Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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It’s weird shit. Far weirder than I’m willing to believe myself. Or it was anyway. Before Daniel showed me some weirder shit. Before he told me about that thing. The Wraith. Now I’m not sure what to believe. But it’s still not for me. No matter how many times Daniel says it is.

– Simon. Look at you. So healthy and well fed. You’re just about glowing.

– Daniel. You’re looking fit yourself.

He laughs, unbending his skeletal frame from the floor of his little cubicle in the loft above the warehouse floor. He takes my hand. I feel the heat that pulses from his fingers and palm. I run hot, anyone with the Vyrus runs a little hot; Daniel scorches.

He holds my hand and looks me over.

– Yes. Just about glowing.

– Thanks.

He releases my hand.

– It wasn’t meant as a compliment. I was trying to express displeasure.

– Sorry, missed it.

– Oh well, passive aggression was never my strength. With my own children. Did you know I had kids?

– Nope.

– I did. Long time ago.

His eyes drift.

– Two girls. Twins. And a wife. I wanted boys. A cliché. She gave me the girls. And several miscarriages. She died of one in the end. Girls. I could never get them to do as I said. A poor father.

His eyes come back to me, refocus, and he shakes his head.

– Odd. I don’t think of them much. That other life, I hardly think of it at all. The sleep before waking. Before I discovered my true nature.

He shrugs.

– Senility at last. Sit.

He points at the floor and I take a seat. He takes a place across from me and rests his back against the wall.

– What’s on your mind, Simon? I assume you’re not here to reconsider joining us.

– Nope.

– Something else then. Information I suppose.

– Yep.

He waits. I wait. He waits longer and I give in.

– I need a name.

He rolls his eyes.

– A name. You already have two. The one you were born with and the one you gave yourself.

– Someone else’s name.

– Whose?

– I don’t know. I need an Uptown name. I have to go above One-ten and I need a contact, someone to help me with the territory.

He scratches the ribs that protrude from beneath his skin, his fingers all but disappearing into the gaps between them.

– Above One-ten. The Hood. Luther X’s turf.

– X is dead.

– Is he?

I watch his eyes, trying to see if he’s playing me. They’re unreadable; black stones sunk deep in dark wells.

– He got taken out over two years ago. Coalition assassins. They say. His warlord runs it now: DJ Grave Digga.

They say. Well, I would say the Vyrus was simply done with him, consumed him and passed him into the other world. The real world.

– Tell that to the guy stuck the daggers in X’s eyes.

– The instrument is immaterial. The Vyrus has him now.

– Yeah. Right. Daniel, I’m not telling you anything you don’t know. You know the X is gone. You know everything. What I need to know is if you have a name, and if you’ll share it with me.

He stretches his legs out, crosses them at the ankles and tucks his hands behind his head.

– Long trip to the Hood.

– Yep. That’s why I should be getting started.

– What do you need up there?

I could lie. But he’d know.

– I’m looking into something for Terry Bird. His new fish are into something.

He raises his eyebrows.

– Terry’s new fish are into something he doesn’t know about. How unlike him. What is it?

– They have a new high.

– A new high?

I lick my lips.

– They’re shooting the Vyrus. Someone found a way to, I don’t know, preserve it outside a body, and the new fish are shooting it.

– Oh.

He closes his eyes.

– That again.

I blink.

– Excuse me?

He opens his eyes.

– Nevermind, Simon.

– Did you say, again?

He takes his hands from behind his head, draws his knees up and rests his forearms on them.

– There is nothing new under the sun, Simon. It’s all as it has always been. There is only one change, and the world is still waiting for it. The world is an egg, waiting to be born, waiting for Enclave to usher it across. Until then, it’s all the same old shit.

I lean forward.

– Sure, sure, you’ll transmute yourself into ectoplasm and lead your crusade and we’ll all be turned into pixie dust and join the cosmos. But you said, again.

– Did I? Funny. Well, as I also said before, senility at last.

– Daniel.

– Simon. Enough. I’m tired. You said you wanted a name.

– I do.

– The Enclave who brought you up, did you recognize him?

– Man, you all look the same to me. All just a bunch of cadavers waiting to happen. You’re the only one I can tell apart. And that’s just because you look more dead than the rest.

He laughs, lips peeling up over gray gums, mouth open wide, barking laughter.

More dead. You know better, Simon. I’m more alive than you, more alive than anyone else with the Vyrus. Certainly more alive than the sleepwalkers out there on the streets with no idea of the universe’s true nature.

I shift, unfolding my legs.

– A name?

He nods.

– A name. Yes. The Enclave who brought you up, he used to be with the Hood. He’ll give you a name.

– Good enough.

I push myself up off the floor.

– Simon.

– Yeah?

– I will want something in return.

So much for a clean getaway.

– What’s that?

– We talked the last time you were here.

– Uh-huh.

– I told you something.

– You told me you thought you were failing.

He looks at the floor, running his fingers over a nail head that sticks up from the floorboards.

– That’s true, I am. But I told you something else.

Fuck.

– I don’t remember.

– Don’t be like that, girls.

– What?

He looks up.

– Did I?

He taps his forehead.

– What did I say?

– Nothing.

He watches me out of those holes in his face.

– Senility. Strange. Well.

He stands.

– You should go.

– What about?

– Hm?

– You said you’d want something for the name.

– Yes. Yes. Come see me, Simon. Come see me more often.

– Daniel, I’ll try, but. I’m pretty busy most of the time.

He puts his hand on my shoulder. The heat radiates through my jacket.

– Come see me, Simon. It’s what I want.

Like I said, it’ll cost more than blood or money.

– OK. I’ll come.

– Good. Good. Now go downstairs and get your name.

I start for the stairs.

– Names. Simon, that reminds me.

– Uh-huh?

– You had a perfectly good one: Simon. It suits you. It says something about you. Why did you change it?

– Lots of infecteds change their names.

– I know. But why did you?

– I don’t know. Terry said a new name was a good idea.

– And why the name you chose?

– Shit. I was seventeen. I was just turned into a Vampyre. Joe Pitt. I thought it sounded cool.

He laughs again.

– You’re right. It does. It does. Well. Careful in the Hood. And come see me when you get back. Joe.

– Yeah.

The Enclave who showed me in is waiting for me at the bottom of the stairs, sitting on the last step.

– Daniel said you know the Hood turf, said you’d have a name of someone I could talk to up there.

– He means Percy.

– OK. Where do I find him?

He leads me to a work area under the loft. Some benches with tools for doing basic repairs on the warehouse, a sink, a stove with a huge boiling pot on top. He finds a pencil and paper and writes down an address on 150th, near Jackie Robinson Park. I look at the scrap of paper.

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