Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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Every year Ah-Cheu put a pack on her back and journeyed for a visit either to the sister to the north or to the sister to the south. It took her three days to make the journey, for she did not hurry. But one year she did not make the journey, for she met a dragon on the road.

The dragon was long and fine and terrible, and Ah-Cheu immediately knelt and touched her forehead to the road and said, “Oh, dragon, spare my life!”

The dragon only chuckled deep in his throat and said, “Woman, what do they call you?”

Not wishing to tell her true name to the dragon, she said, “I am called Middle Woman.”

“Well, Middle Woman, I will give you a choice. The first choice is to have me eat you here in the road. The second choice is to have me grant you three wishes.”

Surprised, Ah-Cheu raised her head. “But of course I take the second choice. Why do you set me a problem with such an easy solution?”

“It is more amusing,” said the dragon, “to watch human beings destroy themselves than to overpower them quickly.”

“But how can three wishes destroy me?”

“Make a wish, and see.”

Ah-Cheu thought of many things she might wish for, but was soon ashamed of her greed. “I wish,” she finally said, having decided to ask for only what she truly needed, “for my husband’s farm to always produce plenty for all my family to eat.”

“It shall be done,” said the dragon, and he vanished, only to reappear a moment later, smiling and licking his lips. “I have done,” he said, “exactly what you asked—I have eaten all your family, and so your husband’s farm, even if it produces nothing, will always produce plenty for them to eat.”

Ah-Cheu wept and mourned and cursed herself for being a fool, for now she saw the dragon’s plan. Any wish, however innocent, would be turned against her.

“Think all you like,” said the dragon, “but it will do you no good. I have had lawyers draw up legal documents eight feet long, but I have found the loopholes.”

Then Ah-Cheu knew what she had to ask for. “I wish for all the world to be exactly as it was one minute before I left my home to come on this journey.”

The dragon looked at her in surprise. “That’s all? That’s all you want to wish for?”

“Yes,” said Ah-Cheu. “And you must do it now.”

And suddenly she found herself in her husband’s house, putting on her pack and bidding good-bye to her family. Immediately she set down the pack.

“I have changed my mind,” she said. “I am not going.”

Everyone was shocked. Everyone was surprised. Her husband berated her for being a changeable woman. Her mother-in-law denounced her for having forgotten her duty to her sisters. Her children pouted because she had always brought them each a present from her journeys to the north and south. But Ah-Cheu was firm. She would not risk meeting the dragon again.

And when the furor died down, Ah-Cheu was far more cheerful than she had ever been before, for she knew that she had one wish left, the third wish, the unused wish. And if there were ever a time of great need, she could use it to save herself and her family.

One year there was a fire, and Ah-Cheu was outside the house, with her youngest child trapped within. Almost she used her wish, but then thought, Why use the wish, when I can use my arms? And she ducked low, and ran into the house, and saved the boy, though it singed off all her hair. And she still had her son, and she still had her wish.

One year there was a famine, and it looked like all the world would starve. Ah-Cheu almost used her wish, but then thought, Why use the wish, when I can use my feet? And she wandered up into the hills, and came back with a basket of roots and leaves, and with such food she kept her family alive until the Emperor’s men came with wagons full of rice. And she still had her family, and she still had her wish.

And in another year there was a great flood, and all the homes were swept away, and as Ah-Cheu and her son’s baby sat upon the roof, watching the water eat away the walls of the house, she almost used her wish to get a boat so she could escape. But then she thought, Why use the wish, when I can use my head? And she took up the boards from the roof and walls, and with her skirts she tied them into a raft large enough for the baby, and setting the child upon it she swam away, pushing the raft until they reached high ground and safety. And when her son found her alive, he wept with joy, and said, “Mother Ah-Cheu, never has a son loved his mother more!”

And Ah-Cheu had her posterity, and yet still she had her wish.

And then it was time for Ah-Cheu to die, and she lay sick and frail upon a bed of honor in her son’s house, and the women and children and old men of the village came to keen for her and honor her as she lay dying. “Never has there been a more fortunate woman than Ah-Cheu.” they said. “Never has there been a kinder, a more generous, a more godfavored woman!” And she was content to leave the world, because she had been so happy in it.

And on her last night, as she lay alone in darkness, she heard a voice call her name.

“Middle Woman,” said the voice, and she opened her eyes, and there was the dragon.

“What do you want with me?” she asked. “I’m not much of a morsel to eat now, I’m afraid.”

But then she saw the dragon looked terrified, and she listened to what he had to say.

“Middle Woman,” said the dragon, “you have not used your third wish.”

“I never needed it.”

“Oh, cruel woman! What a vengeance you take! In the long run, I never did you any harm! How can you do this to me?”

“But what am I doing?” she asked.

“If you die, with your third wish unused, then I, too, will die!” he cried. “Maybe that doesn’t seem so bad to you, but dragons are usually immortal, and so you can believe me when I say my death would cut me off with most of my life unlived.”

“Poor dragon,” she said. “But what have I to wish for?”

“Immortality,” he said. “No tricks. I’ll let you live forever.”

“I don’t want to live forever,” she said. “It would make the neighbors envious.”

“Great wealth, then, for your family.”

“But they have all they need right now.”

“Any wish!” he cried. “Any wish, or I will die!”

And so she smiled, and reached out a frail old hand and touched his supplicating claw, and said, “Then I wish a wish, dragon. I wish that all the rest of your life should be nothing but happiness for you and everyone you meet.”

The dragon looked at her in surprise, and then in relief, and then he smiled and wept for joy. He thanked her many times, and left her home rejoicing.

And that night Ah-Cheu also left her home, more subtly than the dragon, and far less likely to return, but no less merrily for all that.

THE BULLY AND THE BEAST

The page entered the Count’s chamber at a dead run. He had long ago given up sauntering—when the Count called, he expected a page to appear immediately, and any delay at all made the Count irritable and likely to assign a page to stable duty.

“My lord,” said the page.

“My lord indeed,” said the Count. “What kept you?” The Count stood at the window, his back to the boy. In his arms he held a velvet gown, incredibly embroidered with gold and silver thread. “I think I need to call a council,” said the Count. “On the other hand, I haven’t the slightest desire to submit myself to a gaggle of jabbering knights. They’ll be quite angry. What do you think?”

No one had ever asked the page for advice before, and he wasn’t quite sure what was expected of him. “Why should they be angry, my lord?”

“Do you see this gown?” the Count asked, turning around and holding it up.

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