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Stanislaw Lem: Mortal Engines

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Stanislaw Lem Mortal Engines

Mortal Engines: краткое содержание, описание и аннотация

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These fourteen science fiction stories reveal Lem’s fascination with artificial intelligence and demonstrate just how surprisingly human sentient machines can be. “Astonishing is not too strong a word for these tales” (Wall Street Journal).

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It grew dark quickly, but the snow still sifted down and whitened the gloom; because of this I didn’t dare approach the building, but only rested my head on my crossed legs in such a way as to keep the building within view. After midnight the snow stopped, but I did not shake it from myself, for it made me resemble my surroundings, and from the sliver of moon between the clouds it shone like the bridal gown that I had never worn. Slowly I began to crawl towards the misty outline of the stronghold, not taking my eyes off the window on the second floor, in which a yellowish light was glimmering, but I lowered my heavy lids, for the moon dazzled and I was accustomed to the dark. It seemed to me that something moved in that dimly lit window, as if a large shadow had swept across a wall, so I crawled faster, till I came to the foundation. Meter by meter I began to scale the battlement, and this was not difficult, as the stones had no mortar joints and were held in place only by their enormous weight. Thus I reached the lower windows, which loomed black like parapet loopholes intended for the mouths of cannons. They all gaped dark and empty. And inside too such silence reigned, it was as though death had been the only occupant here for ages. To see better, I activated my night vision and, putting my head inside the stone chamber, opened the luminous eyes of my antennae, from which issued forth a phosphorescent glow. I found myself facing a grimy fireplace made of rough flagging, in which a few split logs and slightly charred twigs had grown cold long ago. I saw also a bench and rusted utensils by the wall, a crumpled bed and some sort of stone-hard rolls of bread in the corner. It struck me odd that nothing here was preventing my entrance, I didn’t trust this beckoning emptiness, and though at the other end of the room the door stood open, perhaps for that very reason sensing a trap, I withdrew as I had entered, without a sound, to resume my climb to the top floor. The window from which the faint light came—I did not even consider approaching it. Finally I scrambled up onto the roof and, finding myself on its snow-covered surface, lay down like a dog keeping watch, to wait for day. I heard two voices, but could not tell what they were saying. I lay motionless, both longing for and fearing the moment when I would leap upon my opponent to free Arrhodes, and tensed like a taut coil, wordlessly picturing the course of the struggle that would be ended by a sting; at the same time I looked within myself, now no longer seeking there a source of will, but trying to find some small indication, even the smallest, as to whether I would kill only one man. I cannot say at what point this fear left me. I lay, still uncertain, for not knowing myself, yet that very ignorance of whether I had come as a rescuer or as a murderess—it became for me something hitherto unknown, inexplicably new, investing my every tremor with a mysterious and girlish innocence, it filled me with an overwhelming joy. This joy surprised me not a little and I wondered if it might not be another manifestation of the wisdom of my inventors, who had seen to it that I find limitless power in the bringing of both succor and destruction, however I was not certain of this either. A sudden, short noise, followed by a babbling voice, reached me from below—one more sound, a hollow thud, as of a heavy object falling, then silence. I started to crawl down from the roof, nearly bending my abdomen in two, such that with the chest-half of the body I clung to the wall, while my back pair of legs and the tube of the sting still rested on the edge of the roof, until with my head shaking from the strain I approached, hanging, the open window.

The candle, thrown to the floor, had gone out, but its wick still glowed red, and by exerting my nocturnal vision I saw beneath the table a body, recumbent, streaming blood—black in that light—and although everything within me yearned to spring, I first sniffed the air redolent of blood and stearin: this man was a stranger to me, therefore a struggle had taken place and Arrhodes slew him before me. The how, why and when of it never crossed my mind, for the fact that I was alone with him, and he alive, in this empty house, that there were now only the two of us, hit me like a thunderbolt. I trembled—bride and butcher—noting at the same time with an unblinking eye the rhythmic twitches of that large body as it breathed its last. If I could only leave now, steal softly away into the world of snow and mountains, anything rather than remain with him face to face—face to feeler, that is—I added, doomed to the monstrous and the comic no matter what I did, and the sense of being mocked and jeered at tipped the scale, pushed me so that I slid down, still suspended headfirst like a wary spider and, no longer caring about the screech of my ventral plates across the sill, in a nimble arc leaped over the corpse, and was at the door.

I don’t know how or when I broke it down. Across the threshold were winding stairs and on them, on his back, Arrhodes, the head twisted back and propped against worn stone, they must have fought on these stairs, that was the reason almost nothing of it had reached me, so here at my feet he lay, his ribs were moving, I saw—yes—his nakedness, the nakedness I had not known, but imagined only, that first night at the ballroom.

He gave a rattle, I watched as he tried to lift his lids, they opened, first the whites, and I, rearing, with a bent abdomen, I gazed down into his upturned face, not daring to touch him nor retreat, for while he lived I could not be certain of myself, though the blood was leaving him with every breath, yet I clearly saw that my duty extended up until the very last, because the King’s sentence must be executed even in the throes of death, therefore I could not take the risk, inasmuch as he was still alive, nor indeed did I know if I truly desired him to wake. Had he opened his eyes and been conscious, and—in an inverted view—taken me in entirely, exactly as I stood over him, stood now powerlessly carrying death, in a gesture of supplication, pregnant but not from him, would that have been a wedding—or its unmercifully arranged parody?

But he did not open his eyes in consciousness and when dawn entered between us in puffs of finely sparkling snow from the windows, through which the whole house howled with the mountain blizzard, he groaned once more and ceased to breathe, and only then, my mind at rest, did I lie down beside him, and wrapped him tightly in my arms, and I lay thus in the light and in the darkness through two days of snowstorm, which covered our bed with a sheet that did not melt. And on the third day the sun came up.

OTHER BOOKS BY STANISLAW LEM

The Chain of Chance

The Cyberiad

Eden

Fiasco

The Futurological Congress

His Master’s Voice

Hospital of the Transfiguration

Imaginary Magnitude

The Investigation

The Invincible

Memoirs Found in a Bathtub

Memoirs of a Space Traveler

Microworlds

More Tales of Pirx the Pilot

One Human Minute

A Perfect Vacuum

Return from the Stars

Solaris

The Star Diaries

Tales of Pirx the Pilot

Copyright

First published in Great Britain in 1993 by

André Deutsch Limited

105-106 Great Russell Street

LONDON

WC1B3LJ

English translation copyright © 1977 by The Seabury Press

Introduction copyright © 1992 by Harcourt Brace Jovanovich, Inc.

All rights reserved.

Mortal Engines was first published by The Crossroad/Continuum Publishing Corporation.

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