Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“My amazement increased during the taxi ride to town. I don’t know exactly what I had expected of Istanbul-nothing, maybe, since I had had so little time to anticipate the journey-but the beauty of this city knocked the wind out of me. It had anArabian Nights quality that no number of honking cars or businessmen in Western suits could dissolve. The first city here, Constantinople, the capital of Byzantium and the first capital of Christian Rome, must have been splendid beyond belief, I thought-a marriage of Roman wealth and early Christian mysticism. By the time we found some rooms in the old quarter of Sultanahmet, I had received a dizzying glimpse of dozens of mosques and minarets, bazaars hung with fine textiles, even a flash of the many-domed, four-horned Hagia Sophia billowing above the peninsula.

“Helen had never been here either, and she studied everything with quiet concentration, turning to me only once during the cab ride to remark how strange it was for her to see the wellspring-I believe that was her word-of the Ottoman Empire, which had left so many traces on her native country. This was to become a theme of our days there-her brief, pungent remarks on all that was already familiar to her: Turkish place-names, a cucumber salad consumed in an outdoor restaurant, the pointed arch of a window frame. This had a peculiar effect on me, too, a sort of doubling of my experience, so that I seemed to be seeing Istanbul and Romania at the same time, and as the question gradually arose between us of whether we would have to go into Romania itself, I had a sense of being led there by the artifacts of the past as I saw them through Helen’s eyes. But I digress-this is a later episode of my story.

“Our landlady’s front hall was cool after the glare and dust of the street. I sank gratefully into a chair in the entrance there, letting Helen reserve two rooms in her excellent but weirdly accented French. The landlady-an Armenian woman who was fond of travelers and had apparently learned their languages-didn’t know the name of Rossi’s hotel, either. Perhaps it had vanished years before.

“Helen liked to run things, I mused, so why not allow her the satisfaction? It was unspoken but firmly agreed between us that I would later pay the bill. I had withdrawn all of my sparse savings from the bank at home; Rossi deserved every effort I could make, even if I failed. I would simply have to go home bankrupt if it came to that. I knew that Helen, a foreign student, probably had less than nothing, lived on nothing. I had already noticed that she seemed to own just two suits, which she varied with a selection of sternly tailored blouses. ‘Yes, we’ll take the two separate rooms side by side,’ she told the Armenian lady, a fine-featured old woman. ‘My brother-mon frère-ronfle terriblement.’

“‘Ronfle?’I asked from the lounge.

“‘Snores,’ she said tartly. ‘You do snore, you know. I didn’t get a blink of sleep in New York.’

“‘Wink,’ I corrected.

“‘Fine,’ she said. ‘Just keep your door shut,s’il te plaît. ’

“With or without snoring, we had to sleep off the exhaustion of travel before we could do anything else. Helen wanted to hunt down the archive at once, but I insisted on rest and a meal. So it was late afternoon before we began our first prowl of those labyrinthine streets, with their glimpses of colorful gardens and courtyards.

“Rossi had not named the archive in his letters, and in our conversation he had called it only ‘a little-known repository of materials, founded by Sultan Mehmed II.’ His letter about his research in Istanbul added that it was attached to a seventeenth-century mosque. Beyond this, we knew that he’d been able to see the Hagia Sophia from a window there, that the archive had more than one floor, and that it had a door communicating directly with the street on the first floor. I had tried cautiously to find information on such an archive at the university library at home just before our departure, but without success. I wondered at Rossi’s not giving the name of the archive in his letters; it wasn’t like him to leave out that detail, but perhaps he hadn’t wanted to remember it. I had all his papers with me in my briefcase, including his list of the documents he’d found there, with that strangely incomplete line at the end: ‘Bibliography, Order of the Dragon.’ Looking through an entire city, a maze of minarets and domes, for the source of that cryptic line in Rossi’s handwriting was a daunting prospect, to say the least.

“The only thing we could do was to turn our feet toward our one landmark, the Hagia Sophia, originally the great Byzantine Church of Saint Sophia. And once we drew near it, it was impossible for us not to enter. The gates were open and the huge sanctuary pulled us in among the other tourists as if we rode a wave into a cavern. For fourteen hundred years, I reflected, pilgrims had been drawn into it, just as we were now. Inside, I walked slowly to the center and craned my head back to see that vast, divine space with its famous whirling domes and arches, its celestial light pouring in, the round shields covered with Arabic calligraphy in the upper corners, mosque overlaying church, church overlaying the ruins of the ancient world. It arched far, far above us, replicating the Byzantine cosmos. I could hardly believe I was there. I was stunned by it.

“Looking back at that moment, I understand that I had lived in books so long, in my narrow university setting, that I had become compressed by them internally. Suddenly, in this echoing house of Byzantium -one of the wonders of history-my spirit leaped out of its confines. I knew in that instant that, whatever happened, I could never go back to my old constraints. I wanted to follow life upward, to expand with it outward, the way this enormous interior swelled upward and outward. My heart swelled with it, as it never had during all my wanderings among the Dutch merchants.

“I glanced at Helen and saw that she was equally moved, her head tipped back like mine so that her dark curls fell over the collar of her blouse, her usually guarded and cynical face full of a pale transcendence. I reached out, impulsively, and took her hand. She grasped mine hard, with that firm, almost bony grip I knew already from her handshake. In another woman, this might have been a gesture of submission or coquetry, a romantic acquiescence; in Helen it was as simple and fierce a gesture as her gaze or the aloofness of her posture. After a moment she seemed to recall herself; she dropped my hand, but without embarrassment, and we wandered around the church together admiring the fine pulpit, the glinting Byzantine marble. It took me a mighty effort to remember that we could return to Hagia Sophia at any time during our stay in Istanbul, and that our first business in this city was to find the archive. Helen apparently had the same thought, for she moved toward the entrance when I did, and we made our way through the crowds and into the street again.

“‘The archive could be quite far away,’ she observed. ‘Saint Sophia is so large that you could see it from almost any building in this part of the city, I think, or even on the other side of the Bosphorus.’

“‘I know. We’ve got to find some other clue. The letters said that the archive was attached to a small mosque from the seventeenth century.’

“‘The city is filled with mosques.’

“‘True.’ I flipped through my hastily purchased guidebook. ‘Let’s start with this-the Great Mosque of the Sultans. Mehmed II and his court might have worshipped there sometimes-it was built in the late fifteenth century, and that would be a logical neighborhood for his library to end up in, don’t you think?’

“Helen thought it was worth a try, and we set off on foot. Along the way, I dipped into the guidebook again. ‘Listen to this. It says thatIstanbul is a Byzantine word that meantthe city. You see, even the Ottomans couldn’t demolish Constantinople, only rename it-with a Byzantine name, at that. It says here that the Byzantine Empire lasted from 333 to 1453. Imagine-what a long, long afternoon of power.’

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