greater blood volume than a woman who’s not pregnant? Take a woman, she’s a hundred and ten pounds. Her blood volume is about seven percent of that. Seven point seven pints. Or thereabouts. Call it eight pints. Over her first two trimesters she’s gonna add forty percent more volume. Little over three pints. Going into her last trimester, she’s hauling eleven pints.

More than a fat man.

That much blood, you can stretch that two or three months. One body in the ground and you’re above it for another sixty to ninety days.

Well, two bodies in the ground.

What’s that worth, that extra forty percent, over a regular person and their seven to ten pints, what’s that extra worth?

The blood of a pregnant woman and her baby, what’s the price on that?

( laughter)

I’m not laughing ‘cause I think it’s funny. It’s just I’m all out of Drāno. So.

Just tell it like it happened. That’s what she said. Like talking is a gift I have or something. Well, better talking than writing. You had to make sense of this by reading my chicken scratch you’d be crying not laughing.

So.

And that wasn’t a rhetorical question by the way. I know the price. The blood of a pregnant woman goes for about twenty grand. That’s the price in dollars anyway.

There’s all kinds of prices you can pay for such a thing. Parts of yourself that will never grow back.

But that’s the story. And I’m supposed to tell it. Like it happened.

So okay.

So I’m a Vampyre. Spelled with a Y instead of an I. Capitalized like it’s a name. Don’t ask me, just tradition I guess. Anyway. Vampyre with a Y, that’s the real deal. With an I, that’s for scaring babies.

I’m the kind that scares everyone.

And when this started, I was a secret. Lived in an apartment, just like you. Well, just like you if you kept a mini-fridge of blood. When it ended, I was living in a sewer. Downward mobility being a danger to my kind.

Should be a punch line for something: Vampyre in a sewer.

But it’s not.

It’s my life.

( laughter)

Still, it makes me laugh.

So.

This is what happened.

I can feel it, that little extra bit of heat. And smell staleness in the air. Heat and carbon dioxide, a combination that equals life. Something breathing and exhaling, the air filling its lungs, the oxygen being absorbed. Something warm and breathing, you can count on at least one thing about it. It’s full of blood.

Ahead of me in the dark, something alive.

Alive for now anyway.

I didn’t expect him to be so much trouble to find. When he ran down Freedom Tunnel he was soaked in the cripple’s blood; so not like there was much chance I’d lose the scent. I figured to stroll after him, kick some garbage every now and then to let him know I was there, keep him running until he keeled over gasping and wormed his way into some crack in the walls. I figured the hardest part would be deciding if I wanted to let him cut me a little while I reached in to drag him out, or if I wanted to look around for something I could ram down his hiding place a few times until I cracked his head open.

Then he went shit-diving.

I don’t know if it was a plan he had, the way he went spastic and cut up the cripple makes me think planning isn’t his forte, but when he dropped out of the train tunnel and wallowed in a bank of sewage that had washed up in the storm drain below he put me off the scent.

Went from tracking a guy who smelled like an abattoir to a guy who smelled like a porto-potty. Which pretty much describes the way everything under Manhattan smells.

Got dicey after that. Cagey little fucker realized I wasn’t right on his ass, he started to calm down a bit, caught his breath some, stopped panting so much, stopped stumbling so much, started picking spots he could hole up a minute at a time and be quiet. If there’d been any kind of light at all I’d just have started throwing rocks at him until he went down. All I needed was one of those odd reflections you get down here sometimes. Sunlight filters through the grates over the train tunnels, a spear of it finds its way down a sluice, it reflects in some runoff from the sewers and you find a whole section of drain takes on a haze of light. Enough so you might see an idea of your hand if you held it an inch from your eyes. That’s you. Me, I’d see a damn sight more than my hand. But even my eyes need some light to work with. Something to reflect off the surfaces and show me what they are.

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