Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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And now that the wars were done, Bork hung up his armor and went back to normal life. Not quite normal life, actually. He slept in a good room in the castle, better than most of the knights. Some of the knights had even come to enjoy his company, and sought him out for ale in the evenings or hunting in the daytime—Bork could always be counted on to carry home two deer himself, and was much more convenient than a packhorse. All in all, Bork was happier than he had ever thought he would be.

Which is how things were going when the dragon came and changed it all forever.

Winkle was in Brunhilda’s room, a place he had learned many routes to get to, so that he went unobserved every time. Brunhilda, after many gifts and more flattery, was on the verge of giving in to the handsome young advisor to the King when strange screams and cries began coming from the fields below. Brunhilda pulled away from Winkle’s exploring hands and, clutching her half-open gown around her, rushed to the window to see what was the matter.

She looked down, to where the screams were coming from, and it wasn’t until the dragon’s shadow fell across her that she looked up. Winkle, waiting on the bed, only saw the claws reach in and, gently but firmly, take hold of Brunhilda and pull her from the room. Brunhilda fainted immediately, and by the time Winkle got to where he could see her, the dragon had backed away from the window and on great flapping wings was carrying her limp body off toward the north whence he had come.

Winkle was horrified. It was so sudden, something he could not have foreseen or planned against. Yet still he cursed himself and bitterly realized that his plans might be ended forever. A dragon had taken Brunhilda who was to be his means of legitimately becoming king; now the plot of seduction, marriage, and inheritance was ruined.

Ever practical, Winkle did not let himself lament for long. He dressed himself quickly and used a secret passage out of Brunhilda’s room, only to reappear in the corridor outside it a moment later. “Brunhilda!” he cried, beating on the door. “Are you all right?”

The first of the knights reached him, and then the King, weeping and wailing and smashing anything that got in his way. Brunhilda’s door was down in a moment, and the King ran to the window and cried out after his daughter, now a pinpoint speck in the sky many miles away. “Brunhilda! Brunhilda! Come back!” She did not come back. “Now,” cried the King, as he turned back into the room and sank to the floor, his face twisted and wet with grief, “Now I have nothing, and all is in vain!”

My thoughts precisely, Winkle thought, but I’m not weeping about it. To hide his contempt he walked to the window and looked out. He saw, not the dragon, but Bork, emerging from the forest carrying two huge logs.

“Sir Bork,” said Winkle.

The King heard a tone of decision in Winkle’s voice. He had learned to listen to whatever Winkle said in that tone of voice. “What about him?”

“Sir Bork could defeat a dragon,” Winkle said, “if any man could.”

“That’s true,” the King said, gathering back some of the hope he had lost. “Of course that’s true.”

“But will he?” asked Winkle.

“Of course he will. He loves Brunhilda, doesn’t he?”

“He said he did. But Your Majesty, is he really loyal to you? After all, why wasn’t he here when the dragon came? Why didn’t he save Brunhilda in the first place?”

“He was cutting wood for the winter.”

“Cutting wood? When Brunhilda’s life was at stake?”

The King was outraged. The illogic of it escaped him—he was not in a logical mood. So he was furious when he met Bork at the gate of the castle.

“You’ve betrayed me!” the King cried.

“I have?” Bork was smitten with guilt. And he hadn’t even meant to.

“You weren’t here when we needed you. When Brunhilda needed you!”

“I’m sorry,” Bork said.

“Sorry, sorry, sorry. A lot of good it does to say you’re sorry. You swore to protect Brunhilda from any enemy, and when a really dangerous enemy comes along, how do you repay me for everything I’ve done for you? You hide out in the forest!”

“What enemy?”

“A dragon,” said the King, “as if you didn’t see it coming and run out into the woods.”

“Cross my heart, Your Majesty, I didn’t know there was a dragon coming.” And then he made the connection in his mind. “The dragon—it took Brunhilda?”

“It took her. Took her half-naked from her bedroom when she leaped to the window to call to you for help.”

Bork felt the weight of guilt, and it was a terrible burden. His face grew hard and angry, and he walked into the castle, his harsh footfalls setting the earth to trembling. “My armor!” he cried. “My sword!”

In minutes he was in the middle of the courtyard, holding out his arms as the heavy mail was draped over him and the breastplate and helmet were strapped and screwed into place. The sword was not enough—he also carried his huge ax and a shield so massive two ordinary men could have hidden behind it.

“Which way did he go?” Bork asked.

“North,” the King answered.

“I’ll bring back your daughter, Your Majesty, or die in the attempt.”

“Damn well better. It’s all your fault.”

The words stung, but the sting only impelled Bork further. He took the huge sack of food the cook had prepared for him and fastened it to his belt, and without a backward glance strode from the castle and took the road north.

“I almost feel sorry for the dragon,” said the King.

But Winkle wondered. He had seen how large the claws were as they grasped Brunhilda—she had been like a tiny doll in a large man’s fingers. The claws were razor sharp. Even if she were still alive, could Bork really best the dragon? Bork the Bully, after all, had made his reputation picking on men smaller than he, as Winkle had ample reason to know. How would he do facing a dragon at least five times his size? Wouldn’t he turn coward? Wouldn’t he run as other men had run from him?

He might. But Sir Bork the Bully was Winkle’s only hope of getting Brunhilda and the kingdom. If he could do anything to ensure that the giant at least tried to fight the dragon, he would do it. And so, taking only his rapier and a sack of food, Winkle left the castle by another way, and followed the giant along the road toward the north.

And then he had a terrible thought.

Fighting the dragon was surely ten times as brave as anything Bork had done before. If he won, wouldn’t he have a claim on Brunhilda’s hand himself?

It was not something Winkle wished to think about. Something would come to him, some way around the problem when the time came. Plenty of opportunity to plan something— after Bork wins and rescues her.

Bork had not rounded the second turn in the road when he came across the old woman, waiting by the side of the road. It was the same old woman who had cared for Brunhilda all those years that she was kept in a secret room in the castle. She looked wizened and weak, but there was a sharp look in her eyes that many had mistaken for great wisdom. It was not great wisdom. But she did know a few things about dragons.

“Going after the dragon, are you?” she asked in a squeaky voice. “Going to get Brunhilda back, are you?” She giggled darkly behind her hand.

“I am if anyone can,” Bork said.

“Well, anyone can’t,” she answered.

“I can.”

“Not a prayer, you big bag of wind!”

Bork ignored her and started to walk past.

“Wait!” she said, her voice harsh as a dull file taking rust from armor. “Which way will you go?”

“North,” he said. “That’s the way the dragon took her.”

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