Robert Wilson - SCHRODINGER'S CAT TRILOGY

"Afraid to be identified with me publicly?" Crane asked. They were in Wildeblood's jet-set pad, on Sutton Place.

"Oh, not at all, darling," Eppy purred. "How funny that I should know what you really are. Don't I, babe?" He lifted Crane's chin with the toe of his shoe.

"Yes, master," Crane mumbled.

"Oh, that sounded a little sullen. I think you're just a bit rebellious today, babe. That must be punished."

"Yes, master," Crane said, going to the closet for the ropes. After he was stripped, and lying face down on the bed, Eppy carefully tied his four limbs to the four bedposts.

"You are my slave and you can't escape," he said.

"I am your slave and I can't escape," Crane repeated, as Wildeblood mounted him, both of them perfectly aware that he could slip the knots at any time.

Crane took Rhoda to the Rainbow Room that night and made a point of loudly and brutally humiliating her throughout the meal. She accepted it all (her hundred most intimate friends and enemies in the room noticed with disapproval), as if he had hypnotized her.

Rhoda actually took nearly a year to discover what was happening to her. It had started with a routine roll in the hay, but in the middle of it he lifted her to an unusual position. "What the hell is this?" she asked.

"Tibetan, angel," he said softly. "Relax and you'll enjoy it."

She relaxed, and it was the most extraordinary sexual experience of her life. After that, for two months, she followed all of his instructions, with growing delight and a firm belief that she was approaching that Ultimate Orgasm the Mailer fellow was always writing about. Then, one night, he brought out the ropes.

"Now, wait a minute," she said, "that's English. That's kink. Go to London if you want that."

"I love you," he murmured, his mouth moving south across her belly toward her bush; in a little while, she agreed to the restraints. He tied them very firmly-and then, to her relief, no weapon was produced. He didn't even produce his own weapon; it was entirely oral. After five orgasms, she found him sitting up and lighting a joint. In a minute, he held it to her own lips. "For the big one," he said. She toked hungrily while he kissed and caressed her and muttered endearments-but she could still feel the ropes. When the joint was finished he finally mounted her and galloped into some dimension of spasm she had never known before.

"God," she said, coming back to herself, "that was the big one." But he was reversed again, his mouth on her snatch, and her head spun.

The mild discipline began a few weeks later. "It builds up the charge," he said, and she found that it did. Soon she agreed that stronger discipline built an ever-greater charge. When the sadism switched to a psychological level, she was too far gone to stop, living in a dark and pulsating cave of ecstasy and pain millions of light-years from com-mon earth. She accepted degradation, humiliation, and the growing vampirism which seemed calculated to slowly destroy her last remnants of ego.

Once or twice, she remembered later, she had feebly protested, "Enough, too much. Please."

"No!" he shouted. "We're at the edge. We've got to go all the way over."

("Yes, master," he would be saying to Epicene Wildeblood a few hours later, "whatever you wish, master.")

"You could have lots of bookings, instead of just working in public terlets," his agent told him. "I could get you in top-money rooms. People would forget those drug charges, and those teenaged girls, if you didn't keep reminding them by being even worse. The way you and Rhoda carry on in public, everyone thinks you're a kink. And you and that faggot, Wildeblood-everyone thinks you're a touch lavender yourself, buddy. Why don't you straighten out, for Christ's sake? You're going to end up a beggar."

(Remembering: possibly a previous incarnation: Hesse at the station in Zurich: "The mescaline, ja, the mescaline is the great teacher": and Crowley in Berlin: "The question is, who is it that seeks the True Self?" All so long ago, so far away, and Richard Jung saying, "I am an accountant, I don't buy any of this mysticism," begging on the street near the Old Granary where Paul Revere and the original Five lie buried, Rancid the Butler, Mama Sutra, weeping among the corpses at Chateau Thierry. "Please Jesus don't let me die, don't let me die…")

The boy, who was to become Cagliostro the Great, heard "You're going to end up a beggar" and looked back and saw the tramp falling to the ground, very slowly, like the tree he had seen fall slowly after being chopped by the caretaker at the upstate Crane country home. And, just like the tree, when he finally reached the sidewalk, the tramp didn't move at all, not one bit; he even seemed to get stiff like the tree did, only faster.

"On your knees," Cagliostro said sternly, and Rhoda obediently crossed the floor on her knees. "Ask for it," he said.

"I beg you, master," she said, "to stick your cock inside my cunt and fuck me and make me come again and again and again. Oh, please, master."

He lit a cigar, pretending to deliberate, and then blew smoke in her face. "No," he said. "I want you to suck me off. Nothing at all for you tonight."

But a few nights later, when he was on top of her and inside her, and chanting in Tibetan, she suddenly thought she saw a kind of light around his head and two horns sprouting on his temple, and then it was like a million balloons bursting inside her and outside her at once, each balloon releasing a twinkle of light, each light a species of orgasm. "Rhoda Chief" ceased to exist. Eternities later, reentering time, she found he was again at the bottom of the bed, head between her legs, licking ferociously. She fainted.

He had a large library dealing with both stage magic and occultism, and Rhoda occasionally browsed in it. The next morning, while he was still asleep, she went back to it and searched in several volumes by Rosenkreuz, Therion, lambacchus, Prinn, Dee, and Kelly. "The Mass of the Holy Ghost" was variously described, but the Rose of Ruby was always identified with water and the first H in JHVH, the H of motherhood. The Cross of Gold had different meanings, too, but was chiefly fire and the J of JHVH, the J of fatherhood. Bringing the J and the H i? together, the wedding of Cross and Rose, produced the manifestation of the Holy Ghost in the form of a eucharist, which was then consumed by the alchemist. My God, she thought, the Cross is his cock and the Rose is my cunt; that's why he goes down on me afterward, as well as just before, "The eucharist," old Prinn's words said blandly, "is both male and female, both living and dead, both fire and water, and yet its creation involves no violation of nature but merely obedience to nature's own laws, together with the proper spiritual attitude."

Professor Nosferatu of Columbia, an old friend of Rhoda's, listened raptly as she recited the words to him. "That's not Tibetan, whatever he told you," he said. He repeated it with correct pronunciation: "IO PAN IO PAN PAN IO PANGENITOR IO PANPHAGE. It's an invocation of the god Pan in classic Greek. 'Io Pan, Io Pan, Pan. Io Pan-All-Creator, Io Pan-All-Devourer.' " He looked at her curi-ously. "You know, I've heard some rather odd rumors about you and him…"

"Whatever you've heard," she said with a faint smile, "is probably true. I want you to give me the name of the best shrink you know. I want somebody to work on my head and help me to stay away from him."

GALACTIC ARCHIVES:

After the RICH Economy had revolutionized the lives and expectations of Unistaters on and off Terra, Eve Hubbard realized that the time was now ripe to abolish poverty entirely. She did this by declaring every citizen a shareholder in the L5 space-cities and distributing National Dividends every year.