Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“How did you know?” I said, astonished.

“Oh, you think you’re so mysterious.” Barley was looking exasperated again. “Didn’t I translate all that business in the vampire collection for you? Where could you be going if not to that monastery in the Pyrénées-Orientales? Don’t I know my map of France? Come on, don’t start scowling. It makes your face so much less piquant.” And we went to thebureau de change arm in arm, after all.

“When Turgut uttered Rossi’s name in that unmistakable tone of familiarity, I had the sudden sense of a world shifting, of bits of color and shape knocked out of place into a vision of intricate absurdity. It was as if I’d been watching a familiar movie and suddenly a character who had never been part of it before had strolled onto the screen, joining the action seamlessly but without explanation.

“‘Do you know Professor Rossi?’ Turgut repeated in the same tone.

“I was still speechless, but Helen had apparently made a decision. ‘Professor Rossi is Paul’s adviser in the history department of our university.’

“‘But that is incredible,’ Turgut said slowly.

“‘You knew of him?’ I asked.

“‘I have never met him,’ Turgut said. ‘But I heard of him in a most unusual way. Please, this is a story I must tell you, I think. Sit down, my fellows.’ He gestured hospitably, even in the midst of his amazement. Helen and I had leaped to our feet, but now we settled near him. ‘There is something here too extraordinary -’ He broke off, and then seemed to force himself to explain to us. ‘Years ago, when I became enamored of this archive, I asked the librarian for all possible information about it. He told me that in his memory no one else had ever examined it, but that he thought his ancestor-I mean, the librarian before him-knew something about it. I went to see the old librarian.’

“‘Is he alive now?’ I gasped.

“‘Oh, no, my friend. I am sorry. He was terribly old then, and he died a year after I talked with him, I believe. But his memory was excellent, and he told me that he had locked up the collection because he had a bad feeling about it. He said a foreign professor had looked at it once and then become very-how do you say?-upset and almost crazy, and run out of the building suddenly. The old librarian said that a few days after this happened, he was sitting alone in the library one day with some work, and he looked up and suddenly noticed a large man examining the same documents. No one had come in, and the door to the street was locked because it was evening, after the public hours for the library. He could not understand how the man had got in. He thought perhaps he had not locked the door after all, and had not heard the man come up the stairs, although this hardly seemed possible. Then he told me’-Turgut leaned forward and lowered his voice further-‘he told me that when he went close to the man to ask him what he was doing, the man looked up and-you see-there was a little bit of blood dripping from the corner of his mouth.’

“I felt a wave of revulsion, and Helen raised her shoulders as if to ward off a shudder. ‘The old librarian did not want to tell me about it, at first. I believe he was afraid I would think he was losing his mind. He told me the sight made him feel faint, and when he looked again the man was gone. But the documents were still scattered on the table, and the next day he bought this holy box in the antiques market and put the documents into it. He kept them locked up, and he said no one troubled them again while he was librarian here. He never saw the strange man again.’

“‘And what about Rossi?’ I demanded.

“‘Well, you see, I was determined to trace every little path of this story, so I asked him for the foreign researcher’s name, but he could not remember anything except that he thought it was Italian. He told me to look in the register for 1930, if I wanted to, and my friend here allowed me to do so. I found Professor Rossi’s name, after some searching, and discovered he was from England, from Oxford. Then I wrote him a letter in Oxford.’

“‘Did he reply?’ Helen was almost glaring at Turgut.

“‘Yes, but he was no longer at Oxford. He had gone to an American university-yours, although I didn’t connect the name when we first talked-and the letter found him there after a long time, and then he wrote back. He told me that he was sorry but he did not know anything about the archive to which I referred and could not help me. I will show you the letter at my apartment when you come for dinner with me. It arrived shortly before the war.’

“‘This is very strange,’ I muttered. ‘I just can’t understand it.’

“‘Well, this is not the strangest thing,’ Turgut said urgently. He turned to the parchment on the table, the bibliography, and his finger traced Rossi’s name at the bottom. Looking at it, I noticed again the words after the name. They were Latin, I was sure, although my Latin, dating back to my first two years of college, had never been impressive and was now rusty, to boot.

“‘What does that say? Do you read Latin?’

“To my relief, Turgut nodded. ‘It says, ”Bartolomeo Rossi, ’The Spirit-the Ghost-in the Amphora.‘“’

“My thoughts whirled. ‘But I know that phrase. I think-I’m sure that’s the title of an article he’s been working on this spring.’ I stopped. ‘Was working on. He showed it to me about a month ago. It’s about Greek tragedy and the objects the Greek theaters sometimes used as props onstage.’ Helen was looking intently at me. ‘It’s-I’m sure that’s his current work.’

“‘What is very, very strange,’ Turgut said, and now I heard the actual current of fear in his voice, ‘is that I have looked at this list many times, and I have never seen this entry on it. Someone has added Rossi’s name.’

“I stared at him in amazement. ‘Find out who,’ I gasped. ‘We must find out who has been tampering with these documents. When were you last here?’

“‘About three weeks ago,’ Turgut said grimly. ‘Wait, please, I will first go ask Mr. Erozan. Do not move.’ But as he got up, the attentive librarian saw him and came to meet him. They exchanged a few quick words.

“‘What does he say?’ I asked.

“‘Why did he not think to tell me this before?’ Turgut groaned. ‘A man came in yesterday and looked through this box.’ He questioned his friend further, and Mr. Erozan gestured at the door. ‘It was that man,’ Turgut said, pointing, too. ‘He says it was the man who came in a little while ago, to whom he was talking.’

“We all turned, aghast, and the librarian gestured again, but it was too late. The little man in the white cap and gray beard was gone.”

Barley was hunting through his wallet. “Well, we’re going to have to change everything I have,” he said glumly. “I’ve got the money from Master James, and a few pounds more from my allowance.”

“I brought some,” I said. “From Amsterdam, I mean. I’ll buy the train tickets south, and I think I can pay for our meals and lodging, at least for a few days.” I was wondering, privately, if I would actually be able to pay for Barley’s appetite. It was strange that someone so skinny could eat so much. I was still skinny, too, but I couldn’t imagine putting away two sandwiches at the rate Barley had just employed. I thought this concern with money was the nagging weight on my mind until we were actually at the exchange counter, and a young woman in a navy blazer was looking us over. Barley spoke with her about the exchange rates, and after a minute she picked up the phone, turning away to talk into the receiver. “Why’s she doing that?” I whispered nervously to Barley.

He glanced at me in surprise. “She’s checking the rates, for some reason,” he said. “I don’t know. What did you think?”

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