Sergei Lukyanenko - Labyrinth of reflections

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AutBody_0fb_2 About the Author: Sergey Lukjanenko, 30, is one of the today's most popular Russian Sci-Fi writers. His first works were published in 1988. Currently his bibliography includes more than 40 titles of novels and short stories. The Author defines his genre as the «hard action science fiction», but all his works also have a very well defined philosophical aspect. The novel offered to your attention was written in 1997 and became the real 'cult book' of the Russian Internet.
Sergey is married, he lives in Moscow.
Email: sl@amc.ru Homepage: http://www.rusf.ru/lukian/ (In Russian)
THE NOVEL «LABYRINTH OF REFLECTIONS» IS COPYRIGHTED BY SERGEY LUKJANENKO, ALL RIGHTS ARE RESERVED BY THE AUTHOR. ANY COMMERCIAL USE OF THE NOVEL'S TEXT IS STRICTLY PROHIBITED.
Copyright Sergey Lukjanenko "Labyrinth of reflections" Copyright translation by Yuri Kalmykov aka Mohatu , 1998 * Yuri Kalmykov. Translator's notes * Several notes for the reader:
1). My English sucks. So it was obviously way too presumptuous of me to try to make a translation like this. It was my love to this book only that made me to venture into this adventure. ;-) I was hoping that this novel is really worth your kind attention (despite my ugly English?).
2). Some opinions expressed in this book by the main or other characters, as well as some words/terms used, might be considered offensive to some Western readers. In fact, one such situation was even showed closer to the end of the novel itself. The concept of "PC" (aka 'Political Correctness') does not really exist in Russia which fact IMHO makes the life much easier and slightly reduces the amount of stupidity that inevitably presents in this life. Despite that, I definitely had to use the 'softened' terms in my translation in order not to outrage the people (not too much at least). But of course, something might have still leaked out. Please consider yourselves warned.
3). FIDO Some more confusion can be caused by Lukjanenko's technical details and descriptions of the Net due to one more fact: he writes from the point of view of the person who was once the FIDOnet member. Also it seems that Sergey himself was mostly affiliated with FIDO at the time of this book's writing. The principles of FIDO's system organization differ from the ones of the Internet. I never was FIDO member, so I know very little. In general, it's free, amateurs' network that allows its members to exchange emails and files. FIDO uses its own proprietary protocol. Special gateways are used to exchange emails with the Internet. Look at www.fidonet.org for more details… But be prepared to get back not the homepage, but some HTML code. {
} The guys have forgot to put the {
} tag into the code of their main page… OOPS.
4). The names.
The same name in Russian usually can have several forms, reflecting the attitude of the one who pronounces the name to the one named. The number of these forms is as far as I can judge, much bigger than in English. That's why in my translation I preferred to retain the original rules of forming such names and to provide this note. Another important reason is that the Russian name changed according to the rules of doing so in English would sound ridiculous (maybe for me only, as I'm Russian… ;-) ), not mentioning that it's not always possible to do this with Russian names at all. Example: John – Johnny. Now try to do the same with, say, my name: Yuri. Yup… My point exactly. Below is the example of how the first name of the main character can be 'bent'. The same often happens to other names in the book. For inexperienced reader it might be confusing, so I apologize… Russia *is* confusing by definition, so bear with it. :-)
Leonid Lenia Lenechka Len'chik Len'ka ( here ' means softening of the previous sound, 'n' in this name sounds like 'n' in the word 'change') – Unceremonious address, a bit slighting. Often used by close friends without any offensive context.
… and so on. No more forms are used in the book, so I'd better not confuse you any more.
Another trick is how the names are formed n general. In particular, the concept of the middle name in Russia. It is not 'given', but rather is the father's name. To be used as a middle name, special endings are attached:
-ovich, -evich for man's middle name (yeah, they are gender specific!),
-ovna, evna for female's middle name.
Examples: Petrovich Alekseevich – men's Petrovna Alekseevna – women's.
Also, the last names of the Russian origin are gender specific too. To women's form the ending -a is usually attached: Kalmykov for me becomes Kalmykova for my Mother, as opposed to her maiden name which is Cellarius – not originally Russian one and as such not gender specific.
There's much more about Russian 'naming system', but I think it's enough said here in order to a). totally confuse an unaccustomed Western reader, and b). to explain the names in the novel for those who managed to overcome the confusion. {
} And the last thing:
5). Any feedback will be greatly appreciated! Any questions/opinions are welcome to mohatu@ameritech.net. Hate mail/flames will be ignored. Thank you!
Yuri Kalmykov aka Mohatu, Waukegan, IL, February-November 1998.
http://www.lionking.org/~mohatu/translations.htm

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I can't even remember now, when and what was I programming surrounding myself with nonexistent neighbors. Weirdo am I. Just as anybody is…

I know that I can remove all freezing at once, with one effort, but I don't do that. Let the way up will be slow, step by step, sweeping the false sparkle from the walls, waking up the life in empty apartments. I'll never enter this house again.

Baby's whimpering and the buzz of a broken faucet, dog's barking and goblets' ringing. I have nothing to memorize and nothing to be sad about. These were my crutches but I've learned to walk on my own.

The last bend of the stairs, for a moment I stop by my door made of diamond grains. My tiny face is in every one of them, one of the numerous faces I was putting on in the deep.

I breathe at the door – the diamonds dim, darken turning into icicles, melting and flowing down in water droplets. Cry for me abyss, I have nothing to cry for.

I enter and instantly see that nothing have changed inside, Dibenko's program had no power here.

Unfortunate and Vika stand by the window, looking outside.

I approach – and Vika silently takes my hand into her, and we look at Deeptown, three of us.

