Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

“My dear fellow,” said the Count, affecting a joviality he did not feel. “You’ve only just met.”

Bork ignored him. “I will never let you come to harm,” he said to the girl.

“What’s his name?” the Count whispered to a knight. “I can’t remember his name.”

“Bork,” the knight answered.

“My dear Bork,” said the Count. “All due respect and everything, but my daughter has noble blood, and you’re not even a knight.”

“Then I’ll become one,” Bork said.

“It’s not that easy, Bork, old fellow. You must do something exceptionally brave, and then I can knight you and we can talk about this other matter. But in the meantime, it isn’t proper for you to be holding my daughter’s hands. Why don’t you go back to the kitchen like a good fellow?”

Bork gave no sign that he heard. He only continued looking into the lady’s eyes. And finally it was she who was able to end the dilemma.

“Bork,” she said, “I will count on you. But in the meantime, my father will be angry with you if you don’t return to the kitchen.”

Of course, Bork thought. Of course, she is truly concerned for me, doesn’t want me to come to harm on her account. “For your sake,” he said, the madness of love still on him. The he turned and left the room.

The Count sat down, sighing audibly. “Should have got rid of him years ago. Gentle as a lamb, and then all of a sudden goes crazy. Get rid of him—somebody take care of that tonight, would you? Best to do it in his sleep. Don’t want any casualties when we’re likely to have a battle at any moment.”

The reminder of the battle was enough to sober even those who were on their fifth mug of ale. The wizened old woman led Brunhilda away again. “But not to the secret room, now. To the chamber next to mine. And post a double guard outside her door, and keep the key yourself,” said the Count.

When she was gone, the Count looked around at the knights. “The treasury has been emptied in a vain attempt to find clothing to do her justice. I had no other choice.”

And there was not a knight who would say the money had been badly spent.

The Duke came late that afternoon, much sooner than he was expected. He demanded the tribute. The Count refused, of course. There was the usual challenge to come out of the castle and fight, but the Count, outnumbered ten to one, merely replied, rather saucily, that the Duke should come in and get him. The messenger who delivered the sarcastic message came back with his tongue in a bag around his neck. The battle was thus begun grimly: and grimly it continued.

The guard watching on the south side of the castle was slacking. He paid for it.

The Duke’s archers managed to creep up to the huge oak tree and climb it without any alarm being given, and the first notice any of them had was when the guard fell from the battlements with an arrow in his throat.

The archers—there must have been a dozen of them—kept up a deadly rain of arrows. They wasted no shots. The squires dropped dead in alarming numbers until the Count gave orders for them to come inside. And when the human targets were all under cover, the archers set to work on the cattle and sheep milling in the open pens. There was no way to protect the animals. By sunset, all of them were dead.

“Dammit,” said the cook. “How can I cook all this before it spoils?”

“Find a way,” said the Count. “That’s our food supply. I refuse to let them starve us out.”

So all night Bork worked, carrying the cattle and sheep inside, one by one. At first the villagers who had taken refuge in the castle tried to help him, but he could carry three animals inside the kitchen in the time it took them to drag one, and they soon gave it up.

The Count saw who was saving the meat. “Don’t get rid of him tonight,” he told the knights. “We’ll punish him for his effrontery in the morning.”

Bork only rested twice in the night, taking naps for an hour before the cook woke him again. And when dawn came, and the arrows began coming again, all the cattle were inside, and all but twenty sheep.

“That’s all we can save,” the cook told the Count.

“Save them all.”

“But if Bork tries to go out there, he’ll be killed!”

The Count looked the cook in the eyes. “Bring in the sheep or have him die trying.”

The cook was not aware of the fact that Bork was under sentence of death. So he did his best to save Bork. A kettle lined with cloth and strapped onto the giant’s head; a huge kettle lid for a shield. “It’s the best we can do,” the cook said.

“But I can’t carry sheep if I’m holding a shield,” Bork said.

“What can I do? The Count commanded it. It’s worth your life to refuse.”

Bork stood and thought for a few moments, trying to find a way out of his dilemma. He saw only one possibility. “If I can’t stop them from hitting me, I’ll have to stop them from shooting at all.”

“How!” the cook demanded, and then followed Bork to the blacksmith’s shop, where Bork found his huge ax leaning against the wall.

“Now’s not the time to cut firewood,” said the blacksmith.

“Yes it is,” Bork answered.

Carrying the ax and holding the kettle lid between his body and the archers, Bork made his way across the courtyard. The arrows pinged harmlessly off the metal. Bork got to the drawbridge. “Open up!” he shouted, and the drawbridge fell away and dropped across the moat. Bork walked across, then made his way along the moat toward the oak tree.

In the distance the Duke, standing in front of his dazzling white tent with his emblem of yellow on it, saw Bork emerge from the castle. “Is that a man or a bear?” he asked. No one was sure.

The archers shot at Bork steadily, but the closer he got to the tree, the worse their angle of fire and the larger the shadow of safety the kettle lid cast over his body. Finally, holding the lid high over his head, Bork began hacking one-handed at the trunk. Chips of wood flew with each blow; with his right hand alone he could cut deeper and faster than a normal man with both hands free.

But he was concentrating on cutting wood, and his left arm grew tired holding his makeshift shield, and an archer was able to get off a shot that slipped past the shield and plunged into his left arm, in the thick muscle at the back.

He nearly dropped the shield. Instead, he had the presence of mind to let go of the ax and drop to his knees, quickly balancing the kettle lid between the tree trunk, his head, and the top of the ax handle. Gently he pulled at the arrow shaft. It would not come backward. So he broke the arrow and pushed the stub the rest of the way through his arm until it was out the other side. It was excruciatingly painful, but he knew he could not quit now. He took hold of the shield with his left arm again, and despite the pain held it high as he began to cut again, girdling the tree with a deep white gouge. The blood dripped steadily down his arm, but he ignored it, and soon enough the bleeding stopped and slowed.

On the castle battlements, the Count’s men began to realize that there was a hope of Bork’s succeeding. To protect him, they began to shoot their arrows into the tree. The archers were well hidden, but the rain of arrows, however badly aimed, began to have its effect. A few of them dropped to the ground, where the castle archers could easily finish them off; the others were forced to concentrate on finding cover.

The tree trembled more and more with each blow, until finally Bork stepped back and the tree creaked and swayed. He had learned from his lumbering work in the forest how to make the tree fall where he wanted it; the oak fell parallel to the castle walls, so it neither bridged the moat nor let the Duke’s archers scramble from the tree too far from the castle. So when the archers tried to flee to the safety of the Duke’s lines, the castle bowmen were able to kill them all.