Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“We stared at him, speechless. It occurred to me that, according to legend, only the dead became vampires. Did this mean that Vlad Dracula had actually been killed in Asia Minor and become undead then, as a very young man, or that he’d simply had a taste for unholy libations very early in his life and had inspired it in others? I filed this away to ask Turgut in case I ever knew him well enough. ‘Oh, this is my eccentric hobby, you know.’ Turgut lapsed into a genial smile again. ‘Well, excuse me for climbing up onto my soap dish. My wife says I am intolerable.’ He toasted us with a subtle, courtly gesture before sipping from his little vase again. ‘But, by heaven, I have proof of one thing! I have proof that the sultans feared him as a vampire!’ He gestured toward the ceiling.

“‘Proof?’ I echoed.

“‘Yes! I discovered it some few years ago. The sultan was so much interested in Vlad Dracula that he collected some of his documents and possessions here after Dracula died in Wallachia. Dracula killed many Turkish soldiers in his own country, and our sultan hated him for this, but that was not why he founded this archive. No! The sultan even wrote a letter to the pasha of Wallachia in 1478 asking him for any writings he knew of about Vlad Dracula. Why? Because-he said-he was creating a library that would fight the evil that Dracula had spread in his city after his death. You see-why would the sultan still fear Dracula when Dracula was dead, if he did not believe Dracula could return? I have found a copy of the letter the pasha wrote to him in response.’ He thumped a fist on the table and smiled at us. ‘I have even found the library he created to fight evil.’

“Helen and I sat motionless. The coincidence was almost unbearably strange. Finally I ventured a question. ‘Professor, was this collection by any chance created by Sultan Mehmed II?’

“This time he stared at us. ‘By my boots, you are a fine historian indeed. You are interested in this period in our history?’

“‘Ah-very much so,’ I said. ‘And we would be-I’d be very much interested in seeing this archive you found.’

“‘Of course,’ he said. ‘With great pleasure. I will show you. My wife will be astounded that anyone wants to see.’ He chuckled. ‘But, alack, the beautiful building in which it was once housed has been torn down to make way for an office of the Ministry of Roads-oh, eight years ago. It was a lovely little building near the Blue Mosque. Such a shame.’

“I felt the blood draining from my face. So that was why we had had such difficulty locating Rossi’s archive. ‘But the documents -?’

“‘Do not worry, kind sir. I myself ensured them to become part of the National Library. Even if no one else adores them as I do, they must be preserved.’ Something dark crossed his face for the first time since he had scolded the Gypsy woman. ‘There is still evil to fight in our city, as there is everywhere.’ He looked from one of us to the other. ‘If you like old curiosities, I will most joyfully take you there tomorrow. It is closed this evening, of course. I know well the librarian who can allow you to peruse the collection.’

“‘Thank you very much.’ I didn’t dare look at Helen. ‘And how-how did you come to be interested in this unusual topic?’

“‘Oh, it is a long story,’ Turgut countered seriously. ‘I cannot be allowed to bore you so much.’

“‘We’re not bored at all,’ I insisted.

“‘You are very kind.’ He sat silent for some minutes, polishing his fork between thumb and forefinger. Outside our brick alcove, honking cars dodged bicycles in the crowded streets and pedestrians came and went like characters across a stage-women in flowing patterned skirts, scarves, and dangling gold earrings, or black dresses and reddish hair, men in Western suits and ties and white shirts. The breath of a mild, salty air reached us there at our table, and I imagined ships from all over Eurasia bringing their bounty to the heart of an empire-first Christian, then Muslim-and docking at a city whose walls stretched down into the very sea. Vlad Dracula’s forested stronghold, with its barbaric rituals of violence, seemed far indeed from this ancient, cosmopolitan world. No wonder he had hated the Turks, and they him, I thought. And yet the Turks of Istanbul, with their crafts of gold and brass and silk, their bazaars and bookshops and myriad houses of worship, must have had much more in common with the Christian Byzantines they had conquered here than did Vlad, defying them from his frontier. Viewed from this center of culture, he looked like a backwoods thug, a provincial ogre, a medieval redneck. I remembered the picture I’d seen of him in an encyclopedia at home-that woodcut of an elegant, mustached face framed by courtly dress. It was a paradox.

“I was lost in this image when Turgut spoke again. ‘Tell me, my fellows, what makes you to be interested in this topic of Dracula?’ He had turned the table on us, with a gentlemanly-or suspicious?-smile.

“I glanced at Helen. ‘Well, I’m studying the fifteenth century in Europe as background for my dissertation,’ I said, and was immediately punished for my lack of candor by a sense that this lie might already be true. God knew when I’d be working on my dissertation again, I thought, and the last thing I needed was a broader topic. ‘And you,’ I pressed again. ‘How did you jump from Shakespeare to vampires?’

“Turgut smiled-sadly, it seemed to me, and his quiet honesty punished me further. ‘Ah, it is a very strange thing, a long time ago. You see, I was working on my second book about Shakespeare-the tragedies. I sat to work every day in a little-how do you say?-niche in our English room at the university. Then one day I found a book I never saw there before.’ He turned to me with that sad smile again. My blood had already run cold in every extremity. ‘This book was like no other, an empty book, very old, with a dragon in the middle and a word-DRAKULYA. I had never heard about Dracula before. But the picture was very strange and strong. And then I thought, I must know what this is. So I tried to learn everything.’

“Helen had frozen across from me, but now she stirred, as if with eagerness. ‘Everything?’ she echoed softly.”

Barley and I had almost reached Brussels. It had taken me a long time-although it seemed like a few minutes-to tell Barley as simply and clearly as I could what my father had related of his experiences in graduate school. Barley stared past me out the window at the little Belgian houses and gardens, which looked sad under a curtain of clouds. We could see the occasional shaft of sunlight picking out a church spire or an old industrial chimney as we drew close to Brussels. The Dutch woman snored quietly, her magazine on the floor by her feet.

I was about to embark on a description of my father’s recent restlessness, his unhealthy pallor and strange behavior, when Barley suddenly turned to face me. “This is awfully peculiar,” he said. “I don’t know why I should believe this wild tale, but I do. I want to, anyway.” It struck me that I’d never before seen him look serious-only humorous or, briefly, annoyed. His eyes, blue as chips of sky, narrowed further. “The funny thing is that it all reminds me of something.”

“What?” I was almost faint with relief at his apparent acceptance of my story.

“Well, that’s the odd thing. I can’t think what. Something to do with Master James. But what was it?”

Chapter 27

Barley sat musing in our train compartment, chin in his long-fingered hands, trying in vain to remember something about Master James. Finally he looked at me, and I was struck by the beauty of his narrow, rosy face when it was serious. Without that unnerving jollity, it could have been the face of an angel, or maybe a monk in a Northumbrian cloister. I perceived these comparisons dimly; they bloomed for me only later.

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