Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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“A quarter of the world is north, Sir Bork the Bully, and a dragon is small compared to all the mountains of the earth. But I know a way you can find the dragon, if you’re really a knight.

“Light a torch, man. Light a torch, and whenever you come to a fork in the way, the light of the torch will leap the way you ought to go. Wind or no wind, fire seeks fire, and there is a flame at the heart of every dragon.”

“They do breathe fire, then?” he asked. He did not know how to fight fire.

“Fire is light, not wind, and so it doesn’t come from the dragon’s mouth or the dragon’s nostrils. If he burns you, it won’t be with his breath.” The old woman cackled like a mad hen. “No one knows the truth about dragons anymore!”

“Except you.”

“I’m an old wife,” she said. “And I know. They don’t eat human beings, either. They’re strict vegetarians. But they kill. From time to time they kill.”

“Why, if they aren’t hungry for meat?”

“You’ll see,” she said. She started to walk away, back into the forest.

“Wait!” Bork called. “How far will the dragon be?”

“Not far,” she said. “Not far, Sir Bork. He’s waiting for you. He’s waiting for you and all the fools who come to try to free the virgin.” Then she melted away into the darkness.

Bork lit a torch and followed it all night, turning when the flame turned, unwilling to waste time in sleep when Brunhilda might be suffering unspeakable degradation at the monster’s hands. And behind him, Winkle forced himself to stay awake, determined not to let Bork lose him in the darkness.

All night, and all day, and all night again Bork followed the light of the torch, through crooked paths long unused, until he came to the foot of a dry, tall hill, with rocks and crags along the top. He stopped, for here the flame leaped high, as if to say, “Upward from here.” And in the silence he heard a sound that chilled him to the bone. It was Brunhilda, screaming as if she were being tortured in the crudest imaginable way. And the screams were followed by a terrible roar. Bork cast aside the remnant of his food and made his way to the top of the hill. On the way he called out, to stop the dragon from whatever it was doing.

“Dragon! Are you there!”

The voice rumbled back to him with a power that made the dirt shift under Bork’s feet. “Yes indeed.”

“Do you have Brunhilda?”

“You mean the little virgin with the heart of an adder and the brain of a gnat?”

In the forest at the bottom of the hill, Winkle ground his teeth in fury, for despite his designs on the kingdom, he loved Brunhilda as much as he was capable of loving anyone.

“Dragon!” Bork bellowed at the top of his voice. “Dragon! Prepare to die!”

“Oh dear! Oh dear!” cried out the dragon. “Whatever shall I do?”

And then Bork reached the top of the hill, just as the sun topped the distant mountains and it became morning. In the light Bork immediately saw Brunhilda tied to a tree, her auburn hair glistening. All around her was the immense pile of gold that the dragon, according to custom, kept. And all around the gold was the dragon’s tail.

Bork looked at the tail and followed it until finally he came to the dragon, who was leaning on a rock chewing on a tree trunk and smirking. The dragon’s wings were clad with feathers, but the rest of him was covered with tough gray hide the color of weathered granite. His teeth, when he smiled, were ragged, long, and pointed. His claws were three feet long and sharp as a rapier from tip to base. But in spite of all this armament, the most dangerous thing about him was his eyes. They were large and soft and brown, with long lashes and gently arching brows. But at the center each eye held a sharp point of light, and when Bork looked at the eyes that light stabbed deep into him, seeing his heart and laughing at what it found there.

For a moment, looking at the dragon’s eyes, Bork stood transfixed. Then the dragon reached over one wing toward Brunhilda, and with a great growling noise he began to tickle her ear.

Brunhilda was unbearably ticklish, and she let off a bloodcurdling scream.

“Touch her not!” Bork cried.

“Touch her what?” asked the dragon, with a chuckle. “I will not.”

“Beast!” bellowed Bork. “I am Sir Bork the Big! I have never been defeated in battle! No man dares stand before me, and the beasts of the forest step aside when I pass!”

“You must be awfully clumsy,” said the dragon.

Bork resolutely went on. He had seen the challenges and jousts—it was obligatory to recite and embellish your achievements in order to strike terror into the heart of the enemy. “I can cut down trees with one blow of my ax! I can cleave an ox from head to tail, I can skewer a running deer, I can break down walls of stone and doors of wood!”

“Why can’t I ever get a handy servant like that?” murmured the dragon. “Ah well, you probably expect too large a salary.”

The dragon’s sardonic tone might have infuriated other knights; Bork was only confused, wondering if this matter was less serious than he had thought. “I’ve come to free Brunhilda, dragon. Will you give her up to me, or must I slay you?”

At that the dragon laughed long and loud. Then it cocked its head and looked at Bork. In that moment Bork knew that he had lost the battle. For deep in the dragon’s eyes he saw the truth.

Bork saw himself knocking down gates and cutting down trees, but the deeds no longer looked heroic. Instead he realized that the knights who always rode behind him in these battles were laughing at him, that the King was a weak and vicious man, that Winkle’s ambition was the only emotion he had room for; he saw that all of them were using him for their own ends, and cared nothing for him at all.

Bork saw himself asking for Brunhilda’s hand in marriage, and he was ridiculous, an ugly, unkempt, and awkward giant in contrast to the slight and graceful girl. He saw that the King’s hints of the possibility of their marriage were merely a trick, to blind him. More, he saw what no one else had been able to see—that Brunhilda loved Winkle, and Winkle wanted her.

And at last Bork saw himself as a warrior, and realized that in all the years of his great reputation and in all his many victories, he had fought only one man—an archer who ran at him with a knife. He had terrorized the weak and the small, but never until now had he faced a creature larger than himself. Bork looked in the dragon’s eyes and saw his own death.

“Your eyes are deep,” said Bork softly.

“Deep as a well, and you are drowning.”

“Your sight is clear.” Bork’s palms were cold with sweat.

“Clear as ice, and you will freeze.”

“Your eyes,” Bork began. Then his mouth was suddenly so dry that he could barely speak. He swallowed. “Your eyes are filled with light.”

“Bright and tiny as a star,” the dragon whispered. “And see; your heart is afire.”

Slowly the dragon stepped away from the rock, even as the tip of his tail reached behind Bork to push him into the dragon’s waiting jaws. But Bork was not in so deep a trance that he could not see.

“I see that you mean to kill me,” Bork said. “But you won’t have me as easily as that.” Bork whirled around to hack at the tip of the dragon’s tail with his ax. But he was too large and slow, and the tail flicked away before the ax was fairly swung.

The battle lasted all day. Bork fought exhaustion as much as he fought the dragon, and it seemed the dragon only toyed with him. Bork would lurch toward the tail or a wing or the dragon’s belly, but when his ax or sword fell where the dragon had been, it only sang in the air and touched nothing.

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