Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“The annex to the library proved to be an exquisite little building. We entered it from the street through brass-studded wooden doors. The windows were covered with a tracery of marble; sunlight filtered through them in fine geometric shapes, decorating the floor of the dim entryway with fallen stars and octagons. Turgut showed us where to sign the register, which lay on a counter at the entrance (Helen put down an illegible scrawl, I noticed), and signed it himself with a flourish.

“Then we proceeded into the collection’s one room, a large, hushed space under a dome set with green-and-white mosaic. Polished tables ran the length of it, and three or four researchers already sat working there. The walls were lined not only with books but also with wooden drawers and boxes, and delicate brass lamp shades fitted with electric lighting hung from the ceiling. The librarian, a slender man of fifty with a string of prayer beads on his wrist, left his work and came over to shake both of Turgut’s hands in his. They spoke for a minute-on Turgut’s side of the conversation I caught the name of our university at home-and then the librarian addressed us in Turkish, smiling and bowing. ‘This is Mr. Erozan. He welcomes you to the collection,’ Turgut told us with a look of satisfaction. ‘He would like to be of assassination to you.’ I recoiled, in spite of myself, and Helen smirked. ‘He will set forth for you immediately Sultan Mehmed’s documents from the Order of the Dragon. But first, we must sit in comfort here and wait for him.’

“We settled at one of the tables, carefully distant from the few other researchers. They eyed us with transitory curiosity and then returned to their work. After a moment, Mr. Erozan came back carrying a large wooden box with a lock on the front and Arabic lettering carved into the top. ‘What does that say?’ I asked the professor.

“‘Ah.’ He touched the top of the box with his fingertips. ‘It says, ”Here is evil“-hmm-”here is evil contained-housed. Lock it with the keys of holy Qur’an.“’ My heart made a jump; the phrases were strikingly similar to what Rossi had reported reading in the margins of the mysterious map and had spoken aloud in the old archives where it had once been stored. He’d made no mention of this box in his letters, but perhaps he’d never seen it, if a librarian had brought him just the documents. Or perhaps they had been placed in the box sometime after Rossi’s sojourn here.

“‘How old is the box itself?’ I asked Turgut.

“He shook his head. ‘I don’t know, and neither does my friend here. Because it is of wood, I do not think it is very likely to be as old as the time of Mehmed. My friend told me once’-he beamed in Mr. Erozan’s direction, and the man beamed back without comprehension-‘that these documents were put in the box in 1930, to keep them safe. He knows that because he discussed it with the previous librarian. He is most meticulous, my friend.’

“In 1930! Helen and I looked at each other. Probably by the time Rossi had penned his letters-December 1930-to whoever might later receive them, the documents he had examined had already been put into this box for safekeeping. An ordinary wooden receptacle might have kept out mice and damp, but what had prompted the librarian of that era to lock the documents of the Order of the Dragon inside a box ornamented with a sacred warning?

“Turgut’s friend had produced a ring of keys and was fitting one to the lock. I almost laughed, remembering our modern card catalog at home, the accessibility of thousands of rare books in the university library system. I had never imagined myself doing research that required an old key. It clicked in the lock. ‘Here we are,’ Turgut murmured, and the librarian withdrew. Turgut smiled at each of us-rather sadly, I thought-and lifted the lid.”

In the train, Barley had just finished reading my father’s first two letters for himself. It gave me a pang to see them lying open in his hands, but I knew Barley would trust my father’s authoritative voice, whereas he might only half believe my weaker one. “Have you been to Paris before?” I asked him, partly to cover my emotion.

“I suppose I have,” Barley said indignantly. “I studied there for a year before I went to university. My mother wanted me to know French better.” I longed to ask about his mother and why she required this delectable accomplishment in her son, and also what it was like to have a mother, but Barley was deep in the letter again. “Your father must be a very good lecturer,” he mused. “This is a lot more entertaining than what we get at Oxford.”

This opened up another realm for me. Were lectures at Oxford ever dull? Was that possible? Barley was full of things I wanted to know, a messenger from a world so large I could not begin to imagine it. I was interrupted this time by a conductor hurrying down the aisle past our door. “Bruxelles!” he called. The train was slowing already, and a few minutes later we were looking out the window into the Brussels station; the customs officers were boarding. Outside, people were rushing for their trains and pigeons were hunting for morsels from the platform.

Perhaps because I was secretly fond of pigeons, I was gazing hard enough into the crowd to suddenly notice one figure that was not moving at all. A woman, tall and dressed in a long black coat, stood quietly on the platform. She had a black scarf tied over her hair, framing a white face. She was a little too far away for me to see her features clearly, but I caught a flash of dark eyes and an almost unnaturally red mouth-bright lipstick, maybe. There was something odd about the silhouette of her clothes; amid the miniskirts and hideous block-heeled boots of the day, she wore narrow black pumps.

But what caught my attention about her first, and held it for a moment before our train began to move again, was her attitude of alertness. She was scanning our train, up and down. I drew back from the window instinctively, and Barley looked a question at me. The woman apparently hadn’t seen us, although she took a hovering step in our direction. Then she seemed to change her mind and turned to scan another train, which had just pulled in on the opposite side of the platform. Something about her stern, straight back kept me staring until we began to move out of the station again, and then she disappeared among the throngs of people there, as if she had never existed.

Chapter 28

Ihad dozed off this time, instead of Barley. When I woke, I found myself wedged against him, my head lolling on the shoulder of his navy sweater. He was staring out the window, my father’s letters stored neatly again in their envelopes on his lap, his legs crossed, his face-not so far above mine-turned to the passing scenery of what I knew must by now be the French countryside. I opened my eyes to a view of his bony chin. When I looked down I could see Barley’s hands clasped loosely together over the letters. I noticed for the first time that he bit his nails, as I always did myself. I closed my eyes again, feigning continued sleep, because the warmth of his shoulder was so comforting. Then I was afraid he wouldn’t like my leaning against him, or that I had drooled on his sweater in my doltish slumber, and I sat quickly upright. Barley turned to look at me, his eyes full of faraway thoughts, or perhaps just full of the land beyond the window, no longer flat but rolling, a modest French farm country. After a minute he smiled.

“As the lid went up on Sultan Mehmed’s box of secrets, a smell I knew well drifted out of it. It was the scent of very old documents, of parchment or vellum, of dust and centuries, of pages time had long since begun to defile. It was the smell, too, of the small blank book with the dragon in the middle, my book. I had never dared put my nose directly into it, as I secretly had with some of the other old volumes I’d handled-I feared, I think, that there might be a repulsive edge to its perfume or, worse, a power in the scent, an evil drug I didn’t want to inhale.

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