Robert Wilson - SCHRODINGER'S CAT TRILOGY
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- Название:SCHRODINGER'S CAT TRILOGY
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"Oh, your tongue, your tongue!" she cried. "In me, Teddy, in me."
The midget maneuvered his tongue into her vagina and bobbed his head in imitation fucking motions. Her legs went limp on his back, then tight, then limp again. She's close to coming, he thought rapturously. I'm making a woman come at last. He strained, sticking his tongue farther into her, maddened by the thicker and heavier taste of her and losing the orange juice can entirely in his passion. He got both hands under her and lifted her ass, drawing her pussy up to him, sucking desperately as he plunged his tongue again and again deeper and deeper into her.
"TEDDY SNOW CROP!" she screamed insanely. "FRODO BAGGINSH PETER PAN!!! CHILDHOOD!!!! INNOCENCE!!!! EAT MY PUSSY!!!!" She was coming, gushing like an oil well, all the female juices of her flowing into his mouth, and he nibbled the outer lips with his teeth, eyes tightly closed, riding on her crotch like a man hanging on to the edge of a cliff by his jaw muscles alone, bucking and bouncing with her, swallowing the essence of her womanhood, the elixir, and now after decades and decades of frustration, finally coming, exploding from the sheer lust of her soul communicated to him in every spasm and twitch of her passionate pussy.
He thought two things: Now; they're going to have to clean the Teddy Snow Crop suit.
And: I wonder if I'm still technically a virgin.
THE RICH ECONOMY
GALACTIC ARCHIVES:
President Hubbard's first step in establishing the RICH Economy was to offer a prize of $50,000 per year to any worker who could design a machine that would replace him or her.
When the primate labor unions raised twenty-three varieties of hell about this plan, Hubbard countered by offering $30,000 a year to all other workers replaced by such a machine. The rank-and-file union people fell into conflict immediately, some accepting this as a fine idea (this group consisting mostly of those earning less than twenty thou per annum), and the leaders still hypnotized by the conditioned and domesticated primate reflex that Employment was Good and Unemployment was Bad.
While the unions squabbled among themselves and ceased to present a united front against the RICH scenario, conservatives mounted a campaign against it on the ground that it was inflationary. Here Hubbard's political genius showed itself. She made no effort to reason with the intellectual conservatives, who were all theologians in disguise. All corporation heads and other alpha males of the right, however, were invited to a series of White House multimedia presentations on how RICH would work for them.
The chief points in these presentations were that: (1) a machine works twenty-four hours a day, not eight-thereby tripling output immediately; (2) machines do not take sick leave; (3) machines are never late for work; (4) machines do not form unions and constantly ask for higher wages and more fringe benefits; (5) machines do not take vacations; (6) machines do not harbor grudges and foul up production in sneaky, undetectable ways; (7) cybernation was advancing every decade, anyway, despite the opposition of unions, government, and these alpha males; it was better to have huge populations celebrating the reward of $30,000 to $50,000 per year for group cleverness than huge populations suffering the humility of welfare; (8) with production rising due to both cybernation and the space-cities, consumers were needed and a society on welfare was a society of very meager consumers.
The alpha males were still fighting among themselves about whether this was "sound" or not when it squeaked through Congress.
Within a year the first case of the new multi-inventive leisure class appeared. This was a Cherokee Indian named Starhawk, who had been an engine-lathe worker in Tucson. After designing himself out of that job, Starhawk had gone on to learn four other mechanical factory jobs, designed himself out of each, and now had a guaranteed income of $250,000 a year for these feats. He was now devoting himself to painting in the traditional Cherokee style-which was what he had always wanted to do, back in adolescence, before he learned that he had to work for a living.
By 1983 there were over a thousand similar cases. Many had gone on to seek advanced scientific degrees, and some had already migrated to the L5 space-cities. The swarming was beginning.
The majority of the unemployed, living comfortably on $30,000 a year, admittedly spent most of their time drinking booze, smoking weed, engaging in primate sexual acrobatics, and watching wall TV.
When moralists complained that this was a subhuman existence, Hubbard answered, "And what kind of existence did they have doing idiot jobs that machines do better?"
Some of the unemployed were beginning to seek jobs again; after all, $48,000 or $53,000 is better than $30,000. Usually, they found that higher education was required for the jobs that were still available. Many were back in college; adult education, already a fast-growth industry in the 1970s, was now the fastest growing field of all.
Hubbard was ready to launch Stage Two of the RICH Economy.
SATIRE
The dialogues between Frank Hemeroid and Ernest Hemingway grew more turgidly moralistic as the 1970s passed; Marvin was never able to bring himself to approach a sexual partner more alien to his own tormented ego than his right fist. He sublimated.
ERNEST: Fear is in all of us and must be faced. He who hesitates is lost. He who confronts the fear is undefeated forever, even if his body dies.
FRANK: Oh, come off it. The only reason anybody ever does anything "brave" is because he's more afraid of being called a no-good shit for running away.
ERNEST: You pass a thousand heroes on the street every day and never know how well they are carrying their burdens.
FRANK: I know. The woman with the Mongoloid child. The blind man who makes you so uncomfortable. The rape victim pulling herself together and refusing to go mad. The dumb cop with a hernia yet who goes down an alley after a hopped-up thief who is also armed. I'm not blind, myself. You only see their moments of heroism. You don't choose to watch how blow follows blow until heroism becomes meaningless and they all give up, one by one, and join the universal chorus of despair.
ERNEST: I have seen some who never gave up. A pig squeals when he sees the ax coming. A man can look right at the ax all his life and not squeal.
FRANK: The ax falls, anyway, does it not? Isn't your refusal to squeal just a big act, a gigantic lie? It's more honest to squeal with the other swine.
ERNEST: I still decline to admit that men are no more than swine.
FRANK: You are a Romantic, you old fool. If you had been honest enough to squeal like the rest of the swine, people would have seen the truth sooner. Every war since your day has been partly your fault, you know. If everybody squealed and ran away, there'd be no wars.
Of course nobody wanted to publish this kind of ranting- although it took Marvin nearly ten years to learn that.
In 1979 he set out grimly to write the worst, most tasteless, most vulgar book possible. He had arrived at that stage of psychological masochism where one must prove one's most pessimistic assumptions are true, for the sheer delight of knowing once and for all that the universe is really a pisspoor proposition all around. "Public taste is a misanthropist's heaven and a humanitarian's hell," he said bitterly. For his hero he elected a monster so monstrous as to be a mockery of all human hope, but one so obscure that he did not possess any of the evil glamour that surrounds a Hitler, a Nixon, or a Jack the Ripper. He picked Vlad Teppis- Vlad the Impaler- a fourteenth-century Hungarian religious fanatic who had executed 100,000 people for differing with his own extremely odd theological notions.
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