The street is swarming with people, a dense solid crowd, Deep-Transit's cabs stay a bit further along the sides of the street and people still keep coming in order to freeze, looking up at the house.

And only right under the window the people give place, there's a ring of emptiness surrounding Man Without Face. He also looks up as if being able to see us. I even want to believe that he can.

– He's not evil at all, – I say to Unfortunate, – He's only impatient.

– I don't accuse anyone, – agrees Unfortunate.

– Then leave, – I ask, – It's high time for that.

He looks at me for some time, the one who came into the deep as Unfortunate, as if trying to see my real face, to understand what I might feel now.

– Are you hurt? – he asks in the end.

– No. Just upset, but this is different.

– I feared that you'll be hurt: I broke your dream, didn't I?

– Which one?

– You dreamed that virtuality will change the world, will make it cleaner, will give power and kindness to the people. You tolerated what angered you, smiled to what annoyed you…

Unfortunate stretches his hand, puts it on top of my and Vika's joined palms.

– You believed in the moment… one single moment that would redeem all sins and mistakes. I killed this faith.

It's even funny for me to listen to these words. Does he really think so?

Did I really think so?

– It's not the deep, Unfortunate, – I say, – Not this deep.

He nods.

– Do you remember the mirror labyrinth, Leonid?

Sure I do…

– The deep gave you millions of mirrors diver, the magic mirrors. One can see himself, one can see the world – any of its corners. One can draw the world and it'll become alive, reflected in the mirror. This is a wonderful gift. But mirrors are too obedient diver, obedient and deceitful. The mask put on once becomes the face. The vice turns into finesse, the snobbery into elite stuff, the spite into sincerity. The journey into the mirror world isn't an easy stroll, it's too easy to get lost.

– I know…

– That's only why I'm talking to you – because you know. I would like to be your friend too, Leonid.

He smiles sadly, then adds:

– But it would be a very strange friendship…

– Alien and Russian – brothers forever? – inquires Vika sarcastically. { A mock of the Stalin's times song: "Stalin and Mao watch upon us… […] Russian and Chinese – brothers forever." } So Unfortunate didn't convince her, not at all. For her he's still a human, a cunning hacker taking everyone in…

I'm mirthless but I say:

– I'm not asking who you are. Believe it or not, but I don't care… An alien from the stars or from another dimension, or the machine mind. But you know much more then we do anyway. Tell me, what will happen?

– It depends in what mirror you are looking, diver.

– Then I'll choose, Unfortunate, and I'll be very picky. Now – leave.

He removes his hand from ours.

For a second nothing happens, then the wall behind hid back starts bending, curling up into a funnel.

Unfortunate makes a step back, into the shiny tunnel leading towards unknown, towards the blue sun and orange bands flying beneath it, into his world. His body shivers and blurs, cascades of colorful sparks streaming from his skin. For a moment it seems to me that I can see – see the one who visited our world.

But most likely, I just want to give the miracle a name too much.

– Remember us… – I say to escaping flashes of light, – Remember us as we are…

The house begins to shake, the walls become transparent, then pale green, then brick ones, then made of paper. The ceiling crawls up and bends in a dome, the floor turns into the mirror, the light in the window passes all spectrum colors and burns our silhouettes on the paper wall. The apartment turns into a huge hall as if all directions were stretched by an order.

The tunnel narrows slowly, but there's still time… to jump after Unfortunate – and to see where he came from, to tear the mask from the miracle.

– Lenia, what is this? – shouts Vika.

– The data, – I answer. The wind begins to blow through the apartment, a room pomegranate in a flowerpot blossoms, a pile of CDs on the shelf starts playing all songs simultaneously. – He copies the data, brings everything he learned with himself.

Half transparent shadows rush past us. Alex with the carbine at ready runs by, then a monstrous spider rushes by, stepping with its paws, that imaginary family which we rescued in "Labyrinth" goes down the tunnel too. A huge tree flies away, rotating as a propeller, a hobbit with a scared muzzle minces out, a flying Man Without Face's guard with a fire breathing jet knapsack stalks out in huge jumps.

Then me and Vika walk in. Hand in hand.

– Remember us, – I repeat, – Remember…

The tunnel narrows more like a cameras's aperture. At the last moment the flying slippers of Computer Wiz squeeze into it, flapping their wings.

Then the room returns to normal.

– I don't believe that he's an alien anyway, – says Vika, in unsure voice but stubbornly, – If he's a good hacker, then he could…

She silences when I hug her shoulders.

– Please Vika, don't, – I ask, – He have left, haven't he? Forever. It's not necessary to argue now, we can just believe.

There's a noise in the street, an exchange of opinions. Have they seen at least anything of what we did? It doesn't matter. The new legend was born in the deep.

– He have left, but we stay, – says Vika, – and there's a hunt after you.

I nod, slowly releasing her, step to the window and look down. Man Without Face is still motionless.

– Leonid the diver must leave too. – I agree.

– Will you miss your house? – asks Vika. How great it is when it's not necessary to explain anything.

– A little… like I'd miss a kiddie's three-wheeler.

I return to her and hug again, her lips find mine.

And this is something that will never leave from now on.

– Abyss… – I call silently.

The house shakes again when the rental server in distant Minsk receives the command. Magnetic head slides along the disk surface – deleting.

One turn – and the first floor with the scandalous pensioner disappears. Another turn – and the sixth floor with the quiet graphomaniac is gone, another – and the tenth floor with vinyl collector is no more.

My computer livens up and the apartment walls fade. I don't look at the table, but I know well that the drawn Vika on the display smiles to me – for the last time. Programs don't feel sad when we delete them, people do but I have no choice. If you get lost in the mirror labyrinth – break the mirrors, reach for the light…

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