Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

Здесь есть возможность читать онлайн «Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 2004, ISBN: 2004, Издательство: Tom Doherty Associates, Жанр: Фантастика и фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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Vaguely the Count remembered behaving in just that way many times, but Winkle’s words were seductive—they should be true.

“Your majesty, where you are pure, I am polluted. Where you are fresh, I am rotten. I’d sell my mother into slavery if I had a mother and I’d cheat the devil at poker and win hell from him before he caught on. And I’d stab any of your enemies in the back if I got the chance.”

“But what if my enemies aren’t your enemies?” the Count asked.

“Your enemies are always my enemies. I’ll be loyal to you through thick and thin.”

“How can I trust you, if you’re so rotten?”

“Because you’re going to pay me a lot of money.” Winkle bowed deeply.

“Done,” said the Count.

“Excellent,” said Winkle, and they shook hands. The Count noticed that Winkle’s hands were smooth—he had neither the hard horny palms of a village workingman nor the slick calluses of a man trained to warfare.

“How have you made a living, up to now?” the Count asked.

“I steal,” Winkle said, with a smile that said I’m joking and a glint in his eye that said I’m not.

“What about me?” asked Bork.

“Oh, you’re in it, too,” said Winkle. “You’re the king’s strong right arm.”

“I’ve never met the king,” said Bork.

“Yes you have,” Winkle retorted. “That is the king.”

“No he’s not,” said the giant. “He’s only a count.”

The words stabbed the Count deeply. Only a count. Well, that would end. “Today I’m only a count,” he said patiently. “Who knows what tomorrow will bring? But Bork—I shall knight you. As a knight you must swear absolute loyalty to me and do whatever I say. Will you do that?”

“Of course I will,” said Bork. “Thank you, my Lord Count.” Bork arose and called to his new friends throughout the hall in a voice that could not be ignored. “My Lord Count has decided I will be made a knight!” There were cheers and applause and stamping of feet. “And the best thing is,” Bork said, “that now I can marry the Lady Brunhilda.”

There was no applause. Just a murmur of alarm. Of course. If he became a knight, he was eligible for Brunhilda’s hand. It was unthinkable—but the Count himself had said so.

The Count was having second thoughts, of course, but he knew no way to back out of it, not without looking like a word-breaker. He made a false start at speaking, but couldn’t finish. Bork waited expectantly. Clearly he believed the Count would confirm what Bork had said.

It was Winkle, however, who took the situation in hand. “Oh, Bork,” he said sadly—but loudly, so that everyone could hear. “Don’t you understand? His majesty is making you a knight out of gratitude. But unless you’re a king or the son of a king, you have to do something exceptionally brave to earn Brunhilda’s hand.”

“But, wasn’t I brave today?” Bork asked. After all, the arrow wound in his arm still hurt, and only the ale kept him from aching unmercifully all over from the exertion of the night and the day just past.

“You were brave. But since you’re twice the size and ten times the strength of an ordinary man, it’s hardly fair for you to win Brunhilda’s hand with ordinary bravery. No, Bork—it’s just the way things work. It’s just the way things are done. Before you’re worthy of Brunhilda, you have to do something ten times as brave as what you did today.”

Bork could not think of something ten times as brave. Hadn’t he gone almost unprotected to chop down the oak tree? Hadn’t he attacked a whole army all by himself, and won the surrender of the enemy? What could be ten times as brave?

“Don’t despair,” the Count said. “Surely in all the battles ahead of us there’ll be something ten times as brave. And in the meantime, you’re a knight, my friend, a great knight, and you shall dine at my table every night! And when we march into battle, there you’ll be, right beside me—”

“A few steps ahead,” Winkle whispered discreetly.

“A few steps ahead of me, to defend the honor of my country—”

“Don’t be shy,” whispered Winkle.

“No, not my country. My kingdom. For from today, you men no longer serve a count! You serve a king!”

It was a shocking declaration, and might have caused sober reflection if there had been a sober man in the room. But through the haze of alcohol and torchlight and fatigue, the knights looked at the Count and he did indeed seem kingly. And they thought of the battles ahead and were not afraid, for they had won a glorious victory today and not one of them had shed a drop of blood. Except, of course, Bork. But in some corner of their collected opinions was a viewpoint they would not have admitted to holding, if anyone brought the subject out in the open. The opinion so well hidden from themselves and each other was simple: Bork is not like me. Bork is not one of us. Therefore, Bork is expendable.

The blood that still stained his sleeve was cheap. Plenty more where that came from.

And so they plied him with more ale until he fell asleep, snoring hugely on the table, forgetting that he had been cheated out of the woman he loved; it was easy to forget, for the moment, because he was a knight, and a hero, and at last he had friends.

It took two years for the Count to become King. He began close to home, with other counts, but soon progressed to the great dukes and earls of the kingdom. Wherever he went, the pattern was the same. The Count and his fifty knights would ride their horses, only lightly armored so they could travel with reasonable speed. Bork would walk, but his long legs easily kept up with the rest of them. They would arrive at their victim’s castle, and three squires would hand Bork his new steel-handled ax. Bork, covered with impenetrable armor, would wade the moat, if there was one, or simply walk up to the gates, swing the ax, and begin chopping through the wood. When the gates collapsed, Bork would take a huge steel rod and use it as a crow, prying at the portcullis, bending the heavy iron like pretzels until there was a gap wide enough for a mounted knight to ride through.

Then he would go back to the Count and Winkle.

Throughout this operation, not a word would have been said; the only activity from the Count’s other men would be enough archery that no one would be able to pour boiling oil or hot tar on Bork while he was working. It was a precaution, and nothing more—even if they set the oil on the fire the moment the Count’s little army approached, it would scarcely be hot enough to make water steam by the time Bork was through.

“Do you surrender to his Majesty the King?” Winkle would cry.

And the defenders of the castle, their gate hopelessly breached and terrified of the giant who had so easily made a joke of their defenses, would usually surrender. Occasionally there was some token resistance—when that happened, at Winkle’s insistence, the town was brutally sacked and the noble’s family was held in prison until a huge ransom was paid.

At the end of two years, the Count and Bork and Winkle and their army marched on Winchester. The King—the real king—fled before them and took up his exile in Anjou, where it was warmer anyway. The Count had himself crowned king, accepted the fealty of every noble in the country, and introduced his daughter Brunhilda all around. Then, finding Winchester not to his liking, he returned to his castle and ruled from there. Suitors for his daughter’s hand made a constant traffic on the roads leading into the country; would-be courtiers and nobles vying for positions filled the new hostelries that sprang up on the other side of the village. All left much poorer than they had arrived. And while much of that money found its way into the King’s coffers, much more of it went to Winkle, who believed that skimming off the cream meant leaving at least a quarter of it for the King.

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