Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“Yes, and hurry back to Master James, tell him you were safe in Amsterdam and then get word that you’d vanished. Oh, I would have been in his good graces then.” He plunked himself down next to me, folded his arms, and crossed his long legs. He had his little suitcase with him, and the front of his straw-colored hair stood on end. “What’s got into you?”

“Why were you spying on me?” I countered.

“The ferry was delayed this morning for repairs.” It seemed he couldn’t help smiling a little now. “I was hungry as a horse, so I went back a few streets to get some rolls and tea, and then I thought I saw you slipping out the other direction, way up the street, but I wasn’t at all sure. I thought I might be imagining things, you know, so I stayed and bought my breakfast. And then my conscience smote me, because if it was you I was in big trouble. So I hurried this way and saw the station, and then you boarded the train and I thought I was going to have heart failure.” He glared at me again. “You’ve been quite a bother this morning. I had to run around and get a ticket-and I almost didn’t have enough guilders for it, too-and hunt through the whole train for you. And now it’s been moving so long we can’t get off right away.” His narrow bright eyes strayed to the window and then to the pile of envelopes in my lap. “Would you mind explaining why you’re on the Paris express instead of at school?”

What could I do? “I’m sorry, Barley,” I said humbly. “I didn’t mean to involve you in this for a minute. I really thought you were on your way a long time ago and could go back to Master James with a clean conscience. I wasn’t trying to be any trouble to you.”

“Yes?” He was clearly waiting for more enlightenment. “So you just had a little hankering for Paris instead of history class?”

“Well,” I began, stalling for time. “My father sent me a telegram saying he was fine and I should join him there for a few days.”

Barley was silent for a moment. “Sorry, but that doesn’t explain everything. If you’d got a telegram it would probably have come last night and I’d have heard about it. And was there any question of your father’s not being ‘fine’? I thought he was just away on business. What’s all that you’re reading?”

“It’s a long story,” I said slowly, “and I know you already think I’m strange -”

“You’re awfully strange,” Barley put in crossly. “But you’d better tell me what you’re up to. You’ll have just time before we get off in Brussels and take the next train back to Amsterdam.”

“No!” I hadn’t meant to cry out like that. The lady across from us stirred in her gentle sleep, and I dropped my voice. “I have to go on to Paris. I’m fine. You can get off there, if you want, and then get back to London by tonight.”

“‘Get off there,’ eh? Does that mean you won’t be getting off there? Where else does this train go?”

“No, it does stop in Paris -”

He had folded his arms and was waiting again. He was worse than my father. Maybe he was worse than Professor Rossi had been. I had a brief vision of Barley standing at the head of a classroom, arms folded, eyes scanning his hapless students, his voice sharp: “And what finally leads Milton to his terrible conclusion about Satan’s fall? Or hasn’tanybody done the reading?”

I swallowed. “It’s a long story.” I said it again, more humbly.

“We have time,” said Barley.

“Helen and Turgut and I looked at one another around our little restaurant table, and I sensed a signal of kinship passing among us. Perhaps to delay for a moment, Helen picked up the round blue stone Turgut had put next to her plate and held it out to me. ‘This is an ancient symbol,’ she said. ‘It is a talisman against the Evil Eye.’ I took it, felt its heavy smoothness, warm from her hand, and set it down again.

“Turgut was not to be distracted, however. ‘Madam, you are Romanian?’ She was silent. ‘If this is true, you must be careful here.’ He lowered his voice a little. ‘The police might be rather interested in you. Our country is not on friendly terms with Romania.’

“‘I know,’ she said coldly.

“‘But how did the Gypsy woman know this?’ Turgut frowned. ‘You did not speak to her.’

“‘I do not know.’ Helen gave a helpless shrug.

“Turgut shook his head. ‘Some people say the Gypsies have the talent of special vision. I have never believed this, but -’ He broke off and patted his mustache with his napkin. ‘How strange that she talked of vampires.’

“‘Is it?’ Helen countered. ‘She must have been a crazy woman. Gypsies are all mad.’

“‘Perhaps, perhaps.’ Turgut was silent. ‘However, it is very strange to me, the way she spoke, because that is my other speciality.’

“‘Gypsies?’ I asked.

“‘No, good sir-vampires.’ Helen and I stared at him, carefully not meeting each other’s eyes. ‘Shakespeare is my life’s work, but the legend of the vampire is my hobby. We have an ancient tradition here of vampires.’

“‘Is that-ah-a Turkish tradition?’ I asked in astonishment.

“‘Oh, the legend goes back at least to Egypt, dear colleagues. But here in Istanbul – to begin with, there is a story that the most bloodthirsty of the emperors of Byzantium were vampires, that some of them understood the Christian communion as an invitation to quaff the blood of mortals. But I do not believe this. I believe it appeared later.’

“‘Well -’ I didn’t want to reveal too keen an interest, more for fear that Helen would jab my foot under the table again than from any conviction that Turgut was aligned with the powers of darkness. But she was staring at him, too. ‘What about the legend of Dracula? Have you heard of that?’

“‘Heard of that?’ snorted Turgut. His dark eyes shone, and he twisted his napkin into a knot. ‘You know that Dracula was a real person, a figure of history? A countryman of yours, actually, madam -’ He bowed to Helen. ‘He was a lord, avoivoda, in the western Carpathians in the fifteenth century. Not an admirable person, you know.’

“Helen and I were nodding-we couldn’t help it. I couldn’t, at least, and she seemed too intent now on Turgut’s words to stop herself. She had leaned forward a little, listening, and her eyes shone with the same rich darkness as his. Color had blossomed under her usual pallor. It was one of those many moments, I observed, even in the midst of my excitement, when beauty suddenly filled her rather harsh countenance, lighting it from within.

“‘Well -’ Turgut seemed to be warming to his subject. ‘I do not mean to bore you, but I have a theory that Dracula is a very important figure in the history of Istanbul. It is known that when he was a boy, he was held captive by Sultan Mehmed II in Gallipoli and then farther east in Anatolia -his own father gave him to the father of Mehmed, Sultan Murad II, as ransom for a treaty, from 1442 to 1448, six long years. Dracula’s father was not a gentleman, either.’ Turgut chuckled. ‘The soldiers who guarded the boy Dracula were masters in the art of torture, and he must have learned too much when he watched them. But, my good sirs’-he seemed to have forgotten Helen’s gender for the moment, in his collegial fervor-‘I have my own theory that he left his mark on them, too.’

“‘What on earth do you mean?’ My breath was coming short.

“‘From about that time, there is a record of vampirism in Istanbul. It is my notion-and it is still unpublished, alack, and I cannot prove it-that his first victims were among the Ottomans, maybe the guards who became his friends. He left behind him contamination in our empire, I propose, and then it must have been carried into Constantinople with the Conqueror.’

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