Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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– I’m not gonna fuck around with you here, guy. You come back down or I’ll haul you down.

The enforcer is still at my shoulder, still talking.

– No shit, guy, you don’t want to fuck with me. Just turn around and let’s get on a train.

Right next to the bank of MetroCard entrances, they got one of those old-fashioned turnstiles. One of the big steel exits that spin like threshers, the tines of the turnstile passing through the bars of the gate.

– Seriously, guy, you don’t want to leave this station. You got yourself in enough trouble crossing our turf.

Some kids are fucking around at the MetroCard entrance, a boy outside and his girl inside, making out until she hears her train and has to run to catch it. People bunch up at the other two entrances. I head for the old turnstile.

The enforcer keeps yapping.

– Down here they might not do anything. But you go up those stairs and it will be different. The niggers spot you up there and they will take you apart.

An old lady tries to spin through the turnstile and snags the handle of her shopping bag on one of the bars. I tug it free and she smiles at me. I smile back.

– I’m telling you now, fucker, do not leave this station. Do not leave this station or you will be in a world of shit.

I give him my smile.

– Who you trying to convince, me or you?

I step through the spinning bars. He stays inside.

– Guy, you are fucking up in a big way.

I stand with the gate between us.

– Just come on out and drag me back. Or is there a treaty or something? You step outside that gate, you gonna be abusing the peace between the Coalition and the Hood? That it?

– This is it, you walk over to that entrance and get your ass back in here and get on a fucking train with me now.

I shrug.

– No money left on my MetroCard. Sorry.

He starts to push through the turnstile.

– You stupid fuck.

As he comes through I put out my hand.

– Look, take it easy, man, no need for a scene. I’ll go quietly.

– Too late for that, you piece of shit Rogue.

He makes to slap my hand away. I grab his sleeve, yank him forward, grab the bars of the turnstile with my free hand, push him into the set-bars of the gate, and swing the turnstile around, smashing the square steel bars into his back. A few of his ribs make a nice cracking sound. I slam the turnstile against him two more times, trying to force his face through the gate bars. No dice. Then I run for the exit, out the tunnel, and up the stairs.

That was stupid. That was fucking stupid. Making war on a Coalition enforcer on Hood turf was fucking stupid.

But fuck him.

He got what he asked for. Trying to mad-dog me. Trying to make me show yellow and climb back on that train. I look back at the station entrance to see if he’s bouncing up the stairs after me. Not yet. Must have given him a good shot to the head. But he’ll be up and running. Unless the stationmaster calls the cops from his booth. Could be with an MTA cop right now. That’d be sweet. Let him deal with cops and EMTs and shit. But figure it’s best not to count on it. Figure it’s best to move.

I’m walking fast. I look up at a street sign and see I’m pointed the wrong way, heading down. I need to turn around, get moving up toward 150th and this Percy guy. I turn the corner onto 123rd. I’ll circle the block before I head up so I don’t have to go back by that subway entrance.

I turn the corner and two guys wearing huge black parkas with Ecko rhinos embroidered on the breast grab me and shove me against a wall. A black Humvee bounces over the curb, stops next to us and the rear door flies open. The two guys throw me inside and someone shoves the soles of both his Timberlands into my neck, pats me down, pulls my.32 out of my pants and sticks the barrel in my eye.

– That was some stupid shit back there. Some seriously stupid shit.

– What Predo thinkin’? Muthafucka out his brain? Insane in the membrane?

– Who?

– Doan who me, muthafucka. Predo. Dexta mothafuckin’ Predo.

– Never heard of him.

Never heard of him. That what he said, Never heard of him, that what muthafucka said?

The one armed barber nods.

– Sounded like it, Digga.

DJ Grave Digga nods and looks back in the mirror.

Never heard of him. Mutha. Fucka.

He shifts his eyes and looks at my face reflected just behind his, pinned between the two Ecko rhinos.

– Beat on that muthafucka a little.

They beat on me a little and then they stand me back up.

– I ax you again, what Predo thinkin’ sendin’ you an’ one them fuckin’ enforcers up here?

I wipe the blood out of my eyes with the back of my hand.

– What was that name again?

– Shit. Sheeit.

He snaps his fingers and points at the chair next to his.

– Sit his ass down.

The rhinos pull me over and push me into the barber chair.

Digga looks at the barber.

– You done yet?

The barber taps Digga’s upper lip and Digga slides his tongue under it, pushing it out. The barber scratches his straight razor over the raised spot, sculpting the edge of Digga’s pencil moustache a little sharper. Then he sets the razor aside, squirts some oil from a dispenser into his palm and slaps it onto Digga’s face before he whips the smock off his chest, snapping it once to shake loose the hair clinging to its folds.

Digga gets out of the chair and leans close to the mirror, inspecting his face. The barber stands behind him with a hand mirror, angling it so Digga can see the back of his head.

– Nice.

He looks at my reflection again.

– You want a cut? Muthafucka knows his bizniz. Best damn barber in the Hood.

– No, thanks.

– No, you have a cut. Lookin’ a little bedraggled, a little raggedy.

He gestures to the barber.

– Clean the man up. Shave and a cut. On me.

The barber comes behind me, rolls down my collar, tucks a piece of tissue inside, snaps the smock and lays it over me.

– Hows you like it?

I run a hand through my hair.

– Just off the ears maybe. Natural in back.

He cuts the air once or twice with his scissors.

– White hair ain’t my thing.

I shrug.

– It grows back.

He starts clipping.

Digga leans his ass on the counter in front of me.

It grows back. Hear that? Muthafucka says his hair grows back. Ain’t the only shit grown back, huh? Folks like you and us all in here.

He points around the barbershop, taking in the rhinos, the one-armed barber, and the guy in the Timberlands sitting in a chair by the door reading a copy of The Source. Timberlands there is wearing my hide, the nice black leather jacket that Evie gave me.

Digga takes them all in.

– We all grow shit back.

– If you say so.

He laughs.

If I say so. Muthafucka. Give it to you, you cool. You busted out in the wrong place at the wrong time, you got yo ass dragged up in my shop, got us Hoodies all about yo ass, an you still cool. Give you that. Give you that.

– Thanks.

– Don’t be thankin’ me. Shit. Want to do somethin’ might help with this situation, you start tellin’me what the fuck Predo thinkin’. Start talking ’bout that ’fore you get somethin’ cut off don’t grow back.

– Sorry. I missed that name again. What was it?

He crosses his arms and drops his head.

– Mutha. Fucka.

He looks up.

– Cool-ass mutha. What yo name, cool-ass?

I look at the barber.

– Leave as much length as you can on top.

I look at Digga.

– Pitt.

– Oh! Snap!

He claps his hands.

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