Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

For several years Winkle and Bork were the terror of the village. Winkle would constantly get into fights, and soon the village children learned not to resist him. If Winkle lost a fight, he would scream for Bork, and though Bork was never again so harsh as he was with Sam, his blows still hurt terribly. Winkle loved it. Then one day he tired of being a knight, dismissed his destrier, and became fast friends with the other children. It was only then that Bork began to hear himself called Bork the Bully; it was Winkle who convinced the other children that the only villain in the fighting had been Bork. “After all,” Bork overheard Winkle say one day, “he’s twice as strong as anyone else. Isn’t fair for him to fight. It’s a cowardly thing for him to do, and we mustn’t have anything to do with him. Bullies must be punished.”

Bork knew Winkle was right, and ever after that he bore the burden of shame. He remembered the frightened looks in the other children’s eyes when he approached them, the way they pleaded for mercy. But Winkle was always screaming and writhing in agony, and Bork always hit the child despite his terror, and for that bullying Bork was still paying. He paid in the ridicule he accepted from the knights; he paid in the solitude of all his days and nights; he paid by working as hard as he could, using his strength to serve instead of hurt.

But just because he knew he deserved the punishment did not mean he enjoyed it. There were tears in his eyes as he went about his work in the kitchen. He tried to hide them from the cook, but to no avail. “Oh, no, you’re not going to cry, are you?” the cook said. “You’ll only make your nose run and then you’ll get snot in the soup. Get out of the kitchen for awhile!”

Which is why Bork was standing in the doorway of the great hall watching the council that would completely change his life.

“Well, where’s the tribute money gone to?” demanded one of the knights. “The harvest was large enough last year!”

It was an ugly thing, to see the knights so angry. But the Count knew they had a right to be upset—it was they who would have to fight the Duke’s men, and they had a right to know why.

“My friends,” the Count said. “My friends, some things are more important than money. I invested the money in something more important than tribute, more important than peace, more important than long life. I invested the money in beauty. Not to create beauty, but to perfect it.” The knights were listening now. For all their violent preoccupations, they all had a soft spot in their hearts for true beauty. It was one of the requirements for knighthood. “I have been entrusted with a jewel, more perfect than any diamond. It was my duty to place that jewel in the best setting money could buy. I can’t explain. I can only show you.” He rang a small bell, and behind him one of the better-known secret doors in the castle opened, and a wizened old woman emerged. The Count whispered in her ear, and the woman scurried back into the secret passage.

“Who’s she?” asked one of the knights.

“She is the woman who nursed my children after my wife died. My wife died in childbirth, you remember. But what you don’t know is that the child lived. My two sons you know well. But I have a third child, my last child, whom you know not at all, and this one is not a son.”

The Count was not surprised that several of the knights seemed to puzzle over this riddle. Too many jousts, too much practice in full armor in the heat of the afternoon.

“My child is a daughter.”

“Ah,” said the knights.

“At first, I kept her hidden away because I could not bear to see her—after all, my most beloved wife had died in bearing her. But after a few years I overcame my grief, and went to see the child in the room where she was hidden, and lo! She was the most beautiful child I had ever seen. I named her Brunhilda, and from that moment on I loved her. I was the most devoted father you could imagine. But I did not let her leave the secret room. Why, you may ask?”

“Yes, why!” demanded several of the knights.

“Because she was so beautiful I was afraid she would be stolen from me. I was terrified that I would lose her. Yet I saw her every day, and talked to her, and the older she got, the more beautiful she became, and for the last several years I could no longer bear to see her in her mother’s cast-off clothing. Her beauty is such that only the finest cloths and gowns and jewels of Flanders, of Venice, of Florence would do for her. You’ll see! The money was not ill spent.”

And the door opened again, and the old woman emerged, leading forth Brunhilda.

In the doorway, Bork gasped. But no one heard him, for all the knights gasped, too.

She was the most perfect woman in the world. Her hair was a dark red, flowing behind her like an auburn stream as she walked. Her face was white from being indoors all her life, and when she smiled it was like the sun breaking out on a stormy day. And none of the knights dared look at her body for very long, because the longer they looked the more they wanted to touch her, and the Count said, “I warn you. Any man who lays a hand on her will have to answer to me. She is a virgin, and when she marries she shall be a virgin, and a king will pay half his kingdom to have her, and still I’ll feel cheated to have to give her up.”

“Good morning, my lords,” she said, smiling. Her voice was like the song of leaves dancing in the summer wind, and the knights fell to their knees before her.

None of them was more moved by her beauty than Bork, however. When she entered the room he forgot himself; there was no room in his mind for anything but the great beauty he had seen for the first time in his life. Bork knew nothing of courtesy. He only knew that, for the first time in his life, he had seen something so perfect that he could not rest until it was his. Not his to own, but his to be owned by. He longed to serve her in the most degrading ways he could think of, if only she would smile upon him; longed to die for her, if only the last moment of his life were filled with her voice saying, “You may love me.”

If he had been a knight, he might have thought of a poetic way to say such things. But he was not a knight, and so his words came out of his heart before his mind could find a way to make them clever. He strode blindly from the kitchen door, his huge body casting a shadow that seemed to the knights like the shadow of death passing over them. They watched with uneasiness that soon turned to outrage as he came to the girl, reached out, and took her small white hands in his.

“I love you,” Bork said to her, and tears came unbidden to his eyes. “Let me marry you.”

At that moment several of the knights found their courage. They seized Bork roughly by the arms, meaning to pull him away and punish him for his effrontery. But Bork effortlessly tossed them away. They fell to the ground yards from him. He never saw them fall; his gaze never left the lady’s face.

She looked wonderingly into his eyes. Not because she thought him attractive, because he was ugly and she knew it. Not because of the words he had said, because she had been taught that many men would say those words, and she was to pay no attention to them. What startled her, what amazed her, was the deep truth in Bork’s face. That was something she had never seen, and though she did not recognize it for what it was, it fascinated her.

The Count was furious. Seeing the clumsy giant holding his daughter’s small white hands in his was outrageous. He would not endure it. But the giant had such great strength that to tear him away would mean a full-scale battle, and in such a battle Brunhilda might be injured. No, the giant had to be handled delicately, for the moment.