Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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One of them, however, despaired of escape. Instead, though he already had an arrow in him, he drew a knife and charged at Bork, in a mad attempt to avenge his own death on the man who had caused it. Bork had no choice. He swung his ax through the air and discovered that men are nowhere near as sturdy as a tree.

In the distance, the Duke watched with horror as the giant cut a man in half with a single blow. “What have they got!” he said. “What is this monster?”

Covered with the blood that had spurted from the dying man, Bork walked back toward the drawbridge, which opened again as he approached. But he did not get to enter. Instead the Count and fifty mounted knights came from the gate on horseback, their armor shining in the sunlight.

“I’ve decided to fight them in the open,” the Count said. “And you, Bork, must fight with us. If you live through this, I’ll make you a knight!”

Bork knelt. “Thank you, my Lord Count,” he said.

The Count glanced around in embarrassment. “Well, then. Let’s get to it. Charge!” he bellowed.

Bork did not realize that the knights were not even formed in a line yet. He simply followed the command and charged, alone, toward the Duke’s lines. The Count watched him go, and smiled.

“My Lord Count,” said the nearest knight. “Aren’t we going to attack with him?”

“Let the Duke take care of him,” the Count said.

“But he cut down the oak and saved the castle, my lord.”

“Yes,” said the Count. “An exceptionally brave act. Do you want him to try to claim my daughter’s hand?”

“But my lord,” said the knight, “if he fights beside us, we might have a chance of winning. But if he’s gone, the Duke will destroy us.”

“Some things,” said the Count, with finality, “are more important than victory. Would you want to go on living in a world where perfection like Brunhilda’s was possessed by such a man as that?”

The knights were silent, then, as they watched Bork approach the Duke’s army, alone.

Bork did not realize he was alone until he stood a few feet away from the Duke’s lines. He had felt strange as he walked across the fields, believing he was marching into battle with the knights he had long admired in their bright armor and deft instruments of war. Now the exhilaration was gone. Where were the others? Bork was afraid.

He could not understand why the Duke’s men had not shot any arrows at him. Actually, it was a misunderstanding. If the Duke had known Bork was a commoner and not a knight at all, Bork would have had a hundred arrows bristling from his corpse. As it was, however, one of the Duke’s men called out, “You, sir! Do you challenge us to single combat?”

Of course. That was it—the Count did not intend Bork to face an army, he intended him to face a single warrior. The whole outcome of the battle would depend on him alone! It was a tremendous honor, and Bork wondered if he could carry it off.

“Yes! Single combat!” he answered. “Your strongest, bravest man!”

“But you’re a giant!” cried the Duke’s man.

“But I’m wearing no armor.” And to prove his sincerity, Bork took off his helmet, which was uncomfortable anyway, and stepped forward. The Duke’s knights backed away, making an opening for him, with men in armor watching him pass from both sides. Bork walked steadily on, until he came to a cleared circle where he faced the Duke himself.

“Are you the champion?” asked Bork.

“I’m the Duke,” he answered. “But I don’t see any of my knights stepping forward to fight you.”

“Do you refuse the challenge, then?” Bork asked, trying to sound as brave and scornful as he imagined a true knight would sound.

The Duke looked around at his men, who, if the armor had allowed, would have been shuffling uncomfortably in the morning sunlight. As it was, none of them looked at him.

“No,” said the Duke. “I accept your challenge myself.” The thought of fighting the giant terrified him. But he was a knight, and known to be a brave man; he had become Duke in the prime of his youth, and if he backed down before a giant now, his duchy would be taken from him in only a few years; his honor would be lost long before. So he drew his sword and advanced upon the giant.

Bork saw the determination in the Duke’s eyes, and marvelled at a man who would go himself into a most dangerous battle instead of sending his men. Briefly Bork wondered why the Count had not shown such courage; he determined at that moment that if he could help it the Duke would not die. The blood of the archer was more than he had ever wanted to shed. Nobility was in every movement of the Duke, and Bork wondered at the ill chance that had made them enemies.

The Duke lunged at Bork with his sword flashing. Bork hit him with the flat of the ax, knocking him to the ground. The Duke cried out in pain. His armor was dented deeply; there had to be ribs broken under the dent.

“Why don’t you surrender?” asked Bork.

“Kill me now!”

“If you surrender, I won’t kill you at all.”

The Duke was surprised. There was a murmur from his men.

“I have your word?”

“Of course. I swear it.”

It was too startling an idea.

“What do you plan to do, hold me for ransom?”

Bork thought about it. “I don’t think so.”

“Well, what then? Why not kill me and have done with it?” The pain in his chest now dominated the Duke’s voice, but he did not spit blood, and so he began to have some hope.

“All the Count wants you to do is go away and stop collecting tribute. If you promise to do that, I’ll promise that not one of you will be harmed.”

The Duke and his men considered in silence. It was too good to believe. So good it was almost dishonorable even to consider it. Still—there was Bork, who had broken the Duke’s body with one blow, right through the armor. If he chose to let them walk away from the battle, why argue?

“I give my word that I’ll cease collecting tribute from the Count, and my men and I will go in peace.”

“Well, then, that’s good news,” Bork said. “I’ve got to tell the Count.” And Bork turned away and walked into the fields, heading for where the Count’s tiny army waited.

“I can’t believe it,” said the Duke. “A knight like that, and he turns out to be generous. The Count could have his way with the King, with a knight like that.”

They stripped the armor off him, carefully, and began wrapping his chest with bandages.

“If he were mine,” the Duke said, “I’d use him to conquer the whole land.”

The Count watched, incredulous, as Bork crossed the field.

“He’s still alive,” he said, and he began to wonder what Bork would have to say about the fact that none of the knights had joined his gallant charge.

“My Lord Count!” cried Bork, when he was within range. He would have waved, but both his arms were exhausted now. “They surrender!”

“What?” the Count asked the knights near him. “Did he say they surrender?”

“Apparently,” a knight answered. “Apparently he won.”

“Damn!” cried the Count. “I won’t have it!”

The knights were puzzled. “If anybody’s going to defeat the Duke, I am! Not a damnable commoner! Not a giant with the brains of a cockroach! Charge!”

“What?” several of the knights asked.

“I said charge!” And the Count moved forward, his warhorse plodding carefully through the field, building up momentum.

Bork saw the knights start forward. He had watched enough mock battles to recognize a charge. He could only assume that the Count hadn’t heard him. But the charge had to be stopped—he had given his word, hadn’t he? So he planted himself in the path of the Count’s horse.

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