Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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– Hey, babe.

– Hey.

– How you feeling?

– Fine.

– Good.

I’m upstairs in the big apartment, wandering from living room to kitchen to bedroom to bathroom. Picking up odds and ends of garbage: take-out bags piled on the counter, cards for locksmiths and dog-walkers slipped under the door, an empty Kleenex box on the back of the toilet, stuffing it all into a huge, green plastic garbage sack.

Over the phone I can hear a TV in the background, something with a laugh track; just that and her breathing.

– What’re you doing?

– Watching the tube. What about you?

– Cleaning.

– Excuse me?

– Not with a mop or anything. Just picking up trash upstairs.

– Cleaning the fake apartment.

The channels flip in the background: a commercial, a music video, an infomercial; faster and faster, and then the TV is silent.

– You left me hanging, Joe.

– I know.

– Had a pretty bad fucking day.

– I know.

– And your response was to bail.

– I know.

– One thing about you.

– What’s that?

– When I really need you, you always come through. Makes it so I can take the other shit, you know?

I take a white grocery bag that hangs off the back of the bathroom door, serving as a wastebasket, and stuff it into the sack. It’s full of lipstick-smeared tissues and old tampon wrappers.

– Yeah, I know.

– If that’s not gonna be the case anymore, if it’s getting too stiff now, I need to know. You can’t take it the rest of the way, I need to know now. It’s OK. But I can’t be counting on you if you’re not going to be there.

I flip the lid down on the toilet and sit.

– I hear you, baby.

– Do you? Are you sure? I thought you did, but disappearing on me like you did last night, that made me wonder if you get it.

I feel my breast pocket for my smokes. I left them downstairs.

– I get it.

– Then you need to tell me, Joe. I need you to tell me what it’s gonna be. I’m sick, and, this, this is it, this is the way it’s going to be. It’s not going to get any better than this. It might not get really bad, but this is as easy as it will ever be. If you want to stick around, I need you to do some things. I need you to find out what your blood type is so I know if you can help me with that. I need you to back me up when I have a day like yesterday. I need you to. Oh shit, Joe. Just. I need you, you know? To be there.

She’s crying. She talks through the tears. It’s all very matter of fact. By now she has plenty of experience talking while she’s crying.

I listen to her blow her nose.

– I got to go somewhere for a couple days. Take care of. Something. I don’t know if I’ll be able to call. When I get back.

I feel for my smokes again. Still not in my pocket.

– When I get back, I’ll be there.

– Yeah?

– Yeah, baby. Don’t worry, I’m practically there already.

– OK.

– OK.

– And. Joe. A couple days, that’s Saturday night.

– Uh-huh.

– I’m taking the night off. I’m doing a reading. Reading some of my stuff at Housing Works. A benefit kind of thing.

– Uh-huh.

– You go with me?

– You know I will, babe.

– It’s important.

– I’ll be there.

– OK. Thanks, Joe.

We stay on the phone awhile longer. Until she’s not crying anymore.

Just before sundown I’m looking at the fridge. Two pints. This low, I shouldn’t even be thinking about drinking one of those after I had one yesterday. But I could get stuck Uptown. Could take them with me, just in case. Then again, drink one now, it’ll give me a little extra edge for the trip, give me an extra day maybe if I get stuck. That’s the ticket: drink one, leave one in the fridge. Last thing I want is to come home late and not have any food in the house. I pop the fridge, guzzle a pint and stuff the empty in the biohazard bag.

OK, good to go. Now, where to?

I need a name. I need a name and a ride. I can’t roll up there and just start walking the streets sniffing the air for the Vyrus. What am I gonna do, grab some slob from the Hood and start pummeling him until he gives me something I can use? Besides, just being white up there is gonna make me stand out. I need a name, someone to start with.

Christian might know someone up there. He doesn’t go much above Houston, but back before he got infected he used to ride the whole city. He could also give me a lift up there. But crossing Coalition turf on the sissy seat of his Harley with a dozen top-hatted, howling-mad Dusters on hogback isn’t the subtle play I’m looking for. When a renegade Clan of Vampyre bikers crosses onto your turf, you’re bound to notice. Scratch Christian.

Chubby Freeze might have a name. He’s also about the only brother I’m tight with. That could mean something when you’re talking about dealing in the Hood. But it’ll be someone on the fringe. Chubby’s porn business keeps him in touch with the kind of people who are in touch with my life. But he’s not of the world. Any names he gives me will be a couple steps removed from what I need. And he won’t be able to help me with transport. Chubby’s not in the know enough to see the dangers involved with getting from 14th to 110th.

There’s really only one name. I’m running circles around it, but there’s really only one guy who might be able to help me here. One guy who doesn’t have any skin in the game, who won’t be looking for a payday for giving me some information, who won’t be looking for ways to stick it in my back if he sees an angle. But he’ll sure as hell find a way to make me pay. And whatever he wants, I’ll have to come across with it.

So I stuff the final remains of my emergency fund in my pocket, tuck my switchblade into my boot and the.32 into my waistband, lock up tight, and head west to see Daniel.

– Simon.

– Daniel here?

– Naturally. Where else would he be?

– Can I talk to him?

– Certainly. I’m sure he’ll be happy to see you, Simon.

– Don’t call me that.

– You would prefer?

– Joe.

The bony Enclave runs his eyes over me.

– Joe. It doesn’t suit you.

– Just use it.

– Of course, Joe.

He gives me one of those oh-so-meaningful smiles these fucks are always giving and leads me inside. The door rolls closed behind us and we cross the warehouse’s concrete floor. My eyes adjust to the near pitch black and the Enclave emerge from the darkness. Two rows of about fifty emaciated sickly pale men and women in white sit on the floor facing one another. In front of each is a vessel of some sort; anything from a thimble to a cracked coffee cup to a pewter wine goblet. Two Enclave, one for each row, work their way down the lines pouring blood into the vessels. One of the servers carries a Pyrex measuring cup, the other an iced tea pitcher with a much-chipped smiling sun enameled on its side. The Enclave accept a tiny amount of the blood, some no more than a teaspoon, some as much as a quarter pint. Several hold up their hand, refusing any at all. Whatever they take, it’s all they’ll have for a week, maybe longer. Feeding time at the asylum.

These crazy fuckers, sitting here in the dark, fasting, meditating, and practicing their crazy martial arts. And Daniel, lord of the crazy fuckers, thinks I’m one of them. He says that’s my true nature. But this ain’t me. Depriving myself, throttling the Vyrus to the edge of starvation, that’s not my idea of fun. Even if I have been there. Even if I have stood at the very limit and felt what the Vyrus does to you, the jolt it sends through your system as it spurs you to feed before it dies. Even if I’ve felt it and know why they cultivate it, it’s not for me. You have to be a crazy fucker to try to live like that all the time. And that’s what they’re doing: trying to live like that all the time, searching for the perfect balance, letting the Vyrus consume them in the slowest increments possible, teasing death out in the hopes that one of them will defeat it, one of them will be annihilated but left whole at the same time. One of them converted by the Vyrus they believe to be a spiritual force, converted and made able to teach the others, able to lead them onto the streets, where they can convert everyone else. Or kill them, whichever seems best.

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