Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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“Yes, my lord.”

“What do you think of it?”

“Depends, doesn’t it, my lord, on who wears it.”

“It cost eleven pounds of silver.”

The page smiled sickly. Eleven pounds of silver would keep the average knight in arms, food, women, clothing, and shelter for a year with six pounds left over for spending money.

“There are more,” said the Count. “Many more.”

“But who are they for? Are you going to marry?”

“None of your business!” roared the Count. “If there’s anything I hate, it’s a meddler!” The Count turned again to the window and looked out. He was shaded by a huge oak tree that grew forty feet from the castle walls. “What’s today?” asked the Count.

“Thursday, my lord.”

“The day, the day!”

“Eleventh past Easter Feast.”

“The tribute’s due today,” said the Count. “Due on Easter, in fact, but today the Duke will be certain I’m not paying.”

“Not paying the tribute, my lord?”

“How? Turn me upside down and shake me, but I haven’t a farthing. The tribute money’s gone. The money for new arms is gone. The travel money is gone. The money for new horses is gone. Haven’t got any money at all. But gad, boy, what a wardrobe.” The Count sat on the sill of the window. “The Duke will be here very quickly, I’m afraid. And he has the latest in debt collection equipment.”

“What’s that?”

“An army.” The Count sighed. “Call a council, boy. My knights may jabber and scream, but they’ll fight. I know they will.”

The page wasn’t sure. “They’ll be very angry, my lord. Are you sure they’ll fight?”

“Oh, yes,” said the Count. “If they don’t, the Duke will kill them.”

“Why?”

“For not honoring their oath to me. Do go now, boy, and call a council.”

The page nodded. Kind of felt sorry for the old boy. Not much of a Count, as things went, but he could have been worse, and it was pretty plain the castle would be sacked and the Count imprisoned and the women raped and the page sent off home to his parents. “A council!” he cried as he left the Count’s chamber. “A council!”

In the cold cavern of the pantry under the kitchen, Bork pulled a huge keg of ale from its resting place and lifted it, not easily, but without much strain, and rested it on his shoulders. Head bowed, he walked slowly up the stairs. Before Bork worked in the kitchen, it used to take two men most of an afternoon to move the huge kegs. But Bork was a giant, or what passed for a giant in those days. The Count himself was of average height, barely past five feet. Bork was nearly seven feet tall, with muscles like an ox. People stepped aside for him.

“Put it there,” said the cook, hardly looking up. “And don’t drop it.”

Bork didn’t drop the keg. Nor did he resent the cook’s expecting him to be clumsy. He had been told he was clumsy all his life, ever since it became plain at the age of three that he was going to be immense. Everyone knew that big people were clumsy. And it was true enough. Bork was so strong he kept doing things he never meant to do, accidentally. Like the time the swordmaster, admiring his strength, had invited him to learn to use the heavy battleswords. Bork hefted them easily, of course, though at the time he was only twelve and hadn’t reached his full strength.

“Hit me,” the swordmaster said.

“But the blade’s sharp,” Bork told him.

“Don’t worry. You won’t come near me.” The swordmaster had taught a hundred knights to fight. None of them had come near him. And, in fact, when Bork swung the heavy sword the swordmaster had his shield up in plenty of time. He just hadn’t counted on the terrible force of the blow. The shield was battered aside easily, and the blow threw the sword upward, so it cut off the swordmaster’s left arm just below the shoulder, and only narrowly missed slicing deeply into his chest.

Clumsy, that was all Bork was. But it was the end of any hope of his becoming a knight. When the swordmaster finally recovered, he consigned Bork to the kitchen and the blacksmith’s shop, where they needed someone with enough strength to skewer a cow end to end and carry it to the fire, where it was convenient to have a man who, with a double-sized ax, could chop down a large tree in half an hour, cut it into logs, and carry a month’s supply of firewood into the castle in an afternoon.

A page came into the kitchen. “There’s a council, cook. The Count wants ale, and plenty of it.”

The cook swore profusely and threw a carrot at the page. “Always changing the schedule! Always making me do extra work.” As soon as the page had escaped, the cook turned on Bork. “All right, carry the ale out there, and be quick about it. Try not to drop it.”

“I won’t,” Bork said.

“He won’t,” the cook muttered. “Clever as an ox, he is.”

Bork manhandled the cask into the great hall. It was cold, though outside the sun was shining. Little light and little warmth reached the inside of the castle. And since it was spring, the huge logpile in the pit in the middle of the room lay cold and damp.

The knights were beginning to wander into the great hall and sit on the benches that lined the long, pock-marked slab of a table. They knew enough to carry their mugs—councils were always well-oiled with ale. Bork had spent years as a child watching the knights practice the arts of war, but the knights seemed more natural carrying their cups than holding their swords at the ready. They were more dedicated to their drinking than to war.

“Ho, Bork the Bully,” one of the knights greeted him. Bork managed a half-smile. He had learned long since not to take offense.

“How’s Sam the stableman?” asked another, tauntingly.

Bork blushed and turned away, heading for the door to the kitchen.

The knights were laughing at their cleverness. “Twice the body, half the brain,” one of them said to the others. “Probably hung like a horse,” another speculated, then quipped, “Which probably accounts for those mysterious deaths among the sheep this winter.” A roar of laughter, and cups beating on the table. Bork stood in the kitchen trembling. He could not escape the sound—the stones carried it echoing to him wherever he went.

The cook turned and looked at him. “Don’t be angry, boy,” he said. “It’s all in fun.”

Bork nodded and smiled at the cook. That’s what it was. All in fun. And besides, Bork deserved it, he knew. It was only fair that he be treated cruelly. For he had earned the title Bork the Bully, hadn’t he? When he was three, and already massive as a ram, his only friend, a beautiful young village boy named Winkle, had hit upon the idea of becoming a knight. Winkle had dressed himself in odds and ends of leather and tin, and made a makeshift lance from a hog prod.

“You’re my destrier,” Winkle cried as he mounted Bork and rode him for hours. Bork thought it was a fine thing to be a knight’s horse. It became the height of his ambition, and he wondered how one got started in the trade. But one day Sam, the stableman’s son, had taunted Winkle for his make-believe armor, and it had turned into a fist fight, and Sam had thoroughly bloodied Winkle’s nose. Winkle screamed as if he were dying, and Bork sprang to his friend’s defense, walloping Sam, who was three years older, along the side of his head.

Ever since then Sam spoke with a thickness in his voice, and often lost his balance; his jaw, broken in several places, never healed properly, and he had problems with his ear.

It horrified Bork to have caused so much pain, but Winkle assured him that Sam deserved it. “After all, Bork, he was twice my size, and he was picking on me. He’s a bully. He had it coming.”

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