Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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He was nearly ready to head back for the dragon’s mountain when the army came.

“How many are there?” the King asked Winkle.

“I can’t get my spies to agree,” Winkle said. “But the lowest estimate was two thousand men.”

“And we have a hundred and fifty here in the castle. Well, I’ll have to call on my dukes and counts for support.”

“You don’t understand, Your Majesty. These are your dukes and counts. This isn’t an invasion. This is a rebellion.”

The King paled. “How do they dare?”

“They dare because they heard a rumor, which at first they didn’t believe was true. A rumor that your giant knight had quit, that he wasn’t in your army anymore. And when they found out for sure that the rumor was true, they came to cast you out and return the old King to his place.”

“Treason!” the King shouted. “Is there no loyalty?”

“I’m loyal,” Winkle said, though of course he had already made contact with the other side in case things didn’t go well. “But it seems to me that your only hope is to prove the rumors wrong. Show them that Bork is still fighting for you.”

“But he isn’t. I threw him out two years ago. The coward was even rejected by the dragon.”

“Then I suggest you find a way to get him back into the army. If you don’t, I doubt you’ll have much luck against that crowd out there. My spies tell me they’re placing wagers about how many pieces you can be cut into before you die.”

The King turned slowly and stared at Winkle, glared at him, gazed intently in his eyes. “Winkle, after all we’ve done to Bork over the years, persuading him to help us now is a despicable thing to do.”

“True.”

“And so it’s your sort of work, Winkle. Not mine. You get him back in the army.”

“I can’t do it. He hates me worse than anyone, I’m sure. After all, I’ve betrayed him more often.”

“You get him back in the army within the next six hours, Winkle, or I’ll send pieces of you to each of the men in that traitorous group that you’ve made friends with in order to betray me.”

Winkle managed not to looked startled. But he was surprised. The King had somehow known about it. The King was not quite the fool he had seemed to be.

“I’m sending four knights with you to make sure you do it right.”

“You misjudge me, Your Majesty,” Winkle said.

“I hope so, Winkle. Persuade Bork for me, and you live to eat another breakfast.”

The knights came, and Winkle walked with them to Bork’s hut. They waited outside.

“Bork, old friend,” Winkle said. Bork was sitting by the fire, staring in the flames. “Bork, you aren’t the sort who holds grudges, are you?”

Bork spat into the flames.

“Can’t say I blame you,” Winkle said. “We’ve treated you ungratefully. We’ve been downright cruel. But you rather brought it on yourself, you know. It isn’t our fault you turned coward in your fight with the dragon. Is it?”

Bork shook his head. “My fault, Winkle. But it isn’t my fault the army has come, either. I’ve lost my battle. You lose yours.”

“Bork, we’ve been friends since we were three—”

Bork looked up so suddenly, his face so sharp and lit with the glow of the fire, that Winkle could not go on.

“I’ve looked in the dragon’s eyes,” Bork said, “and I know who you are.”

Winkle wondered if it was true, and was afraid. But he had courage of a kind, a selfish courage that allowed him to dare anything if he thought he would gain by it.

“Who I am? No one knows anything as it is, because as soon as it’s known it changes. You looked in the dragon’s eyes years ago, Bork. Today I am not who I was then. Today you are not who you were then. And today the King needs you.”

“The King is a petty count who rode to greatness on my shoulders. He can rot in hell.”

“The other knights need you, then. Do you want them to die?”

“I’ve fought enough battles for them. Let them fight their own.”

And Winkle stood helplessly, wondering how he could possibly persuade this man, who would not be persuaded.

It was then that a village child came. The knights caught him lurking near Bork’s hut; they roughly shoved him inside. “He might be a spy,” a knight said.

For the first time since Winkle came, Bork laughed. “A spy? Don’t you know your own village, here? Come to me, Laggy.” And the boy came to him, and stood near him as if seeking the giant’s protection. “Laggy’s a friend of mine,” Bork said. “Why did you come, Laggy?”

The boy wordlessly held out a fish. It wasn’t large, but it was still wet from the river.

“Did you catch this?” Bork said.

The boy nodded.

“How many did you catch today?”

The boy pointed at the fish.

“Just the one? Oh, then I can’t take this, if it’s all you caught.”

But as Bork handed the fish back, the boy retreated, refused to take it. He finally opened his mouth and spoke. “For you,” he said, and then he scurried out of the hut and into the bright morning sunlight.

And Winkle knew he had his way to get Bork into the battle.

“The villagers,” Winkle said.

Bork looked at him quizzically.

And Winkle almost said, “If you don’t join the army, we’ll come out here and burn the village and kill all the children and sell the adults into slavery in Germany.” But something stopped him; a memory, perhaps, of the fact that he was once a village child himself. No, not that. Winkle was honest enough with himself to know that what stopped him from making the threat was a mental picture of Sir Bork striding into battle, not in front of the King’s army, but at the head of the rebels. A mental picture of Bork’s ax biting deep into the gate of the castle, his huge crow prying the portcullis free. This was not the time to threaten Bork.

So Winkle took the other tack. “Bork, if they win this battle, which they surely will if you aren’t with us, do you think they’ll be kind to this village? They’ll burn and rape and kill and capture these people for slaves. They hate us, and to them these villagers are part of us, part of their hatred. If you don’t help us, you’re killing them.”

“I’ll protect them,” Bork said.

“No, my friend. No, if you don’t fight with us, as a knight, they won’t treat you chivalrously. They’ll fill you full of arrows before you get within twenty feet of their lines. You fight with us, or you might as well not fight at all.”

Winkle knew he had won. Bork thought for several minutes, but it was inevitable. He got up and returned to the castle, strapped on his old armor, took his huge ax and his shield, and, with his sword belted at his waist, walked into the courtyard of the castle. The other knights cheered, and called out to him as if he were their dearest friend. But the words were hollow and they knew it, and when Bork didn’t answer they soon fell silent.

The gate opened and Bork walked out, the knights on horseback behind him.

And in the rebel camp, they knew that the rumors were a lie—the giant still fought with the King, and they were doomed. Most of the men slipped away into the woods. But the others, particularly the leaders who would die if they surrendered as surely as they would die if they fought, stayed. Better to die valiantly than as a coward, they each thought, and so as Bork approached he still faced an army—only a few hundred men, but still an army.

They came out to meet Bork one by one, as the knights came to the dragon on his hill. And one by one, as they made their first cut or thrust, Bork’s ax struck, and their heads flew from their bodies, or their chests were cloven nearly in half, or the ax reamed them end to end, and Bork was bright red with blood and a dozen men were dead and not one had touched him.

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